Mr.ノーバディ2
監督:Timo Tjahjanto
休日返上で任務に追われる殺し屋・ハッチは、崩壊寸前となった家族関係の修復を兼ねて、休暇を楽しむために観光地へ向かう。だが、街のチンピラとささいなことから衝突してしまい、バカンスを楽しむどころか残忍な犯罪組織との全面戦争へと発展する。
Mr.ノーバディ2の評価とレビュー
- jackmeat2025年9月7日My quick rating - 6.4/10. The first Nobody worked because Hutch Mansell (Bob Odenkirk) felt like a vulnerable Everyman, a middle-aged dad who could snap at any moment but was still grounded enough that we bought into the fantasy. Nobody 2 takes a different approach: it strips away the vulnerability and turns Hutch into an indestructible, payback-hungry machine. Whether that’s an upgrade or a downgrade depends entirely on how much you enjoy watching an older father beat the smugness out of anyone dumb enough to cross him. Spoiler: it’s still bizarrely satisfying. The film opens with Hutch in an interrogation room, dog loyally by his side. It’s clearly a setup that we’ll return to later, and it establishes right away that this sequel isn’t pretending to reinvent the wheel. Instead, it’s doubling down on what worked the first time: stripped-down plotting and bone-crunching fight sequences. This time, Hutch decides to take his family on a nostalgic vacation to a small-town theme park. Unfortunately for them, the park is run by a corrupt operator, guarded by a crooked sheriff, and tied to a ruthless crime boss. The setup is simple—overly simple, really—but that’s by design. The writer seems intent on proving that you don’t need espionage or convoluted twists to keep an audience engaged. They’re right. At only ninety minutes, the film flies by, paced with surprising efficiency. Still, the stripped-down story comes with a cost. The mysterious, anti-hero aura that made Hutch such a compelling figure the first time around is gone. He’s no longer a man reluctantly dragged into chaos; he’s actively seeking it, handing out punishment for even the smallest offenses. That shift makes him less sympathetic and more of a one-man wrecking crew. The film leans into that shift unapologetically, making it feel closer to a '90s action-comedy than a gritty revenge tale. Where the film stumbles is with its villain. Casting Sharon Stone as Lendina, a matriarch described as the “eat her own children” type, sounds promising on paper. Fun? Slightly. Intimidating? Not even close. But she only gets one scene to prove her ruthlessness, and it falls flat. It feels like she borrowed her performance from Richard E. Grant’s cartoonishly weird villain in Hudson Hawk (don't believe the hype, that is an underrated gem). But let’s be honest: nobody is here for the villain. We’re here to see Bob Odenkirk, an older father who now fights like he’s auditioning for the senior Olympics in bone-snapping. The fights are the movie’s bread and butter—well-paced, brutal, and creative enough that you’ll never look at a Tilt-a-Whirl the same way again. Watching Hutch turn innocent amusement rides into elaborate death traps is exactly the kind of “dad power fantasy” cinema you didn’t know you wanted until you saw it. In the end, Nobody 2 knows exactly what it is. The plot is thinner than cotton candy, the villains are undercooked, and the mystique of the original is gone. But if all you want is ninety minutes of Odenkirk as the grumpiest PTA dad who ever lived, cracking skulls and running through inventive set pieces in a warped amusement park, this sequel delivers on that front.
- ርልዪረ2025年9月2日Experiencing the one hour and twenty-nine minute film in the theatres was a pulsating experience! — The duck boat and arcade brawl scenes were awesome to sight as it emphasizes Hutch Mansell's primal strength and willingness to always bring it on — be it him on a mission to pay off his debts, protecting his family/children, or overall just finding a way to release that inner pure dad rage as a family man. Furthermore, the fight scenes somewhere around the opening (the elevator, parking lot, and warehouse it seems like), most of the brawl/fight scenes are kick-ass and naturally choreographed — not relying on flashy, intricate karate or kung-fu movements but just a father squaring up, fighting, getting hurt (his pinkie finger even got sliced off!), and using any objects in his environment as defensive and attacking weapons and still being able to bring that pulse and pumping excitement for action movie fans. The action scenes are a great reminiscences of the first Nobody film, Hutch who is always ready to bring it on whenever or to whoever. Here's the elephant in the room though, the plot/storyline? It felt like it is encapsulated within itself, almost as if the story were a built seperatly from the sublime action scenes. The pacing is quite rough and needs some smoothing. I get the idea that Hutch Mansell, a guy who is trying to pay off his debts by hunting down dudes and fightin' with them every day needs some vacation — and it just makes sense overall that the place he'll choose is Plummer ville, a place him and his brother grew up to, that part was okay (I guess) but I feel like it's almost as if the fights were forced to happen at some point; it's that feeling that the plot and pacing are this jagged line that just kept running with the action scenes merely thrown in there because yeah, it is a Nobody film. Colin Hank's character played a great antagonizing character as that tough and mean sheriff, but his intentions to take Hutch Mansell down and his entire family just felt forced so the movie can have these fight scenes as I already mentioned (also mentioning this again, the duck boat fight scene is cool, it's just the way the story led the events for it to happen is not smoothly blended). Speaking of antagonists, Sharon Stone's character felt out of touch, it's almost as if she's just thrown in there for the sake of the plot and to have an antagonist who the main character will fight for the ending. Grandpa could've also done more than just blasting a barrage of makeshift machine gun to Sharon Stone's goons, and Hutch's brother's fight scenes could've also been a bit more of a struggle than him ninja-kicking these personnels and slicing a dude's head off with a katana on ease... It at least could've been a little more challenging, just like how he fought with a bunch of Russian personnels with a sniper in close range at the first film of Nobody. Overall, I believe the film was great on its action/brawl scenes as I've repeated many times already, but there's a lot that could've been done differently and I wish the story didn't feel like it was just glued together, but instead smoothened out with a sandpaper. Props to Bob Odenkirk regardless.
- Ernesto Rodríguez2026年4月10日“A film with a different concept and an artistic touch that isn’t for everyone. The story is more emotional and psychological than straightforward, which leaves you thinking, although at times it can feel a bit confusing. The performances are solid, especially Luz Aldán, who really stands out. The atmosphere is the film’s strongest point, with a very well-executed nighttime vibe.”
Mr.ノーバディ2を視聴
Mr.ノーバディ2に関するトリビア
Mr.ノーバディ2は2025年8月13日に公開されました。
Mr.ノーバディ2はTimo Tjahjantoが監督を務めました。
Mr.ノーバディ2の上映時間は89mです。
Mr.ノーバディ2はKelly McCormick, David Leitch, Bob Odenkirk, Marc Provissiero, Braden Aftergoodがプロデューサーを務めました。
休日返上で任務に追われる殺し屋・ハッチは、崩壊寸前となった家族関係の修復を兼ねて、休暇を楽しむために観光地へ向かう。だが、街のチンピラとささいなことから衝突してしまい、バカンスを楽しむどころか残忍な犯罪組織との全面戦争へと発展する。
Mr.ノーバディ2の主要人物はHutch Mansell (Bob Odenkirk), Becca Mansell (Connie Nielsen), Wyatt Martin (John Ortiz)です。
Mr.ノーバディ2はR15+と評価されています。
Mr.ノーバディ2はAction, Adventure, コメディ映画です。
Mr.ノーバディ2は、視聴者によって10点満点中8.8点をつけられています。
Mr.ノーバディ2の予算は$2500万です。
Mr.ノーバディ2の興行収入は$4328.5万です。