PG
1977    1h 34minComedia, Misterio
6.672%67%6.4
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El doctor Richard H. Thorndyke (Mel Brooks), nuevo administrador del Instituto Psico-Neurótico para Muy Nerviosos, descubre el raro comportamiento de su equipo, así como una serie de sospechosos acontecimientos. Pero será él quien se vea acusado de un crimen, lo que pone a prueba su propia situación mental.
Directed by Mel Brooks
  • Mel BrooksDr. Richard H. Thorndyke / Director / Escritor / Productor / Songs
  • Madeline KahnVictoria Brisbane
  • Cloris LeachmanNurse Charlotte Diesel
  • Harvey KormanDr. Charles Montague
  • Ron CareyBrophy
  • Howard MorrisProfessor Lilloman
  • Dick Van PattenDr. Philip Wentworth
  • Jack RileyThe Desk Clerk
  • Charlie CallasCocker Spaniel
  • Ron ClarkZachary Cartwright III / Escritor
  • Rudy De Luca'Braces' - Killer / Escritor
  • Barry LevinsonDennis - Bellboy / Escritor
  • Lee DelanoNorton
  • Albert WhitlockArthur Brisbane / Visual Effects
  • Billy SandsCustomer
  • Richard StahlDr. Baxter
  • Robin MenkenCocktail Waitress
  • Darrell ZwerlingDr. Eckhardt
  • Murphy DunnePiano Player
  • Al HopsonMan Who is Shot
  • NS_9530 de mayo de 2025
    Classic
  • Mister Arn25 de mayo de 2025
    I remember watching "High Anxiety" in the 70s and not enjoying it much. After seeing a special on Mel Brooks, I decided to try it again. While I loved his other parody movies, this one still didn't click. The humor fell flat, and Gene Wilder deserves more credit as a lead in the other Brooks films.
  • Richard21 de octubre de 2025
    I caught High Anxiety on TV and it felt like Hitchcock had been hijacked by a comedy troupe with a fog machine and a punchline addiction. Mel Brooks wasn’t just spoofing suspense, he was lovingly dismantling it, scene by scene, with a wink and a scream. What struck me most was the tone, it wasn’t mean-spirited. Brooks clearly adored Hitchcock and this was his way of saying thanks: by turning suspense into silliness and fear into farce. On TV, it felt like a secret handshake between film nerds. A late-night transmission from the comedy underground. A neurotic, noir ish spoof that turns Hitchcock’s greatest hits into a vaudeville act. Watching it on TV felt like discovering a hidden reel of cinematic mischief, one that made me laugh, cringe and appreciate just how far Mel Brooks would go for a gag.

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