15
2016    1 t 46 mAction, Gyser
5.539%47%6.1
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Den bioteknologiske Umbrella-koncern, som i sin tid slap T-virussen løs og forvandlede det meste af menneskeheden til zombier, er klar til at iværksætte den endelige dommedagsfase. Men den røvsparkende powerpige Alice står stadig på benene efter det sidste, store opgør mellem de udøde og de overlevende. Nu sætter hun kursen mod Racoon City, hvor miseren startede, for at skrive det sidste kapitel!
Instrueret af Paul W. S. Anderson
  • Milla JovovichAlice / Alicia Marcus
  • Iain GlenDr. Isaacs
  • Ali LarterClaire Redfield
  • Shawn RobertsWesker
  • Eoin MackenDoc
  • Fraser JamesRazor
  • Ruby RoseAbigail
  • William LevyChristian
  • RolaCobalt
  • Ever AndersonYoung Alicia / Red Queen
  • Mark SimpsonJames Marcus
  • Milton SchorrThin Man
  • Siobhan HodgsonEmaciated Woman
  • Lee Joon-giCommander Chu
  • Aubrey SheltonScars
  • Caroline MidgleyOne Ear
  • Dylan SkewsCommander Crunch
  • Kevin OttoMale Teacher
  • Lee RavivSchool Girl
  • Deniel DenysschenSchool Boy
  • Kevin James1. november 2025
    Resident Evil: The Final Chapter brings the long, undead shuffle of the franchise to its explosive, leather-clad conclusion. Milla Jovovich once again embodies Alice — the stoic, unstoppable warrior who’s been fighting the Umbrella Corporation since the early 2000s. The movie itself is a relentless barrage of action: monsters, explosions, crumbling skyscrapers, and the occasional philosophical musing about humanity’s survival. It’s loud, chaotic, and visually overloaded — a fitting farewell to a series that’s always preferred style over subtlety. But let’s be honest: after six movies of grim survival, dark hallways, and gun-slinging superhumans, the franchise was missing one vital element — Paul Blart. Imagine it: if Kevin James’ mild-mannered mall cop had been introduced in the very first Resident Evil, this entire saga could have been something transcendent. Instead of another grim-faced soldier in black tactical gear, we’d have a Segway-riding, heart-of-gold hero who accidentally saves the world through sheer clumsiness and improbable courage. From Resident Evil (2002) onward, Paul Blart could have been the comic balance to Alice’s hardened warrior spirit — a man who still believes in rules, order, and maybe offering the zombies a coupon before shooting them. While Alice takes down hordes of undead with martial precision, Blart could roll in from behind, accidentally crashing into a Cerberus or knocking a licker unconscious with a fire extinguisher. His moral center, his everyman optimism, would’ve added the human warmth this cold apocalypse sorely lacks. By the time we reach The Final Chapter, Blart could’ve evolved too — from mall cop to wasteland sheriff, from Segway savior to the reluctant hero leading humanity’s last Costco colony. He’d still be funny, still out of his depth, but in that way that reminds us what these movies once promised: not just survival, but hope. As it stands, The Final Chapter is a frenetic but hollow end. The action is impressive, but without Paul Blart’s grounding presence, it’s all noise and no soul. The movie needed his baffled sincerity — his “I’m just doing my job” energy — to make the chaos feel like it mattered. So yes, Alice closed the book on the apocalypse. But somewhere, in a parallel universe, Paul Blart rides through Raccoon City on his trusty Segway, badge shining beneath the blood-red sky — the hero the T-virus never saw coming. And that would have been the true final chapter we deserved.
  • ethan38566. juli 2025
    Beautiful 10/10
  • pipanni20. april 2025
    Not as good as the previous movie, but still a satisfying finale.
  • RipLinesMan8. april 2025
    Event Horizon (1997) masterfully orchestrated a symphony of interdimensional abomination and epistemological annihilation, whereas Resident Evil: The Final Chapter descends into an abyss of audiovisually histrionic delirium, characterized by syntactically mutilated exposition and chronologically fragmented hyperrealism. Dr. Weir’s metaphysical disintegration and Captain Miller’s existential gravitas stand in stark contradistinction to Alice’s peripatetic traversal through a kaleidoscopic dystopia of algorithmically choreographed bedlam—an unrelenting onslaught of diegetic incoherence and cinematographic convulsions masquerading as narrative resolution, culminating in a denouement so oppressively incoherent it verges on cinematic nihilism.
  • DigitalDisappointment3. marts 2025
    Absolutely terrible series of movies. They bear no resemblance to the game nor do they do a good job of being a movie in their own right. It's like the most half-assed effort all around.

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