Faces da Morte
Dirigido por Daniel GoldhaberVOCÊ NÃO CONSEGUE DESVER ISSO.
Uma moderadora de uma plataforma de compartilhamento de vídeos na internet se depara com uma possível rede de filmes snuff escondida nas profundezas do conteúdo do site.
- Kevin Wardhá 7 diasReally liked this. Thought it was a really great premise. Reminded me a lot of Censor, which is a great film from a few years back, but I thought this was a clever way to bring the old Faces of Death storyline into the future. I remember hearing about the Faces of Death vhs as a kid and I think it took awhile before I was able to see it, and as a result it had this kind of built up mythology surrounding it even if the film itself was a bit of a letdown. In addition to the premise, I also really loved Dacre Montgomery. He has a pitch perfect serial killer vibe and I kind of wish the film featured him a bit more.
- James Saenz15 de abril de 2026“it looks like a student film.” the moment arthur replies to criticism of his artistic snuff film from an alt account and says “i thought the lighting was expressive” i cackled and knew i was in good hands. dacre is doing a freaky little voice and it’s great; he’s in his little freak era à la daniel radcliffe or robert pattinson and it’s fantastic. the horror sequences are tense and the gore is abundant. the meta commentary on consumption of violence and the complicity of corporations in that consumption is scathing and feels like the kind of bite that the scream franchise has lost. solid, satisfying slasher. p.s. CHARLI?????
- Spoons18 de maio de 2026Faces of Death somehow manages the impossible: taking one of the most infamous shock films ever made and turning it into something painfully dull. No real tension, no genuine shock, irritating characters, and a forced dramatic storyline that drags the whole thing down. I spent most of it waiting for the credits.
- jackmeat15 de maio de 2026My quick rating - 5.9/10. I knew Faces of Death (2026) would come with built-in baggage. I vaguely remember being a kid and hearing it mentioned like it was cursed media. Something that got banned, whispered about, and supposedly showed “real deaths” that definitely made every playground conversation a little more dramatic. Of course, years later, when I finally tracked down the original, it turned out to be…kind of a slow evening of staged shock theatre and curiosity more than anything truly groundbreaking. Still, that mythos never really dies, and this new version knows it. In this take, Margot (Barbie Ferreira) works as a website content moderator, which already feels like the most cursed job imaginable in 2026. She stumbles onto a series of disturbing clips that appear to recreate deaths from the original film, and suddenly she’s not just scrolling through internet sludge. She’s potentially watching a modern reinterpretation of a very old urban legend. Her last name being Romero is the kind of wink that makes you groan and nod at the same time. Yes, we get it. Horror lineage. Zombies in spirit. Very cute. While doomscrolling seems harmless at first, this slowly evolves into an obsession when she discovers a VHS of the original film, Faces of Death, from 1978, suggesting that someone is either faithfully reproducing or resurrecting the legend. Arthur, played by Dacre Montgomery, enters the plot with just the right amount of creepiness to guarantee that every move seems like a terrible idea. Director Daniel Goldhaber actually pulls off some striking camera work here. There are moments where the framing feels almost clinical, like the film is mimicking the detachment of watching violence through a screen. Very on-theme, very uncomfortable. The problem is Margot herself often makes choices that feel less like investigative journalism and more like “how to accidentally speedrun your own disaster.” Even the antagonist feels the need to ask her, "Like, how dumb are you?", which is never a good sign for your hero credibility. The middle section works best as a messy but engaging mystery-thriller, bouncing between internet culture commentary and the kind of ethical panic that comes with not knowing whether what you’re watching is real. The police subplot, however, takes a hard turn into “no one in this scene has ever met law enforcement” territory. Suspension of disbelief doesn’t just get stretched, it gets folded into origami. Where the film does land is in its finale. It goes all-in on practical gore and commits to a brutally staged ending that finally feels like it embraces the franchise’s reputation instead of tiptoeing around it. There’s also a fun visual callback in the credits that mirrors the original glowing red aesthetic, which is a nice “we did our homework” touch. While the meta commentary on the violent nature of society and its penchant for digital voyeurism is evident and sometimes sharp, it does not quite deliver. It seems to be trying to make some deep observations regarding consumption and spectatorship, yet in the end, it comes off as merely an unformed hypothesis. Still, as a modern riff on an old urban legend turned internet-era paranoia engine, Faces of Death (2026) is far from dead on arrival. Just don’t expect it to answer all its own questions. Like most viral content, it’s more interested in your attention than closure.
- Oʂɯαʅԃσ Rσყҽƚƚ20 de maio de 2026I'm not sure how many people are actually familiar with the original Faces of Death, but you should know that Daniel Goldhaber's new film acts less like an actual remake, and more like a meta commentary on remakes in general. Which is to say that you don't need to be familiar with the original movie in order to enjoy this new one.
Trívia de Faces da Morte
Faces da Mortefoi lançado em 10 de abril de 2026.
Faces da Mortefoi dirigido por Daniel Goldhaber.
Faces da Mortetem a duração de 1 h 37 min.
Faces da Mortefoi produzido por Adam Hendricks, Greg Gilreath, Susan Montford, Don Murphy.
VOCÊ NÃO CONSEGUE DESVER ISSO. Uma moderadora de uma plataforma de compartilhamento de vídeos na internet se depara com uma possível rede de filmes snuff escondida nas profundezas do conteúdo do site.
Os personagens principais de Faces da Morte são Margot Romero (Barbie Ferreira), Arthur Spevak (Dacre Montgomery), Samantha Gravinsky (Josie Totah).
Faces da Morte é avaliado com R.
Faces da Morte é um filme de Terror, Mistério.
Faces da Morte tem uma classificação de audiência 6.4de 10.
Faces da Morte teve um orçamento de US$ 7,4 mi.
Faces da Morte fez US$ 2,6 mi na bilheteria.