Not Rated
1983    76minDrama, Crimen
7.27.0
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Trevor es un chaval de 16 años cuyo temperamento está marcado por la violencia y el odio xenófobo, sin ningún respeto por la autoridad. Pasa casi tanto tiempo robando coches como sentado en el centro de detención donde le mandan cada vez que le pillan. En el centro, intentarán sin éxito hacer que respete las normas sociales.
Directed by Alan Clarke
  • Tim RothTrevor
  • Terry RichardsErrol Dupray
  • Bill StewartPeter Clive
  • Eric RichardHarry Parker
  • Geoffrey HutchingsSuperintendent
  • Sean ChapmanBarry Giller
  • John BleasdalePoliceman
  • Noel DiacomoSolicitor
  • Maurice QuickMagistrate
  • Sharon CourtneyHouse Parent
  • Steve SweeneyJob Centre Youth
  • Kim BensonJob Centre Girl
  • Catherine ClarkeJob Centre Girl
  • Jean MarlowJob Centre Woman
  • Jim DunkChef
  • Vass AndersonCanteen Manager
  • David BaldwinLeroy
  • Allister BainHopkins
  • Richard BremmerPoliceman
  • Christopher FulfordPoliceman
  • jetma313 de abril de 2026
    Excellent movie I grew up in the 80s and this is exactly how it was Tim Roth as a brilliant job considering this is his first movie.
  • Paul16 de diciembre de 2025
    Tim Roth’s debut as Trevor is absolutely feral, one of the most convincing portrayals of an intelligent, nihilistic youth Britain’s ever put on screen. The film tracks a racist, violent skinhead being “given chances” by the system, and shows how useless those chances are when the underlying society is broken: dead-end education, pointless schemes, box-ticking social workers and a state that ultimately falls back on a truncheon. Immigration runs through it as a brutal subtext: Trevor kicks down at a Pakistani shopkeeper instead of up at the politicians and economic forces that created his world, which feels uncomfortably close to today’s discourse. Watching it now, with mass immigration higher, institutions hollowed out by austerity, and fewer real opportunities for young people, you realise not much has improved, it’s just been wrapped in softer language. Raw, ugly and painfully relevant. Still one of the most honest films about late 20th‑century Britain, and depressingly, early 21st‑century Britain too.

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