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Hannah
2018 1h 35m TV-MA
Drama
5.9
82%
62%
57%
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Intimate portrait of a woman drifting between reality and denial when she is left alone to grapple with the consequences of her husband's imprisonment.
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Directed By
Andrea Pallaoro
Written By
Orlando Tirado
,
Andrea Pallaoro
Studio
Partner Media Investment
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Free
+ 8 more
Cast of Hannah
Charlotte Rampling
Hannah
André Wilms
Hannah's Husband
Luca Avallone
Albert
Stéphanie Van Vyve
Elaine
Jean-Michel Balthazar
Chris
Simon Bisschop
Nicholas
Hannah Reviews
RogerEbert.com
Godfrey Cheshire
There is a real seed of dramatic possibility in Hannah, but Pallaoro smothers it beneath the lacquer of the film's fastidiously mannered minimalism.
Washington Post
Susan Wloszczyna
Those who think that the word "marvel" applies only to superheroes should steer clear of "Hannah." But Rampling is a true marvel here, in every other sense of the word.
Observer
Rex Reed
[Rampling is] so mesmerizing you can't take your eyes off her. This is good, because there's nothing else to watch or care about in the entire film anyway.
Rolling Stone
Peter Travers
In a film that otherwise operates in a forbidding chill, it's only Rampling's magnificent performance that holds us in expectant suspension.
Chicago Reader
J. R. Jones
[Andrea Pallaoro's] focus on the quotidian may wear you out before he finally lays down his cards and the depth of the protagonist's despair is revealed.
Los Angeles Times
Sheri Linden
Gorgeously and at times frustratingly austere, "Hannah" has a simple, compelling premise. But more than that, it has the unparalleled Charlotte Rampling.
New York Times
Jeannette Catsoulis
Rampling's pale, stricken countenance sets the tone of "Hannah" and dominates virtually every moment thereafter. By the end, we feel so wrung out it takes a second or two to realize that very little has happened.
Slant Magazine
Derek Smith
Hannah plays out in long wordless takes often stripped of context and attains a discomfiting intimacy in its chilly examination of a woman coming undone.
Hollywood Reporter
David Rooney
Although the lead performance commands admiration, the overall impact of this unrelentingly dour account of a woman struggling to carry on with her life after her husband's imprisonment is dulled by its distancing approach.
Variety
Guy Lodge
This is an impressively rigorous exercise, in which the director's sober formalism finds a kindred spirit in his leading lady's studied, secretive restraint.
Third Coast Review
Steven Prokopy
Hannah is a tough watch, but it's a fascinating experience to see this person slip slowly from her own life, sometimes because people shut her out, other times because she's afraid to test the waters and see how they react to her presence.
The Lonely Film Critic
Tomas Trussow
A film as sparse as this only works as well as the performance leading it, and I'm glad to say Rampling remains in fine form.
Cultured Vultures
Andrea Thompson
Rampling's performance is in itself a master class in the quietest kind of desperate turmoil, but other than further proof of her undeniable talent, there's not much else to be taken from this.
Jaredmobarak.com
Jared Mobarak
The plot therefore unfolds between the lines. Pallaoro creates a scenario and then removes it except for its impact on his lead's motivations.
IONCINEMA.com
Nicholas Bell
Achingly morose, Hannah is an arrhythmic piece of beautifully composed, carefully deliberated miserabilism.
NYC Movie Guru
Avi Offer
Mesmerizing, gripping, and profoundly moving. Charlotte Rampling gives a heartfelt, nuanced performance reminiscent of Delphine Serig's understated performance in JEANNE DIELMAN. It's one of the best films of the year thus far.
Film Threat
Dan Lybarger
By making her quiet corner of the screen more captivating than the portions where people are yelling or screaming, it's easy to see how Rampling won Best Actress at the Venice Film Festival.
Women's Voices for Change
Alexandra MacAaron
Charlotte Rampling, still striking at 72, brings drama to Hannah's lonely days and transforms an achingly average woman into a tragic figure.
Film Journal International
Budd Wilkins
Andrea Pallaoro's second feature is a formally rigorous, minimalistic character study of a woman who's slowly excommunicated from society.
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Hannah (US Trailer 1)
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