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Take This Waltz
Directed by
Sarah Polley
R
2011
1h 56m
Drama
,
Comedy
,
and more
6.5
79%
58%
Add to Watchlist
Twenty-eight-year-old Margot is happily married to Lou, a good-natured cookbook author. But when Margot meets Daniel, a handsome artist who lives across the street, their mutual attraction is undeniable.
More
Where to Watch Take This Waltz
Fandango at Home Free
Free
Hoopla
Free
Kanopy
Free
+11 more
Cast of Take This Waltz
Michelle Williams
Margot
Seth Rogen
Lou
Luke Kirby
Daniel
Sarah Silverman
Geraldine
Jennifer Podemski
Karen
Diane D'Aquila
Harriet
Vanessa Carter
Tony
Graham Abbey
James
Damien Atkins
Aquafit Instructor
Aaron Abrams
Aaron
Dyan Bell
Dyan
Albert Howell
Albert
Danielle Miller
Danielle
Matt Baram
Matt
Avi Phillips
Avi
Diane Flacks
Diane
Cheryl MacInnis
Flight Attendant
Ciaran MacGillivray
Soldier
Roy MacNeil
Period Priest
Sandy MacLean
Town Crier
John Dunsworth
Tourist
Barnieta Runnings
Shower Lady #1
Mary Pitt
Shower Lady #2
Rosalind S. Feldman
Shower Lady #3
Michael Follert
Man on the Porch
Jean-Michel Le Gal
Police Officer
Samantha Farrow
Threesome Lady
Dustin Peters
Threesome Dude
Sarah Polley
Director / Writer / Producer
Susan Cavan
Producer
Take This Waltz Ratings & Reviews
Film.com
Chase Whale
Take This Waltz is a Remarkable, Offbeat Love Story
Austin Chronicle
Kimberley Jones
Polley is a subtle filmmaker, and a surprising one, too.
Associated Press
Christy Lemire
Polley (who's been an actress herself) never judges these people she's created. Instead, she depicts the giddy, fleeting and illusory nature of new love, and lets us get caught up in it, too.
Newsday
John Anderson
No one's a cliche; no one speaks dialogue the viewer could have muttered a beat or two ahead of the movie; no one hews to a mode of behavior fabricated to explain away his or her irrational behavior.
Seattle Times
John Hartl
[It] often feels thin and self-conscious.
Philadelphia Inquirer
Steven Rea
Williams lives and breathes her role, Kirby is charming and real, and you actually start to ache and empathize with Rogen - the emptiness and heartache he conveys when Lou and Margot finally thrash things out is crushing.
Dallas Morning News
Chris Vognar
Both the small moments and the end product of Waltz are quietly sublime.
Arizona Republic
Bill Goodykoontz
If uncompromising honesty is the quality you seek for a film, Michelle Williams is your go-to star.
HollywoodChicago.com
Brian Tallerico
A film with extreme situations that never register on a personal level because they feel more like arthouse cinema exercises than truth.
Chicago Tribune
Michael Phillips
Polley wonders the same thing in nearly every scene, no matter who's in it. Is a comfortable marriage really marriage enough?
Chicago Sun-Times
Roger Ebert
I have great admiration for [Williams] as an actress, but this story might have been better told with a less lovable star.
Christian Science Monitor
Peter Rainer
Margot comes across as such an elusive and unsympathetic twit that you wonder why we should care about her.
Washington Post
Michael O'Sullivan
In the end, it's a story of misplaced faith. In what? Not love exactly, but in the rush of infatuation, and the illusion that this feeling can be maintained, indefinitely, without crashing.
San Francisco Chronicle
Mick LaSalle
At its worst, Polley's style veers toward the cornball. Yet, in the broad outlines of her story, she has clearly created something with a lot of hard truth.
USA Today
Claudia Puig
Take This Waltz and shove it.
Los Angeles Times
Betsy Sharkey
Somehow it is the waiting - for the fall that you expect is coming, for the marriage you figure will fall apart - that makes "Take This Waltz" one to make room for on your dance card.
Boston Globe
Ty Burr
A color-drenched story of lust, love, and infidelity, it suffers from a vagueness that may be the point but that feels accidental.
Minneapolis Star Tribune
Kristin Tillotson
In "Take This Waltz," Polley doesn't fill the gap. She just makes life on either side of it both attractive and a drag.
Chicago Reader
J. R. Jones
Unfortunately for Polley, Take This Waltz is a good film serving mainly to remind us that Away From Her is a great one.
The New Yorker
Anthony Lane
Your best option, perhaps, is to zone out from the implausible kinks in the setup... This will leave you free to savor the compositions and the melted-candy color schemes.
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