GHOST IN THE SHELL
監督:Mamoru Oshii7.995%89%7.9
2029年、二度の大戦を経て、電脳化・義体化技術の発展した世界。新たな可能性の一方で、ゴーストハックや犯罪の多様化といった問題にも悩まされていた。 そんな中、他人の電脳をハックし人形のように使う「人形使い」が入国し公安9課は調査に乗り出す。
- angelm302025年5月21日A thrilling and narratively complex anime film about the troubles that come with technological advancement, and the potential harm of melding the body with cybernetics. A cautionary tale that in no uncertain terms makes it clear that privacy no longer exists in a technologically advanced society.
- Andre Bautz2025年2月19日A very good mix of fantasy and sci-fi. It shows a dystopian, Cyberpunk future. It is visually stunning, fast-paced, but also has quiet moments to linger and enjoy. The story is difficult to follow very quickly in place, but I think that the fact that we are following a special unit also makes it realistic. The picture and sound are still very, very good after all this time.
- Mary Elizabeth Enrile2026年1月12日really great japanese animation. remembered watching ghost in a shell, when i was just a kid,on adult swim cartoon network on cable tv. pretty creepy now that im older, guess Ghost in a shell has more meaning now that im older. really creepy permission to the new age of technology and the rise of artificial intelligence.
- Richard2025年8月3日Ghost in the Shell drops you into a rain-soaked, neon-lit future where the lines between human and machine have all but vanished. Major Motoko Kusanagi, a cybernetic agent of Section 9, is chasing down a mysterious hacker known as the Puppet Master, but the deeper she goes, the more she questions her own identity, memories and what it means to have a soul in a digitized world. The film is packed with atmosphere. Neo-Tokyo feels haunting and alive. It’s not just eye candy, though. The story dives deep into philosophical territory: consciousness, self-awareness, and the cost of technological progress. It’s no surprise this film influenced The Matrix, Ex Machina and a whole generation of sci-fi. That said, it’s not for everyone. The dialogue can get dense, and Motoko’s detached persona makes emotional connection tricky on a first watch. Still, I first saw this on a import DVD and it stuck with me. It’s one of those films that lingers, visually, intellectually, emotionally. If you’re into cerebral sci-fi or just want to see where half of modern cyberpunk got its DNA, this is essential viewing.
GHOST IN THE SHELLに関するトリビア
GHOST IN THE SHELLは1995年11月18日に公開されました。
GHOST IN THE SHELLはMamoru Oshiiが監督を務めました。
GHOST IN THE SHELLの上映時間は82mです。
GHOST IN THE SHELLはKen Iyadomi, Mitsuhisa Ishikawa, Ken Matsumotoがプロデューサーを務めました。
2029年、二度の大戦を経て、電脳化・義体化技術の発展した世界。新たな可能性の一方で、ゴーストハックや犯罪の多様化といった問題にも悩まされていた。 そんな中、他人の電脳をハックし人形のように使う「人形使い」が入国し公安9課は調査に乗り出す。
GHOST IN THE SHELLの主要人物はMotoko Kusanagi (voice) (Atsuko Tanaka), Batou (voice) (Akio Otsuka), Puppetmaster (voice) (Iemasa Kayumi)です。
GHOST IN THE SHELLはPG-12と評価されています。
GHOST IN THE SHELLはサイエンスフィクション, Action, アニメーション映画です。
GHOST IN THE SHELLは、視聴者によって10点満点中8.9点をつけられています。
GHOST IN THE SHELLの予算は$300万です。
GHOST IN THE SHELLの興行収入は$1000万です。