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Sin
2019 2h 14m NR
Biography
,
Drama
,
History
6.8
95%
77%
58%
Add to Watchlist
The life of Michelangelo Buonarroti.
More
Directed By
Andrei Konchalovsky
Written By
Andrei Konchalovsky
,
Elena Kiseleva
Studio
Jean Vigo Italia
,
Production Center of Andrei Konchalovsky
,
and more
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Cast of Sin
Alberto Testone
Michelangelo Buonarroti
Umberto Orsini
Marchese Malaspina
Nicola Adobati
Lorenzo de Medici duca d'Urbino
Massimo De Francovich
Papa Giulio II
Nicola De Paola
Cardinale Giulio De' Medici
Glen Blackhall
Raffaello
Orso Maria Guerrini
Marchese Malaspina
Alexandra Deynega
Maria
Yuliya Vysotskaya
Dama con l'ermellino
Carlo Capalbo
Soldier
Adriano Chiaramida
Ludovico Buonarroti
Jakob Diehl
Peppe
Ralph Palka
Peppe (voice)
Antonio Gargiulo
Francesco Maria della Rovere
Toni Pandolfo
Dante Alighieri
Federico Vanni
Jacopo Sansovino
Anita Pititto
Marchesa D'Este / Malaspina
Simone Toffanin
Pope Leo X
Francesco Gaudiello
Pietro
Daniele Ferretti
Notary
Riccardo Landi
Al Farab
Alessandro Pezzali
Lionardo Buonarroti
Mauro Pirovano
Notary
Mirco Sassoli
Il topo
Salvatore Pulzella
Buonarroto Buonarroti
Roberto Serpi
Giovan Simone Buonarroti
Sin Reviews
Austin Chronicle
Steve Davis
The film leaves you hanging, ending with a puzzling 11th-hour epiphany followed by a cheesy greatest-hits montage of Michelangelo's masterworks.
Slant Magazine
Pat Brown
Andrei Konchalovsky's film is fascinated with the creation of great art in the midst of socio-political turmoil.
Mark Reviews Movies
Mark Dujsik
Konchalovskiy and Kiseleva's story is the study of a faithful man tempted by the ways of the world.
San Jose Mercury News
Randy Myers
Konchalovsky presents us with a Rome and Florence unlike the colorful travel brochures we're accustomed to, with cameras paying stringent attention to the dirt and grit of the time period.
The Larchmont Chronicle
Tony Medley
...a brilliant job of recreating Michelangelo and what life must have been really like 500 years ago in Rome and Florence. It was dirty; people lived in squalor.
Movie Nation
Roger Moore
A gritty, lived-in film that feels like a smelly, life-is-nasty-brutish-and-short for anyone not in the ruling classes depiction of the Renaissance -- beautiful and painterly even in it's ugliness.
Variety
Manuel Betancourt
"Sin" works hard to make you smell the stench of its surroundings - making Michelangelo and his artistry feel all the more like a balm.
Hollywood Reporter
John DeFore
An involving and surprising portrait.
Los Angeles Times
Robert Abele
"Sin" may ultimately resemble something shapeless and wanting, but even an unformed block of marble boasts an impressive textural beauty.
New York Times
Ben Kenigsberg
An austere, demanding sit, "Sin"... nevertheless has a stubborn integrity in exploring the competing forces of patronage and creative inspiration that Michelangelo confronted in the 16th century.
Bloomberg News
James Tarmy
It is, in other words, an accurate depiction of what it takes to be a successful artist, and it's one that contemporary viewers -- inside the art world and out -- might be well served to watch carefully.
Battleship Pretension
David Bax
Konchalovskiy lacks Tarkovsky's curiosity and willingness to embrace ambiguity. But Sin is still too grand to be ignored.
The Nation
Stuart Klawans
This is how you make a film about artistic heroism without a hero.
National Review
Armond White
Sin may equal Andrei Tarkovsky's Alexander Rublev (1966), which Konchalovsky co-wrote, yet its best scenes grapple with the follies of Russian and Western sensibility while attempting to rationalize it.
IONCINEMA.com
Nicholas Bell
Sin feels like a beautiful if ultimately restrained counterpart to Tarkovsky's Andrei Rublev (1966), penned by Konchalovsky.
48 Hills
Dennis Harvey
It's one messy, ill-contextualized section of a great man's messy life, unpleasant yet impressive, challenging yet worthwhile in a way that feels very true to the peculiarities of Russian...
National Review
Kyle Smith
Beauty and cruelty, inspiration and terror, magnificence and filth are commingled in virtually every scene of this pungent, passionate film. And yet this is exactly how it must have been.
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