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Fanny
Directed by
Daniel Auteuil
Not Rated
2013
1h 42m
Drama
6.8
56%
53%
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Fanny is the second part of Marcel Pagnol's classic trilogy following the loves and losses of a Marseille port community.
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Where to Watch Fanny
Hoopla
Free
Kino Film Collection
Subscription
Amazon Video
Rent $3.99
Buy $8.99
Apple TV
Rent $3.99
Buy $8.99
Cast of Fanny
Daniel Auteuil
César Olivier
Victoire Bélézy
Fanny Cabanis
Jean-Pierre Darroussin
Honoré Panisse
Raphaël Personnaz
Marius Olivier
Marie-Anne Chazel
Honorine Cabanis
Nicolas Vaude
Mr. Brun
Daniel Russo
Félix Escartefigue
Ariane Ascaride
Claudine Foulon
Jean-Louis Barcelona
Innocent Mangiapan, aka 'Frisepoulet'
Georges Neri
Elzéar Panisse
Martine Diotalevi
Mrs. Escartefigue
Roger Souza
Me. Panisse's clerk
Bernard Larmande
Doctor
Michèle Granier
Anaïs
Aline Choisi
Rosaline
Julien Cafaro
Postman
Bonnafet Tarbouriech
Bus Driver
Salvatore Caltabiano
Client letter
Bernard Destouches
Richard, taxi driver
Edmonde Franchi
Yard lady
Thierry Paul
Fernand
Serge Uzan
Wedding photographer
Barbara Laurent
Mrs. Brun
Alexandre Boumbou
A docker
Eric Moreau
Worker / Bar customer (uncredited)
Fanny Ratings & Reviews
IONCINEMA.com
Nicholas Bell
If there's a way to render Pagnol successfully, at least in a way that would make another adaptation of this work necessary, Auteuil's mixed bag of rigid emotions and flat visualizations isn't the ideal framework.
New York Times
Ben Kenigsberg
Mr. Auteuil's passion project is sincere but not successful, honorable but not alive.
Film Journal International
David Noh
"Classic" is a word all too casually bandied about, but for Daniel Auteuil's screen adaptation of this beloved French trilogy it is completely apropos.
Village Voice
Danny King
Fanny has a stagy sensibility, but Auteuil displays flashes of genuine, old-school craft.
The Dissolve
Mike D'Angelo
One great performance... doesn't justify Auteuil's decision to remake a series of films that are an inextricable part of their own era.
Slant Magazine
Clayton Dillard
The characters, the sets, and the scenes all exist to propagate the notion that pleasure derives from repetition and remediation.
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