パイレーツ・ロック
監督:Richard Curtis
1966年イギリス。まだイギリスに民放ラジオが存在せずポピュラーミュージックの放送が制限されていた時代に、北海からロック音楽を流して人気を集めていた「海賊ラジオ局」を取り巻く若者と政府を描く。ドラッグと喫煙で高校を退学になったカール（トム・スターリッジ）は、更正を望む母の提案で、母の旧友クエンティン（ビル・ナイ）のいる船に乗船。その船は、アメリカ出身のザ・カウント（フィリップ・シーモア・ホフマン）ら、クールなDJたちがロックの取締りをもくろむ政府の目を盗み、24時間ロックを流し続ける海賊ラジオ局だった。
パイレーツ・ロックの評価とレビュー
- svei2026年3月5日It’s such a disappointment, given the amazing subject matter and stellar cast.
- Robert2026年2月13日It's okay. I found it difficult to root for the guys we are being asked to root for. They aren't very likeable.
- Shaydeknight2025年10月20日The Boat That Rocked is arguably Richard Curtis’ most disappointing film. It has too much style and very little heart. Despite the director’s usual charm and comedic sensibility, this movie fails to connect with its audience on a meaningful level. The characters are largely unrelatable and self-indulgent. They come across less as bohemian rebels and more as a collection of perpetually concupiscent Peter Pans, indulging in adolescent behaviour with little grounding. With the exception of Chris O’Dowd’s storyline (which is surprisingly gut-wrenching) the film’s characters are thinly sketched and unsympathetic. Curtis seems to aim for generating pathos for each character through a jumble of episodic vignettes that fail to come together as a whole. Those fragments rarely elicit real emotional investment, probably due to the characters throwing ethos and logos out a porthole. The bottom line is that I didn't like the majority of the characters and that's a pretty big problem in this sort of film. Curtis’ nostalgia for 1960s pirate radio is evident (he would have been 10 at the time of the film's events), but a fondness for the era cannot compensate for a narrative that feels uneven and predictable. The climax delivers exactly what one expects, and the resolution feels perfunctory. Technically, the film does exhibit some merits. The cinematography is energetic and vibrant, with dynamic tracking shots aboard the ship that capture the chaotic energy of life on a floating radio station. The film offers bright, saturated colours and stylized set designs to evoke a nostalgic, almost dreamlike 1960s. The soundtrack, as one would expect from a story about pirate radio, is exceptional, providing an infectious sense of era and atmosphere. Editing-wise, the jump-cut heavy style mirrors the disjointed nature of shipboard life and the episodic narrative, though in this case it sometimes emphasizes the film’s structural incoherence rather than enhancing rhythm or pacing. Overall, while The Boat That Rocked is visually appealing and sonically exhilarating, it struggles to generate meaningful empathy or engagement. It’s a technically competent, nostalgia-soaked exercise, but having characters that are generally unlikeable in this sort of film completely defeats the purpose of the experience.
- cultfilmliker2025年5月30日Terminally horny! Felt more pervy than “open about sex” What a surprisingly loaded cast! Rhys Darby is so funny. Chris O’Dowd is always great as well! The presentation of information in the prologue and epilogue was very unique and kinda gimmicky but I definitely dug it wrt the vibe of the film! The part where they tried to SA someone was weird!
- ርልዪረ2025年2月14日Well what to say? This is a superbly written and acted film about the pirate radio of the 1960's and the government's attempts to shut them down. Many well known actors, delivering superbly scripted one liners. From start to finish I laughed along with the characters. A brilliant "feel good" film. You won't be disappointed!
- Scott and Sharon2025年8月26日Once in a while you find a film that just…gels with you. For me this film fits right in that spot that films like the Velvet Goldmine, Tommy, Rocky Horror, High Fidelity, Phantom of the Paradise and Quadrophenia do. The music, the acting, the feeling. I am So glad I found this film. Check it out, you won’t be sorry.
- JohnK23192025年3月10日Baby you can drive my. . . boat?
パイレーツ・ロックに関するトリビア
パイレーツ・ロックは2009年4月1日に公開されました。
パイレーツ・ロックはRichard Curtisが監督を務めました。
パイレーツ・ロックの上映時間は2h 15mです。
パイレーツ・ロックはHilary Bevan Jones, Tim Bevan, Emma Freud, Ronaldo Vasconcellos, Eric Fellnerがプロデューサーを務めました。
1966年イギリス。まだイギリスに民放ラジオが存在せずポピュラーミュージックの放送が制限されていた時代に、北海からロック音楽を流して人気を集めていた「海賊ラジオ局」を取り巻く若者と政府を描く。ドラッグと喫煙で高校を退学になったカール（トム・スターリッジ）は、更正を望む母の提案で、母の旧友クエンティン（ビル・ナイ）のいる船に乗船。その船は、アメリカ出身のザ・カウント（フィリップ・シーモア・ホフマン）ら、クールなDJたちがロックの取締りをもくろむ政府の目を盗み、24時間ロックを流し続ける海賊ラジオ局だった。
パイレーツ・ロックの主要人物はCarl (Tom Sturridge), The Count (Philip Seymour Hoffman), Gavin (Rhys Ifans)です。
パイレーツ・ロックはPG12と評価されています。
パイレーツ・ロックはコメディ, ドラマ, 音楽映画です。
パイレーツ・ロックは、視聴者によって10点満点中7.1点をつけられています。
パイレーツ・ロックの予算は$5000万です。
パイレーツ・ロックの興行収入は$3634.9万です。