

Where to Watch The Death of Robin Hood
- The worst of the Wolverine movies. I get that it's right after X-Men Origins: Wolverine (2009) and Logan lost his memory, but dude seems really confused. On the other hand I like how it perfectly flows over into the beginning of the story in The Wolverine (2013). Only 1 star because he didn't use his claws, 1 star for Bill Skarsgård and 1 star for cinematography.
- This is staying in the library, although I am not remotely convinced I will be rushing to watch it again. The Death of Robin Hood is less a Robin Hood adventure than a film about what remains when an old violent man outlives the exciting version of his own story. Hugh Jackman's Robin is hunted, tired and openly contemptuous of the heroic legend that has grown around him. After one brutally physical final fight alongside Little John, the film retreats to a remote priory and almost stops moving. That is both the attraction and the problem. Pat Scola's 35mm photography is outstanding, particularly the landscapes and candlelit interiors, and the subtle change in aspect ratio once Robin reaches the priory beautifully shifts the film from legend towards intimacy. Jodie Comer gives Sister Brigid a quiet authority that becomes increasingly important as her real connection to Robin emerges. The supporting work from Faith Delaney, Murray Bartlett, Noah Jupe and Bill Skarsgård is strong, and Jim Ghedi's score fits the film's worn, folk-ballad atmosphere perfectly. But this is a very slow two hours. I paused it several times, and I think the film sometimes confuses withholding momentum with accumulating depth. It eventually justifies much of that patience, particularly in Robin's relationship with Margaret and Brigid and in the strange mercy of the ending, but getting there is work. So: absolutely worth keeping, mainly for the performances, cinematography and its unusually severe take on the legend. Rewatch value for me personally? Low. Some films I want to revisit. This one I am satisfied to have survived.
- Another year, another classic hero dragged through the mud and left as a self-loathing wreck. The Death of Robin Hood is the latest entry in Hollywood’s favourite modern ritual: take a figure of legend, strip away every trace of idealism or competence, and present the resulting miserable shell as some kind of profound statement. Hugh Jackman plays an aging Robin Hood who is not the noble outlaw of myth but a brutal, joyless killer. He robbed and murdered for the thrill of it, including women and children, and the stories of him giving to the poor are explicitly framed as lies. The film opens by establishing this in graphic, ugly fashion and then spends two hours watching him stew in self-hatred until a bleak, bloodletting end. The legend is not complicated or deepened. It is simply cancelled. This approach has become so common it barely registers as a choice anymore. Luke Skywalker reduced to a bitter hermit who rejects the Force. Indiana Jones turned into a diminished, grumpy old man. Now Robin Hood is just another broken, murderous failure whose heroism was propaganda. What once felt like bold revisionism in films like Unforgiven has calcified into a predictable formula: the past’s heroes must be revealed as frauds or monsters. It is presented as maturity. It increasingly feels like a lack of imagination. Michael Sarnoski stages it all with the expected A24 seriousness: beautiful, muddy cinematography, heavy atmosphere, a committed Jackman performance, but the intelligence stops at the concept. Once you’ve accepted that Robin was never a hero, the film has nowhere interesting to go. It simply grinds through guilt, violence, and exhaustion until the credits. The result is less a daring deconstruction than a grim, self-satisfied lecture that mistakes cynicism for depth. There is a place for darker takes on folklore. This is not one of them. It is the same tired move we’ve seen too many times, applied to yet another cultural touchstone, and executed with maximum solemnity and minimal insight. The merry men are gone. The hero is gone. All that’s left is the fashionable insistence that he was never worth believing in to begin with.
- I watch all the Robin Hood things. And I even enjoy the BBC Robin Hood Series, in all its goofyness. This was definitely different! But, that's what I liked about it. Throws you for a bit of a loop with how hard it goes in the first half (undoubtebly the best half, lol) and then goes more psycological heavy in the second half. Taking the movie for what it is meant to be, I thought it was really well done. I would even love to see a prequel series to this particular variant of the story with the same actors. Very good performances across the board. Giving it 5 stars for a different direction story-wise, excellent acting, and great visuals. If you're a Robin Hood aficionado, you'll definitely find something you like about this movie.
- Two straight hours of trauma bonding Stories are important - we get it What’s up with the resurrection of Christianity? (sorry jk jk) No way you’re making penance for THAT many sins in one lifetime; hell still awaits my good man Fucking hilarious that this guy is more empathetic than PT Barnum, despite the Hollywood treatment #NeverForget Bill Skarsgård is still doing the same voice and it’s perplexing. Pennywise, Dead Man’s Wire, now this… the voice typecasting feels unnecessary and is getting old imo. Also I think he bases half his acting style in mimicking Lakeith Stanfield Exceptional cinematography. Some grisly animal deaths. Definitely not for my “can’t see animals harmed” friends Feels like it thinks very highly of itself but maybe I’m just projecting my hate that A24 took money for AI marketing. Did the single bow & arrow metaphor drive this entire script?? Then they were like, “You know who used a bow & arrow!? That’s right! Little John!” So if you just ask enough times, someone who wants to help will eventually euthanize you? HOW MANY TIMES DO I HAVE TO ASK Watched at Warren Regal 21 Currently Ranked #55/103 in 2026 Ranked
- If you're here because this was compared to Logan. Then you were tricked, just like me. I liked the pivot away from Robin Hood as a good man to a bad hero. Or maybe you'd paint it as a complex hero? Hugh Jackman does a good job portraying the character but it's slow in some parts. The end is a bit wild for me but it didn't save it.
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The Death of Robin Hood was released on June 18, 2026.
The Death of Robin Hood was directed by Michael Sarnoski.
The Death of Robin Hood has a runtime of 2h 1m.
The Death of Robin Hood was produced by Aaron Ryder, Andrew Swett, Alexander Black, Hugh Jackman.
After a lifetime of violent crime, a gravely wounded Robin Hood (Hugh Jackman) is rescued by a mysterious woman and offered one last chance at salvation in this fresh retelling of the epic legend.
The key characters in The Death of Robin Hood are Robin Hood (Hugh Jackman), Sister Brigid (Jodie Comer), Little John (Bill Skarsgård).
The Death of Robin Hood is rated R.
The Death of Robin Hood is an Action, Adventure, Drama film.
The Death of Robin Hood has an audience rating of 5.6 out of 10.
The Death of Robin Hood had a budget of $25M.
The Death of Robin Hood has made $3.2M at the box office.



















