Rashomon

Directed by Akira Kurosawa
12
1950    87minCrimen, Drama
8.198%93%8.0
Japón, siglo XII. En Kioto, bajo las puertas del derruido templo de Rashomon, se guarecen de la torrencial lluvia un leñador, un sacerdote budista y un peregrino. Los tres discuten sobre el juicio a un bandido, acusado de haber dado muerte a un señor feudal y violado a su esposa. Los detalles del crimen son narrados desde el punto de vista del bandido, de la mujer, del señor feudal -con la ayuda de un médium- y del leñador, único testigo de los hechos.
  • Toshirō MifuneTajômaru
  • Machiko KyōMasako
  • Takashi ShimuraWoodcutter
  • Masayuki MoriTakehiro
  • Minoru ChiakiPriest
  • Kichijirō UedaCommoner
  • Noriko HonmaMedium
  • Daisuke KatōPoliceman
  • Akira KurosawaDirector / Guión / Editor
  • Shinobu HashimotoGuión
  • Ryūnosuke AkutagawaNovela
  • Masaichi NagataProductor ejecutivo
  • Jingo MinouraProductor
  • H. MotsumotoSet Decoration
  • Takashi MatsuyamaProduction Design
  • Kazuo MiyagawaDirector Of Photography
  • Uichi ÔhataCostume Design
  • Tokuzō TanakaAsistente de dirección
  • Teruyo NogamiSupervisor de guion
  • Mitsuo WakasugiAsistente de dirección
  • Elliot04713 de enero de 2026
    If you love Nolan’s mind-bending non-linear timelines, know that Rashomon invented that style over 70 years ago. It wasn’t a blockbuster or feel-good flick, it’s pure cinema study, forcing you to rethink human nature and self-deception. Modern directors built their careers on its path, from Hollywood thrillers to courtroom dramas. Sure, today’s artists could mimic Van Gogh perfectly, but that doesn’t erase the original’s genius.
  • vinaynair80715 de julio de 2025
    When they ask you which film shows true human nature show them this
  • Steve Zodiac25 de abril de 2026
    A brilliant, timeless, film noir, Ghost Story The truth is in the beholder!
  • PoetofCinema13 de octubre de 2025
    I strongly revere Akira Kurosawa for how he did Ryūnosuke Akutagawa’s work with justice and tact. It’s beyond impressive because I read Akutagawa’s work first and he was firstly extraordinary and legendary. I have to say, this film does deserve the hype it gets. This may sound cliché but yes the film is a masterpiece; it is, really. There is a lot to say about this iconic film directed by Kurosawa as the ambiguity, strangeness, action, interactions, dialogue, and imagery has been executed well to show the audience watching it enticed and interested in the film. As I said before, this film can get a lot of praise because how many good things are from this movie. Overall, a masterpiece.
  • Sean27 de abril de 2025
    See it twice!
  • Dagmar D.14 de diciembre de 2025
    I wasn’t that impressed, too much drama and too much of annoying fake laughter.
  • Judit Garrido18 de septiembre de 2025
    Excellent/
  • Daniel Gois12 de julio de 2025
    The rhythm and story's certainly influence Tarantino. Kurosawa is awesome. So many layers and meanings. Very good
  • Sam17 de noviembre de 2025
    obviously historically important but idk not for me
  • Joel1 de julio de 2025
    Kurosawa is so good always, I love how much range there is in his filmography the same way as I love Toshiro Mifune's range (although I desperately need to watch more of both of their films.) This is probably my least favourite Kurosawa film I've seen, but it's still a brilliant film. If only plex didn't have a 2.5 minute ad break every ~12 minutes...
  • mickerdoo10 de julio de 2025
    Weird and confusing. Interesting idea of a murder where three parties admit guilt. Just strange execution. Slow reaction shots.
  • Jaquan Willams15 de junio de 2025
    I love the movie. The story was amazing and on point. It was a great Japanese foreign film.
  • Jakkrit aree12 de mayo de 2025
    Legend!!!!

Rashomon Trivia

Get Plex on Your Devices

Free on 20+ platforms. Pick yours.
See all supported devices →