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Nashville
Directed by
Robert Altman
R
1975
2h 40m
Drama
,
Comedy
,
and more
7.6
89%
83%
Add to Watchlist
Over the course of a few hectic days, numerous interrelated people prepare for a political convention.
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Where to Watch Nashville
Amazon Video
Buy $16.99
Apple TV
Buy $14.99
Fandango At Home
Buy $14.99
+2 more
Cast of Nashville
David Arkin
Norman
Barbara Baxley
Lady Pearl
Ned Beatty
Delbert Reese
Karen Black
Connie White
Ronee Blakley
Barbara Jean
Timothy Brown
Tommy Brown
Keith Carradine
Tom Frank
Geraldine Chaplin
Opal
Robert DoQui
Wade Cooley
Shelley Duvall
L.A. Joan
Allen Garfield
Barnett
Henry Gibson
Haven Hamilton
Scott Glenn
Pfc. Glenn Kelly
Jeff Goldblum
Tricycle Man
Barbara Harris
Winifred / Albuquerque
David Hayward
Kenny Frasier
Michael Murphy
John Triplette
Allan F. Nicholls
Bill
Dave Peel
Bud Hamilton
Cristina Raines
Mary
Bert Remsen
Star
Lily Tomlin
Linnea Reese
Gwen Welles
Sueleen Gay
Keenan Wynn
Mr. Green
Merle Kilgore
Trout
James Dan Calvert
Jimmy Reese
Donna Denton
Donna Reese
Carol McGinnis
Jewel
Sheila Bailey
Smokey Mountain Laurel
Patti Bryant
Smokey Mountain Laurel
Richard Baskin
Frog
Jonnie Barnett
Jonnie Barnett
Vassar Clements
Vassar Clements
Sue Barton
Sue Barton
Elliott Gould
Elliott Gould
Julie Christie
Julie Christie
Steve Earle
Concert-goer (uncredited)
Gailard Sartain
Man at Lunch Counter (uncredited)
Joan Tewkesbury
Tom's Lover / Kenny's Mother (uncredited) (voice) / Writer
Thomas Hal Phillips
Hal Phillip Walker (uncredited)
Howard K. Smith
Howard K. Smith
Robert Altman
Director / Producer
Robert Eggenweiler
Producer
Scott Bushnell
Producer
Nashville Ratings & Reviews
cultfilmliker
June 26, 2025
It’s time for me to be perfectly frank about my feelings: Country music fucking sucks Simply the greatest opening credits cast introduction of all-time. That said, I gotta start trusting my gut more! Didn’t think I’d like it and unfortunately confirmed my suspicions! That first terrible performance reminded me of the plot of the Pink Pony Club music video lmao I can see why Rob Zombie cast Karen Black as Mother Firefly from this lol
New York Magazine/Vulture
Judith Crist
This is the deep probe into the American malaise, the film that should be required viewing before we consider "celebration" of a bicentennial. Almost incidentally, it is one of the great American movies.
New York Daily News
Rex Reed
Astronauts see God on the moon. Nixon sees pinkos under his bed. The New York film critics see genius in Robert Altman. Is the world going mad, or is it just me?
Chicago Tribune
Gene Siskel
It is a special motion picture, its excellence has a lot to say about other films, and it does deserve your attention. But not your reverence. Whatever else it is, Nashville also happens to be a very funny movie.
Boston Globe
Kevin Kelly
As I sit here at my Globe typewriter, spiralling in my enjoyment of Nashville and acutely conscious of its burgeoning reputation among critics, as well as the ticket-buying public, I wonder if it's enough to say that it is an absolutely wonderful movie.
New York Daily News
Kathleen Carroll
How to describe Nashville, except to say that it is exhilarating. It is so glowingly alive, so joyous in its appreciation of life and humanity that just watching it is enough to give one an emotional high.
Detroit Free Press
Susan Stark
Much of what Altman has discovered in the making of earlier films comes together in Nashville, a complex, exquisitely orchestrated, kaleidoscopic examination of an American city with its unique culture.
St. Louis Post-Dispatch
Jim Creighton
This movie is Altman's set of stereotypes, of Nashville and of America. But whether they are right or wrong, there is no question that his vehicle for presenting them is an exciting, fascinating film.
Fort Worth Star-Telegram/DFW.com
Perry Stewart
There are no fewer than 24 principal characters in Nashville. And, true to the Altman tradition, no one is less than memorable.
Los Angeles Times
Charles Champlin
The invention is amazingly varied, which is also to say uneven, though not troublingly so. Nashville is undoubtedly the best and most assured film Altman has yet made.
Orlando Sentinel
G.J. Fleming
Joan Tewkesbury's complex screenplay develops characters by allowing the paths of divergent singers, groupies, politicians and others to criss-cross as the long film unwinds. It's up to the viewer to make connections, but it's worth the effort.
Village Voice
Greil Marcus
Neither Altman or [Ragtime author] Doctorow are even for a moment implicated in the stories they tell, the lessons they draw, or the actions of their characters. When Gatsby lost, it is clear, so did Fitzgerald.
Newsday
Joseph Gelmis
Nashville is as unstructured as life itself. You are never sure what you are watching -- whether it's supposed to be funny or sad -- until it is over, or until you get a different perspective. Meaning depends upon context.
Slant Magazine
Chuck Bowen
This is a film you could proudly show to a person from another country with the proviso: This is America, for better and worse. This is everything right and wrong that the experiment of this country has led to, and will probably lead to.
AV Club
Mike D'Angelo
At its heart, Nashville is about internal contradiction as both a destructive and a creative force, serving up examples, but drawing no firm conclusions.
The New Yorker
Penelope Gilliatt
Altman's long new film will be remembered and honored less for its intellectual content than for its technical and emotional reach.
Arizona Republic
Mike Petryni
Nashville is no different than the slice-of-life approach of Altman's other movies. It is just so, so much more.
Chicago Tribune
Michael Wilmington
Altman's great kaleidoscopic ensemble comedy-drama about a frenzied few days in country music's capital, with an unlikely, quirky, explosive crowd of musicians, hangers-on and politicos all converging on a fateful concert crossroads.
The New Yorker
Pauline Kael
At once a Grand Hotel-style narrative, with twenty-four linked characters; a country-and-Western musical; a documentary essay on Nashville and American life; a meditation on the love affair between performers and audiences; and an Altman party.
The Hollywood Reporter
Arthur Knight
Certainly, for the American cinema, it is the most epochal event since Orson Welles' Citizen Kane.
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