Double Threat

Directed by Shane Stanley
PG-13
2022    1h 32mAction, Adventure
4.736%6.5
Pretty girl with great assets skims money from the mob. The crime boss' son takes it personally and seeks to settle the score. Meanwhile a man on a quest to scatter his brother's ashes becomes entangled in this tawdry affair.
  • Danielle ChuchranNatasha / Producer
  • Matthew LawrenceJimmy
  • Kevin JoyEllis
  • Mo GalliniTommy Lombardo
  • Dawn OlivieriAsk
  • Andrea Logan WhiteRoxanne
  • Aimey BeerKnight #2
  • Dmitriy KarasKnight #3
  • David CastroRancher
  • Jurnee MroczekMeggie
  • Karen RossRenaissance Wench / Second Assistant Director
  • Val BarriServer
  • Larry KraskBarman
  • Shane StanleyDirector / Producer / Editor
  • CJ WalleyWriter / Producer
  • Scott J. JonesExecutive Producer
  • Neil ChisholmCo-Producer
  • Kurt PatinoProducer
  • Joel LayoganDirector Of Photography / Visual Effects Supervisor
  • Paige PowersMakeup Department Head
  • cyberbillpApril 6, 2025
    I've watched this twice now. I really like it a lot. It's a buddy road movie with some quips and a touch of levity here and there. Ryan is at the top of her game here with stunning practical stunt work. While it feels a little made-for-tv, that doesn't make it bad. Enjoy, but don't expect a Gibson/Glover experience. Its a bit more charming than that.
  • jackmeatSeptember 5, 2025
    My quick rating - 3.6/10. You would think by the camera quality, editing, music, etc. that you may get a decent action flick but then the story starts and you realize it has been written by a fourth-grader who just learned about dissociative identity disorder. The use of that is interesting, but the whole plot is absolute garbage, along with some really poor acting. Basically, with ruthless mobsters on her tail, a young woman (Danielle C. Ryan) with a split personality becomes entangled with a man on a pilgrimage across the country to scatter his brother's ashes. The choice of actor for this character is so off it becomes distracting. The obligatory romantic angle they had to interject in there is atrocious. And then they felt the need to double down on the romance angle. I have seen far better uses of this condition in other flix that were not so cheesy. Heck, just go stream Moon Knight. The few times they go for the action thing fail miserably. I honestly have no idea how this flick got a green light.

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