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Shall We Dance?
Directed by
Peter Chelsom
PG-13
2004
1h 47m
Drama
,
Romance
,
and more
6.2
47%
57%
Add to Watchlist
A romantic comedy where a bored, overworked Estate Lawyer, upon first sight of a beautiful instructor, signs up for ballroom dancing lessons.
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Where to Watch Shall We Dance?
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Free
Amazon Video
Buy $14.99
Rent $3.99
Apple TV
Buy $14.99
Rent $3.99
+3 more
Cast of Shall We Dance?
Richard Gere
John Clark
Jennifer Lopez
Paulina
Susan Sarandon
Beverly Clark
Stanley Tucci
Link
Lisa Ann Walter
Bobbie
Anita Gillette
Miss Mitzi
Bobby Cannavale
Chic
Omar Benson Miller
Vern
Tamara Hope
Jenna Clark
Stark Sands
Evan Clark
Richard Jenkins
Devine
Nick Cannon
Scott
Sarah Lafleur
Carolyn
Onalee Ames
Diane
Diana Salvatore
Tina
Daphne Korol
Daphne
David Sparrow
Louis
Katya Virshilas
Perky Girl
Chantelle Leonardo
Christie
Candace Smith
Betsy
Sandra Caldwell
Elise
Mairi Babb
Patty
Ann Margaret Clements
Female Commuter
Karina Smirnoff
Link's Pouty Dance Partner
Deborah Yates
Winking Dancer
Mya
Vern's Fiancée
Holly Johnson
Chic's Cute Dance Partner
Geri Hall
Bemused Co-Worker
Kim Kindrick
Office Girl
Ashley Carruthers
Dancer
Susie Langtry
Dancer
Lisa Durupt
Dancer
Rebecca Frohlinger
Dancer
Charlotte Jorgensen
Dancer
Sarah Murphy-Dyson
Competitor #89
Melissa Panton
Dancer
Christine Thibault
Dancer
Karen Musey
Dancer
Lorrie Papadopoulos
Dance Competition Observer
Ja Rule
Hip Hop Bar Performer
Jean-Marc Généreux
Smarmy Old Man
Shall We Dance? Ratings & Reviews
San Francisco Chronicle
Ruthe Stein
Where the original soared, the new version hugs the ground. It's like the difference between Fred Astaire's dancing and Richard Gere's.
Seattle Times
Brangien Davis
This mildly entertaining bauble will disappear from your memory even before you've dislodged the last popcorn husks from your back teeth.
New York Post
Lou Lumenick
There isn't even any exciting dancing here, and what hoofing there is has been heavily edited, usually with the dancers' feet cropped off.
Los Angeles Times
Kevin Thomas
A sleek Hollywood crowd-pleaser, more movie than art film, but its makers have wisely stuck not only to the spirit but often even to the letter of the original.
New York Daily News
Jack Mathews
A comedy with two left feet.
Orlando Sentinel
Jay Boyar
The central idea -- that losing yourself in a small, private world can help you to better engage the larger world -- isn't lost in translation.
Common Sense Media
Nell Minow
Cute romance that is marred by homophobia.
MovieFreak.com
Sara Michelle Fetters
Now, twenty-six years after his theatrical debut, Gere gives what just might be his most bewitching performance to date, enlivening a picture to heights it would not have achieved without him.
Austin Chronicle
Steve Davis
It's hard not to get caught up in this film, despite its many flaws, primarily because Gere makes for a sympathetic figure, a middle-aged man just wanting to feel something new in the autumn of his life.
Observer
Rex Reed
Under the clunky direction of Peter Chelsom, while forced to mouth inane dialogue by Audrey Wells ... a swell bunch of troupers get mangled in a monsoon of clichs.
Salon.com
Charles Taylor
There are so many appealing performers in Shall We Dance? that it's a crime the director, Peter Chelsom, and the screenwriter, Audrey Wells, haven't given them more to do.
Washington Post
Jen Chaney
Occasionally charming but ultimately forgettable bit of fox-trot fluff.
Washington Post
Stephen Hunter
Takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good Big Stupid American movie.
USA Today
Claudia Puig
Turns a sweet, lilting story into a clunky, clichd and tedious movie sitcom.
Rolling Stone
Peter Travers
Miscast, misguided and woefully misbegotten, this clumsy American remake of the deftly delicate 1996 sleeper hit from Japan is too blah to bludgeon.
Detroit News
Tom Long
Invigorating, hopeful, funny and perfectly consciously corny at times.
Detroit Free Press
Terry Lawson
Asks us to return to the days of yesteryear, when we would accept Cary Grant as a country bumpkin and Marilyn Monroe as an ugly duckling. These days, that's asking too much.
Houston Chronicle
Eric Harrison
A funny, well-acted adult tale about the difficulty of holding onto happiness.
Denver Post
Lisa Kennedy
Feels engineered the way women's magazines too often do: to deliver the feel-good without burdening us with too much feeling or thought.
CNN.com
Paul Clinton (CNN.com)
Its missteps turn the delicate footwork of the original into a clunky thud.
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