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See You Then
Directed by
Mari Walker
NR
2022
74m
Drama
,
Indie
5.8
97%
64%
Add to Watchlist
A decade after abruptly breaking up with Naomi, Kris invites her to dinner to catch-up on their complicated lives, relationships, and Kris' transition.
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Where to Watch See You Then
The Roku Channel
Free
VUDU Free
Free
Tubi TV
Free
+5 more
Cast of See You Then
Pooya Mohseni
Kris Ahadi
Lynn Chen
Naomi Liu
Nican Robinson
Martin
Nikohl Boosheri
Julie
Danny Jacobs
Peter Gleason
Kayla Davila
Busboy
See You Then Ratings & Reviews
AwardsWatch
Ryan McQuade
See You Then is a showcase for two actresses and the genuine dialogue they are presented with.
AWFJ.org
Leslie Combemale
See You Then is an unusual drama in both subject matter and representation, and it is told by a voice too often silent in films about trans issues.
ComingSoon.net
Grant Hermanns
Every tear and heartbroken sigh comes across so authentically thanks to the skillful writing and Pooya Mohseni and Lynn Chen's incredible performances, all resulting in a thoughtful, moving and insightful tale.
A Reel of One's Own
Andrea Thompson
Walker is also one of those directors who doesn't just direct her actors, but their surroundings, with each intimate close up ringing just as true as moments of silence.
The Mary Sue
Lyra Hale
The story they tell together is nothing short of magical, fun, heartbreaking, and so much more.
The Queer Review
James Kleinmann
There's a cinematic, almost epic quality to the intimacy between the two women that gives a grand scale to the themes that their discussion explores.
The Film Stage
John Fink
What is most fascinating about Walker's feature is the intoxicating rhythm it concocts while taking certain narrative liberties.
Sarah's Backstage Pass
Sarah Knight Adamson
Walker juggles many themes while the characters' lives unfold before us. It's a fine line that requires a tight script, which is evident here. What's truly remarkable is the incredible acting and discourse between the two women.
RogerEbert.com
Nick Allen
Like other great walk-and-talk movies, See You Then is told with a deceptive ease.
InSession Film
Amy Smith
See You Then is small and intimate, and it plays on that so beautifully.
Eye for Film
Jennie Kermode
An excellent first film which has important things to say but always put its characters first, See You Then is a natural fit for South by Southwest but one hopes that it will get the chance to be seen by a much wider audience.
Next Best Picture
Sara Clements
"See You Then" leaves the audience with a lot to chew on. Through their discussions and the film's explosive ending, Walker questions the difference between what we want and what we have to do for survival and how the word "woman" has no definition.
New York Times
Kyle Turner
While this screenplay lacks a verve or poetry in its language, Mohsen and Chen are able to work through it and find gestures that make their awkward and erotic energy feel sincere.
Backseat Mafia
Rob Aldam
Mari Walkers feature debut is wonderfully written and beautifully acted
Moveable Fest
Stephen Saito
The craft emerges in every line and every frame where seemingly benign remarks are often revealed to be indicative of something much deeper.
eFilmCritic.com
Peter Sobczynski
The rare instance of late where a film might be improved by the addition of another ten minutes or so to properly flesh things out. That said, the film is still interesting and the performances from Mohseni and Chen are enough to make it worth a look.
Los Angeles Times
Sarah-Tai Black
The film's greatest achievement is the ease with which it traverses the delicate territory of its characters' lives without losing the sense of a past both shared and fractured in memory.
Cinema Sentries
Matthew St. Clair
Just like life itself, it involves humor, heartbreak, and healing and is a promising feature directorial debut from Mari Walker.
The Spool
Lisa Laman
A parred-down exercise like See You Then will live and die on its actors. Thankfully, Mosheni and Chen are up for the task of carrying the feature.
High on Films
Shikhar Verma
The talky nature of the film is both a boon and curse here. While it helps us get in the headspace of the characters, it leaves certain progression to feel like they could have used a more narrative-driven approach.
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