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Frank & Lola
2016 88m Not Rated
Mystery
,
Thriller
,
and more
5.9
69%
42%
56%
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A psychosexual noir love story, set in Las Vegas and Paris, about love, obsession, sex, betrayal, revenge and, ultimately, the search for redemption.
More
Directed By
Matthew Ross
Written By
Matthew Ross
Studio
Killer Films
,
Parts & Labor
,
FullDawa Films
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Rent $3.99
Buy $14.99
Rent $3.99
Buy $14.99
Rent $3.99
Buy $14.99
+ 3 more
Cast of Frank & Lola
Michael Shannon
Frank Reilly
Imogen Poots
Lola
Rosanna Arquette
Patricia
Michael Nyqvist
Alan
Justin Long
Keith
Emmanuelle Devos
Claire
Alex Lombard
Carol
Amy Argyle
Rachel
Joel Virgel
Hercule
Laine Rettmer
Françoise
Maynor Alvarado
Luis
Carlos Moreno Jr.
Javier
Sophie Meister
Isobel
David Atrakchi
Charles
Stella Schnabel
Hazel
Suteara Vaughn
Sage
Elisha Yaffe
Will
Patrick Rocca
Henri Ricard
Narcisse Mame
Khalil
Jerica Barnes
Keith's Pretty Dinner Date
Emily D'Angelo
Sex Club Rope Girl (uncredited)
Frank & Lola Reviews
Observer
Rex Reed
As an exercise in voyeurism, this is a movie that sleeps on its feet. Shannon is too good for this nonsense, and Poots has got to do something about that disastrous name.
Entertainment Weekly
Chris Nashawaty
It's Shannon whose wildcard intensity turns Frank & Lola into something more than the script's collection of hardboiled implausibilities.
AV Club
Jesse Hassenger
In a trim 88 minutes, it manages to make Poots and Shannon an intriguing duo, then lets them revert to odd mismatch.
Fort Worth Star-Telegram/DFW.com
Cary Darling
This is the kind of debut that whets the appetite for what else this filmmaker has up his sleeve.
RogerEbert.com
Matt Zoller Seitz
Frank and Lola ultimately feels like less of a compelling, free-standing work than a promise of better movies to come.
indieWire
David Ehrlich
Two of the most watchable actors on the planet are stranded in a numb sketch of a film that doesn't know what to do with them.
Spectrum Culture
Kristen Lopez
A muddled descent into psycho-sexual mind games that never fully gels.
Slant Magazine
Chuck Bowen
Frank & Lola occasionally benefits from the weird energy shared between Michael Shannon and Imogen Poots.
The Blue Lenses
Alexandra Heller-Nicholas
Ross's film is succinct and confident, and the film's force in large part stems from its no-nonsense approach.
New York Times
Manohla Dargis
The story Mr. Ross has come up with suggests that he wants to say something about desire and jealousy, but he hasn't given Frank enough of an inner life to make the character's transformation from a besotted lover into a distrustful one plausible.
Los Angeles Times
Sheri Linden
However suspensefully the score groans and cries, the emotional stakes dwindle with each overemphatic narrative curve.
Village Voice
Abby Garnett
The film's success depends upon the tension between Frank and Lola, and even this cast can't overcome what feels like an essential disconnect in the central relationship.
Variety
Owen Gleiberman
Michael Shannon and Imogen Poots are terrific in a canny little neo-noir that takes an authentic look at the dark side of love.
Hollywood Reporter
Stephen Farber
A haunting dissection of male jealousy.
Paste Magazine
Kenji Fujishima
By the time Ross builds to a final shot that is utterly predictable in its ambiguity, it's hard to care either way about whether these two archetypal blanks will eventually reconcile the disturbing truths they have discovered about each other.
We Got This Covered
Brogan Morris
Anyone who's ever wondered how Michael Shannon would fare as a smoldering romantic lead or how Imogen Poots might handle the role of a femme fatale has their answer in Matthew Ross' engaging psycho-thriller.
Combustible Celluloid
Jeffrey M. Anderson
Much like Elvis & Nixon, Michael Shannon stars in another small-scale film, focused mainly on two characters, and excels at it.
IGN Movies
Josh Lasser
There is, without a doubt, an intensity to the performances given by Michael Shannon and Imogen Poots... The result though is a movie that is unrelenting in its grim outlook.
Hammer to Nail
Jessica Baxter
Viewed as a fable about the perils of male jealousy and having a sense of entitlement over the women they love, [Frank & Lola] works.
Punch Drunk Critics
Travis Hopson
Ross shows his talent by taking Frank & Lola places we don't expect it to go. They may not always make sense, but there's daring in the attempt and that is always worth something.
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