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Last Tango in Paris
Directed by
Bernardo Bertolucci
NC-17
1972
2h 9m
Drama
,
Romance
6.8
81%
75%
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A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex.
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Cast of Last Tango in Paris
Marlon Brando
Paul
Maria Schneider
Jeanne
Maria Michi
Rosa's Mother
Giovanna Galletti
Prostitute
Gitt Magrini
Jeanne's Mother
Catherine Allégret
Catherine
Luce Marquand
Olympia
Marie-Hélène Breillat
Monique
Catherine Breillat
Mouchette
Dan Diament
TV Sound Engineer
Catherine Sola
Script Girl
Mauro Marchetti
Cameraman
Jean-Pierre Léaud
Tom
Massimo Girotti
Marcel
Peter Schommer
TV Assistant Cameraman
Veronica Lazăr
Rosa
Rachel Kesterber
Christine
Ramón Mendizábal
Tango Orchestra Leader
Mimi Pinson
President of Tango Jury
Darling Légitimus
Concierge
Gérard Lepennec
Mover
Stéphan Koziak
Mover
Armand Abplanalp
Prostitute's Client
Bernardo Bertolucci
Director / Writer
Franco Arcalli
Writer
Jean-Louis Trintignant
Writer
Agnès Varda
Writer
Alberto Grimaldi
Producer
Last Tango in Paris Ratings & Reviews
Mister Arn
October 11, 2024
plodding and tiresome
The New Yorker
Pauline Kael
When Brando improvises within Bertolucci's structure, his full art is realized; his performance is intuitive, rapt, princely. Working with Brando, Bertolucci achieves realism with the terror of actual experience still alive on the screen.
EmanuelLevy.Com
Emanuel Levy
Brando gives a terrific performance, but Bertolucci's movie as a whole, which was so bold and audacious in 1972, does not hold up very well.
Groucho Reviews
Peter Canavese
Took the world by storm with its strategy of sexual frankness and a towering performance by Marlon Brando. [Blu-ray]
Combustible Celluloid
Jeffrey M. Anderson
This emotional, sexual jumble of a movie still contains some interesting ideas, and some gorgeous cinematic poetry.
Movie Metropolis
James Plath
High Art moments are offset by the grossly misogynistic behavior of Brando's character and scenes and dialogue that can seem so insipid that they negate any real eroticism or serious shock value.
Movie Magazine International
Moira Sullivan
But when we look at this film, it signals a feeble turn towards art house eroticism which is tame by today's standards. For as Maria Schneider herself says ', we've seen much worse'.
ColeSmithey.com
Cole Smithey
Bernardo Bertolucci's 1972 masterpiece of post-modern existential angst is an irrefutable art film that attempts to reconcile a depth of social existence through its sexually liberated characters.
Variety
Variety Staff
An uneven, convoluted, certainly dispute-provoking study of sexual passion in which Marlon Brando gives a truly remarkable performance.
TV Guide
Not to be missed.
Chicago Reader
Dave Kehr
The operatic extravagance of Bernardo Bertolucci's style has emerged more clearly since this 1972 drama, which still managed to seem vaguely naturalistic in the midst of its extravagant camera moves and eccentric construction.
Flipside Movie Emporium
Rob Vaux
Ah, for the days when real grown-ups made erotic films.
Video-Reviewmaster.com
Steve Crum
Seamy, atmospheric Brando as directed by Bertolucci.
Nitrate Online
Dan Lybarger
Brando's eerily unaffected performance is one his most mesmerisng.
Dennis Schwartz Movie Reviews
Dennis Schwartz
One of Brando's great acting performances.
New York Times
Vincent Canby
The movie is sad, but it's also hugely funny, occasionally when it doesn't mean to be.
Chicago Sun-Times
Roger Ebert
The look, feel and sound of the film are evocative.
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