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Rock'n Roll
Directed by
Guillaume Canet
Not Rated
2017
2h 3m
Comedy
,
Drama
,
and more
6.0
67%
50%
Add to Watchlist
Guillaume Canet is told by a young co-star that he's no longer Rock'n' Roll and can't sell films anymore. He then tries to prove her wrong and gets help from his girlfriend, Marion Cotillard.
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Cast of Rock'n Roll
Guillaume Canet
Guillaume Canet
Marion Cotillard
Marion Cotillard
Gilles Lellouche
Gilles Lellouche
Philippe Lefebvre
Philippe Lefebvre
Camille Rowe
Camille Rowe
Kev Adams
Kev Adams
Ben Foster
Ben Foster
Johnny Hallyday
Johnny Hallyday
Yvan Attal
Producer Yvan
Guillaume Faure
Selfie father
Xavier Alcan
Urologist
Hugo Dillon
Boy at the after
Jeanne Damas
Journalist
Evelyne Bonneau
Maquilleuse film dans le film
Nadja Settel
Nancy (Crocodile Rangers)
Laeticia Hallyday
Laeticia Hallyday
Alexandra Mercouroff
Scriptwriter of the film within the film
Pierre-Benoist Varoclier
Nico, film manager within the film
Paloma Coquant
Debbie (Crocodile Rangers)
Toussaint Martinetti
Corsican father of a family
Alain Attal
Alain Attal, producer
Yarol Poupaud
Yarol Poupaud
Fabrice Feltzinger
Greengrocer
Camille Razat
Girl from the night club
Norbert Ferrer
Machinist from the film in the film (uncredited)
Rock'n Roll Ratings & Reviews
Paste Magazine
Jacob Oller
The film's ridiculousness deserves a long hill to snowball down-when Rock'n Roll reaches the bottom, it's impossible not to be bowled over.
Flavorwire
Jason Bailey
[A] singularly distasteful piece of work.
The Hollywood Reporter
Jordan Mintzer
Canet deserves credit for going to such extremes - even if his conceit runs a bit long - and for taking the satire to the point of no return, rather than offering up the kind of easy reconciliation seen in most movies about the movie business.
eFilmCritic.com
Peter Sobczynski
The problem is that all the stuff involving Canet and his fumblings is pretty awful and just grows increasingly intolerable as the film goes on.
Critic's Notebook
Martin Tsai
The significance of the title as embodied by Johnny Hallyday seems debatable, since his eternal coolness is here depicted as pathetic both in concept and in practice.
Film School Rejects
Andrew Karpan
For fans of Adaptation and I'm Still Here who felt both were great but too dreadfully serious. It's just life, after all.
Vague Visages
Erica Peplin
Canet's performance seems to come from a place of real insecurity, and the resulting film plays out like an externalized catharsis.
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