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Hollow
2011 · 1 hr 31 min
Not Rated
5.5
65%
20%
49%
Watch Now
Share
On holiday in the English countryside, two young couples uncover an ancient evil.
Directed By
Michael Axelgaard
Written By
Matthew Holt
Studio
Hollow Pictures
Genre
Mystery
,
Thriller
,
Horror
Cast of Hollow
EP
Emily Plumtree
Emma
SS
Sam Stockman
James
JE
Jessica Ellerby
Lynne
MS
Matt Stokoe
Scott
Hollow Reviews
Time Out
Nigel Floyd
The post-'Blair Witch' shaky-cam horror movie, already teetering on the edge of oblivion, drops off a cliff with this micro-budget British effort ...
Movie Chambers
Paul Chambers
If "Hollow" is found footage, then for gosh's sake, put it back. The only shocking thing about this British direct-to-video import is how it ever got made in the first place.
Big Hollywood
Christian Toto
Like found footage horror movies? You'll change your mind after enduring the British import Hollow
The List
James Mottram
Eschewing the cheap shocks so many horrors use, Axelgaard sustains the tension and dread until the end.
ViewLondon
Matthew Turner
Generates a suitably creepy atmosphere and pulls off a couple of decent scary moments, but the found-footage conceit wears very thin and the plot never really comes together.
CineVue
Ben Nicholson
Whilst Axelgaard as a director could be one to watch, in this instance he's regrettably hamstrung by the tired trappings of the found footage cycle, into which he is unable to breathe fresh air.
Little White Lies
David Jenkins
Nothing to see here.
Daily Telegraph (UK)
Robbie Collin
Camcorded, Suffolk-set drivel about four friends drawn to a haunted tree.
Shadows on the Wall
Rich Cline
Although the plot gets a bit draggy, it holds our interest due to the interaction between the characters.
Total Film
Matt Glasby
Proceedings switch from quietly creepy to loudly exasperating as relationship woes replace scares, the early promise proving a largely empty threat.
Empire Magazine
Kim Newman
A so-so spookfest that offers few surprises.
Shockya.com
Brent Simon
Solid, largely naturalistic performances and a nice technical package offset, if only for hardcore genre enthusiasts, a story whose bump-in-the-night eeriness reaches a level of diminishing return long before its end.
Eye for Film
Anton Bitel
suffers from being in an overcrowded market of low-budget shakicam features, and does not offer quite enough in the way of new ideas, so that, unlike the ancient tree at its centre, the film never really manages to stand out or overshadow its competition.
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