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The Day After
2017 1h 32m
Drama
,
Romance
6.9
79%
63%
64%
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The married Bongwan leaves home in the dark morning and sets off to work. The memories of the woman who left weigh down on him. That day Bongwan's wife finds a love note, bursts into the office, and mistakes Areum for the woman who left.
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Directed By
Hong Sang-soo
Written By
Hong Sang-soo
Studio
Jeonwonsa Film
,
Contents Panda
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Cast of The Day After
Kwon Hae-hyo
Kim Bong-wan
Kim Min-hee
Song Ah-reum
Kim Sae-byuk
Lee Chang-sook
Cho Yun-hee
Song Hae-joo
Gi Ju-bong
Kang Tae-u
Chinese Restaurant Delivery Man
Park Ye-joo
The Day After Reviews
AV Club
A.A. Dowd
The Day After gets by on the farcical nature of its entanglements-in moments, it plays like a delightful comedy of misunderstanding.
RogerEbert.com
Simon Abrams
[An] uninspired pity party comedy.
AV Club
Mike D'Angelo
A lazy shoulder shrug of a movie that never bothers to work out who its characters are, what they want, or why their ostensible problems should be of interest to anyone else.
indieWire
David Ehrlich
Slight, contained, but ineffably soulful.
From the Front Row
Mattie Lucas
A kind of filmed therapy that offers a unique window into the soul of an artist.
IONCINEMA.com
Nicholas Bell
Although The Day After seems a bit too trivial to compare to some of Sangsoo's more substantial titles, this melancholy faced comedy should amuse the director's fan base.
Slant Magazine
Chuck Bowen
Hong Sang-soo's The Day After homes in on the similarities between job interviews and dates, mining them for a comedy of romantic alienation and autobiographical rumination.
Chicago Reader
Ben Sachs
A prodigious director of actors, [Hong Sang-soo] maintains a sense of spontaneity that renders the characters' behavior natural and relatable.
Los Angeles Times
Robert Abele
Amusingly bittersweet yet quietly resplendent...
New York Times
A.O. Scott
Shot in chilly, silky digital black and white, it plays with chronology in a way that seems both casual and musically precise.
Village Voice
Bilge Ebiri
The Day After may not be a particularly great film, but it does feel like a necessary one.
New Yorker
Richard Brody
Hong tells the story in long and dialogue-filled takes, done in a soft black-and-white that feels like pencil drawings, to extract deep and earnest confessions with a graceful touch that shudders with the life-shaking emotions at their core.
Variety
Guy Lodge
Lacking the emotional and structural complexity of some recent Hong outings, it's minor even by his minor-key standards.
Asian American Press
Diana Cheng
Shot in black and white, the film allows viewers to observe the characters like a visual document, but at the same time, entertaining them with humorous nuances.
The Playlist
Nikola Grozdanovic
The Day After" is a soulful and profound story told in a distinct cinematic language that's worthy of its own film academy.
MUBI
Bedatri D. Choudhury
While dealing with the trope of the "other woman" Hong Sang-soo's films have always been very philosophical without being moralistic.
Film Inquiry
Tomas Trussow
The Day After has all the hallmarks of something unostentatious-except, it isn't. This is actually trickster Hong working in his element, albeit more surreptitiously than we're used to seeing.
Film Inquiry
Shawn Glinis
Hong's priorities are different from other filmmakers; he eschews an adherence to film language decorum in favor of interrogating emotions and ideas that are important to him, in ways that make sense to him.
Under the Radar
Jason Wilson
The Day After is very slight, which isn't a problem, just an observation that it's incredibly slice-of-life.
Dennis Schwartz Movie Reviews
Dennis Schwartz
An undeveloped comical sketch in black and white about infidelity and mistaken identity.
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