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Outrage
Directed by
Takeshi Kitano
R
2010
1h 49m
Action
,
Adventure
,
and more
6.8
82%
64%
Add to Watchlist
The boss of a major crime syndicate orders his lieutenant to bring a rogue gang of drug traffickers in line, a job that gets passed on to his long-suffering subordinate.
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Where to Watch Outrage
Kanopy
Free
Amazon Video
Buy $9.99
Rent $2.99
Apple TV
Buy $9.99
Rent $3.99
+4 more
Cast of Outrage
Takeshi Kitano
Otomo
Kippei Shiina
Mizuno
Ryo Kase
Ishihara
Tomokazu Miura
Kato
Fumiyo Kohinata
Kataoka
Jun Kunimura
Ikemoto
Tetta Sugimoto
Ozawa
Renji Ishibashi
Murase
Tokio Emoto
Emoto
Soichiro Kitamura
Mr. Chairman Kan'nai
Eihi Shiina
Call Girl
Takashi Tsukamoto
Iizuka
Yuka Itaya
Otomo's Woman
Hideo Nakano
Kimura
Shin'yû Fujiwara
Chinpira
Akiko Kobayashi
Mamasan
Masaki Miura
Sannokai Thug
Kenji Morinaga
Abe
Tadashi Sakata
Okazaki
Yûya Takayama
Cop
Naoko Watanabe
Mizuno's Woman
Eiji Takigawa
Con Man Bar Clerk / Murase Gang Member
Jun Etoh
Ozawa's Underling
Daisuke Kuroda
Murase Gang Member
Yasuto Kosuda
Otomo Gang Member
Takamitsu Nonaka
Otomo Gang Member
Hershel Peppers
African Ambassador (uncredited)
Shinji Hiwatashi
Murase Gang Member (uncredited)
Tomo Uchino
Murase Thug (uncredited)
Yujiro Komura
Otomo Gang Member (uncredited)
Takahiro Togawa
Ozawa's Underling (uncredited)
Mikiya Sanada
Youth of Sannokai Headquarters (uncredited)
Masakazu Serizawa
Otomo Gang Member (uncredited)
Shinsuke Hiratsuka
Otomo Gang Member (uncredited)
Nanako Kodama
Hooker (uncredited)
Erina Kojima
Hooker (uncredited)
Toshiyuki Watarai
Tetsuo (uncredited)
Junko Nakamura
Dentist Woman (uncredited)
Makita Sports
Ramen Shop Manager (uncredited)
Kenta Elizabeth III
Ramen Shop Clerk (uncredited)
Leon Shibli Ahmad
Iranian (uncredited)
Outrage Ratings & Reviews
Detroit News
Tom Long
It's a gangster story, told well, with no punches pulled.
Chicago Sun-Times
Roger Ebert
It's like a version of "Cinema Paradiso" where all the murders were saved up by a censor and strung together for a bloodbath.
St. Louis Post-Dispatch
Calvin Wilson
True Kitano fans will find its title sadly ironic.
Boston Globe
Ty Burr
Kitano leaves it up to us to connect the dots. Unfortunately, he seems to get bored before he's done, and so do we.
New York Daily News
Elizabeth Weitzman
[Kitano] directs with such wicked confidence and so many gleefully extreme flourishes...
New York Times
Manohla Dargis
Mr. Kitano's immaculate compositions and eccentric flourishes are part of the film's sustained, muted pleasures and are often in service to some underlying meaning.
Los Angeles Times
Mark Olsen
So low-key and offhanded in its mastery that it becomes something like a pulp sleight-of-hand trick.
AV Club
Keith Phipps
Compared to the dramatic riches Kitano used to find amid the bloodletting, Outrage's feels pretty paltry.
New York Post
V.A. Musetto
The editing (by Kitano) and lensing are stylish and guaranteed to keep viewers hooked through the final rubout.
indieWire
Eric Kohn
Because of Kitano's assured handling of the material, he turns those broad strokes into a tense portrait of power-hungry men with insatiable appetites and the incapacity to shut up about it.
Slant Magazine
Ed Gonzalez
Once sacred values like honor and brotherhood have no place here, and old practices, like ritual finger amputation as a form of apology, are turned into a running joke.
The Atlantic
Jon Frosch
How can anyone can get excited over something so grim and redundant?
Chicago Reader
Ben Sachs
Kitano is clearly enjoying his powers as a master of the form, and the movie invites the viewer to share in his enjoyment.
Film.com
William Goss
It's retaliation without foundation, all fun and games until everyone gets hurt.
NPR
Scott Tobias
The longer Outrage goes on, the more distance it gets from its core themes about the moral chaos of gangsterism. It becomes a film about cool killings, which may satisfy the bloodlust of some Kitano fans but hardly amounts to a return to form.
Wall Street Journal
Joe Morgenstern
[Takeshi's] sense of style is very much in evidence here, and so is his sense of humor.
Village Voice
Nick Pinkerton
Like one of its yakuza bigs, Outrage commands respect but no affection.
Variety
Rob Nelson
The results are so visually stunning, why quibble?
Slant Magazine
Glenn Heath Jr.
Kitano's pristine direction and smooth camera movement always juxtapose the unsettling action with a beautifully crisp formalism that makes the film increasingly disturbing.
The Hollywood Reporter
Maggie Lee
As violent, amoral and misanthropic as a Jacobean play, Outrage is Takeshi Kitano's first yakuza flick since Brother, and arguably his best film in a decade.
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