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Godard Mon Amour
Directed by
Michel Hazanavicius
R
2017
1h 48m
Romance
,
Drama
,
and more
6.6
54%
53%
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In 1967, during the making of "La Chinoise," film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.
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Cast of Godard Mon Amour
Louis Garrel
Jean-Luc Godard
Stacy Martin
Anne Wiazemsky
Bérénice Bejo
Michèle Rosier
Micha Lescot
Bambam
Grégory Gadebois
Michel Cournot
Félix Kysyl
Jean-Pierre Gorin
Arthur Orcier
Jean-Henri 'Jean-Jock' Roger
Guido Caprino
Bernardo Bertolucci
Emmanuele Aita
Marco Ferreri
Matteo Martari
Marco Margine
Stéphane Varupenne
Eric de la Meignière
Philippe Girard
Jean Vilar
Quentin Dolmaire
Paul
Romain Goupil
Cinephile
Jean-Pierre Mocky
Customer in the Restaurant
Michel Subor
Narrator #4 (voice)
Louise Legendre
Young Protester
Marc Brun Adryan'
Journalist (uncredited)
Eric Marcel
Lecturer (uncredited)
Eva Chico
Militant (uncredited)
Nicolas Dussaut
Militant (uncredited)
Michel Hazanavicius
Narrator #5 (voice) (uncredited) / Director / Writer / Producer
Fabien Hagège
Protester (uncredited)
Lola Ingrid Le Roch
Technician (uncredited)
Matthieu Dessertine
Roman Kané
Marc Fraize
Emile
Tanya Lopert
Anne Wiazemsky
Writer
Florence Gastaud
Producer
Riad Sattouf
Producer
Godard Mon Amour Ratings & Reviews
Washington Post
Ann Hornaday
The glib, self-conscious brio never leads anywhere.
Film Comment Magazine
Jonathan Romney
There's a lot to enjoy in Godard Mon Amour as long as you don't take it seriously. As soon as you let yourself take it seriously at all, it begins to looks a little ugly...
Arizona Republic
Bill Goodykoontz
Both Garrel and Martin are good. And it's important to note that Hazanavicius is quite adept at the comedic bits, as well as at the occasional more-serious scenes, which deal with the disintegration of the marriage.
San Francisco Chronicle
Mick LaSalle
Hazanavicius' irreverence toward a living icon is unexpected, but appropriate. Yet the movie also pays tribute to Godard by imitating the loose playfulness of his early work.
Boston Globe
Peter Keough
"Godard Mon Amour" is very much like a Woody Allen film, with Godard embodying Allen's negative traits of pretentiousness, neurosis, and misogyny without the redeeming virtue of humor.
Entertainment Weekly
Chris Nashawaty
Garrel is wonderfully dead-on as the director, Martin manages to convey some of the heartache in watching the man you love turn sour, and the undeniably talented Hazanavicius has fun aping the signature flourishes of Godard's cinematic style.
RogerEbert.com
Godfrey Cheshire
A film that, despite scattered amusements and insights, is fundamentally unsatisfying.
Rolling Stone
Peter Travers
Michel Hazanavicius, the director who won an Oscar for The Artist, will nab only contempt for this frivolous throwaway about the life of a cinema revolutionary,
Los Angeles Times
Robert Abele
The kind of curiously inconsequential homage that neither stokes your interest in cinema/Godard nor illuminates a turbulent love story between artists.
NPR
Mark Jenkins
Perhaps Hazanavicius thought he'd follow his subject's example and simply jump-cut from happy to sad. Godard had the verve to get away with it, but Godard Mon Amour doesn't.
Wall Street Journal
Joe Morgenstern
The result is an entertainment of surprising liveliness.
New York Times
A.O. Scott
It's a brilliant idea. It just happens to be a terrible movie.
Village Voice
Serena Donadoni
Although writer/director Hazanavicius based the biopic on Wiazemsky's memoir Un An Aprs (One Year Later), Wiazemsky gets portrayed as a passive observer, a minor character in her own story.
AV Club
Ignatiy Vishnevetsky
The real problem is that the movie is never laugh-out-loud funny (its best gag involves the filmmaker repeatedly breaking his famous glasses) and is too simplistic to work as drama or elaborate homage.
The New Yorker
Richard Brody
Hazanavicius skips over the detailed observations and nuanced insights of Wiazemsky's book in favor of parodies of Godard's earlier work, replacing its vast substance, fierce originality, and unsparing intimacy with empty stylistic winks.
Vanity Fair
Jordan Hoffman
Hazanavicius is one of our weirder directors. His schtick is to parrot other styles, either with his parody Bond films (the two OSS 117 movies) or The Artist. But Le Redoutable is his best work, I think.
IndieWire
Eric Kohn
The main triumph of Hazanavicius' film is that it makes [Godard] human.
AV Club
A.A. Dowd
Le Redoutable is a jokey Wikipedia cartoon of a biopic, skin deep in its character study and aggressively amused by its own barrage of Trivial Pursuit winks.
Slant Magazine
Sam C. Mac
Michel Hazanavicius co-opts Godard's personal life for cheap prestige-picture sentiment.
Variety
Owen Gleiberman
A lightly audacious and fascinating movie (if not exactly one to warm your heart) ...
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