- Doc Worm2026年7月3日A dull slog. There’s a cool set piece or two, kinda. Might win an award for most amount of jump cuts in a film. The score sags, the writing is uninspired, the acting seems phoned in. It almost seems like they just don’t care anymore and honestly, neither do I. Not that this film series has iron clad lore but it’s crazy how much from earlier entries they just retcon here. It’s not like it’s in service of something much greater, I think they were just trying to put a definite end to this franchise. Anderson shouldn’t have even bothered. This series doesn’t claim to be Shakespeare or anything and it definitely has merits in the good dumb fun department but the final chapter? Easily the worse chapter!
- George2026年6月27日More of the same. II’ve seen this movie three times already because the last three Resident Evil movies are basically the same movie with different playgrounds. The plot of this series is all over the place, and Alice is still doing Alice things, somehow surviving the most unsurvivable situations. That said, the last 20 minutes were the best part. I’m okay with how they wrapped everything up. Not a great movie, but a decent enough ending to a very confused and messy series.
- Kevin James2025年11月1日Resident Evil: The Final Chapter brings the long, undead shuffle of the franchise to its explosive, leather-clad conclusion. Milla Jovovich once again embodies Alice — the stoic, unstoppable warrior who’s been fighting the Umbrella Corporation since the early 2000s. The movie itself is a relentless barrage of action: monsters, explosions, crumbling skyscrapers, and the occasional philosophical musing about humanity’s survival. It’s loud, chaotic, and visually overloaded — a fitting farewell to a series that’s always preferred style over subtlety. But let’s be honest: after six movies of grim survival, dark hallways, and gun-slinging superhumans, the franchise was missing one vital element — Paul Blart. Imagine it: if Kevin James’ mild-mannered mall cop had been introduced in the very first Resident Evil, this entire saga could have been something transcendent. Instead of another grim-faced soldier in black tactical gear, we’d have a Segway-riding, heart-of-gold hero who accidentally saves the world through sheer clumsiness and improbable courage. From Resident Evil (2002) onward, Paul Blart could have been the comic balance to Alice’s hardened warrior spirit — a man who still believes in rules, order, and maybe offering the zombies a coupon before shooting them. While Alice takes down hordes of undead with martial precision, Blart could roll in from behind, accidentally crashing into a Cerberus or knocking a licker unconscious with a fire extinguisher. His moral center, his everyman optimism, would’ve added the human warmth this cold apocalypse sorely lacks. By the time we reach The Final Chapter, Blart could’ve evolved too — from mall cop to wasteland sheriff, from Segway savior to the reluctant hero leading humanity’s last Costco colony. He’d still be funny, still out of his depth, but in that way that reminds us what these movies once promised: not just survival, but hope. As it stands, The Final Chapter is a frenetic but hollow end. The action is impressive, but without Paul Blart’s grounding presence, it’s all noise and no soul. The movie needed his baffled sincerity — his “I’m just doing my job” energy — to make the chaos feel like it mattered. So yes, Alice closed the book on the apocalypse. But somewhere, in a parallel universe, Paul Blart rides through Raccoon City on his trusty Segway, badge shining beneath the blood-red sky — the hero the T-virus never saw coming. And that would have been the true final chapter we deserved.
- RipLinesMan2025年4月8日Event Horizon (1997) masterfully orchestrated a symphony of interdimensional abomination and epistemological annihilation, whereas Resident Evil: The Final Chapter descends into an abyss of audiovisually histrionic delirium, characterized by syntactically mutilated exposition and chronologically fragmented hyperrealism. Dr. Weir’s metaphysical disintegration and Captain Miller’s existential gravitas stand in stark contradistinction to Alice’s peripatetic traversal through a kaleidoscopic dystopia of algorithmically choreographed bedlam—an unrelenting onslaught of diegetic incoherence and cinematographic convulsions masquerading as narrative resolution, culminating in a denouement so oppressively incoherent it verges on cinematic nihilism.
生化危机6：终章花絮
生化危机6：终章于2016年12月23日发布。
生化危机6：终章由Paul W. S. Anderson执导。
生化危机6：终章的时长为1小时 46分钟。
生化危机6：终章由Jeremy Bolt, Paul W. S. Anderson, Robert Kulzer, Samuel Hadida制作。
爱丽丝在华盛顿特区被威斯克背叛后身陷险境，人类几乎要失去最后的希望。作为唯一的幸存者，也是人类对抗僵尸大军的最后防线，爱丽丝必须回到噩梦开始的地方——浣熊市，才能完成拯救世界救赎人类的正义使命。回归故事发生的起点浣熊市，爱丽丝将和昔日的朋友一起对抗僵尸和最新变种怪物，与保护伞公司展开一场惊心动魄的终极决战。
生化危机6：终章中的关键角色有Alice / Alicia Marcus（Milla Jovovich）, Dr. Isaacs（Iain Glen）, Claire Redfield（Ali Larter）。
生化危机6：终章的评级为R。
生化危机6：终章是一部Action, 恐怖, 科幻电影。
生化危机6：终章的观众评分为4.7（满分10分）。
生化危机6：终章的预算曾是US$4000万。
生化危机6：终章的票房收入为US$3.1亿。