Disclosure Day
6.680%70%6.9
Si vous découvriez que nous ne sommes pas seuls, si quelqu'un vous le montrait, vous le prouvait, cela vous effraierait-il ?
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- raytango19-16 hGenuinely interested in this flick. 2 hours of build up and corny 90s suspense film. Performances were very good by Emily Blunt as usual and Coleman Domingo. Really big missed opportunity here. Tackling Beliefs, and the idea that we aren't alone. instead of giving the audience something different like a good ending it falls as flat as can be with they typical cliffhanger. It's like the power going out in the middle of a important dialog line. Why? just write awesome statement of hope and disclosure. The important part of the word Disclosure is "CLOSURE" Imagine Oppenheimer but you never the get se or hear the Bomb explode. There's not point in the end. There won't be a sequel so leave it all on the table for our imagination to digest. There's nothing to digest I'm just pissed at the end.
- PeliculasYMasHD22 juin 2026⭐⭐⭐⭐⭐ 9.5/10 – An Incredible Experience This is not your typical alien movie. From the very beginning, it pulls you into an atmosphere of mystery, tension, and emotion that never lets go. The story is well crafted, the cinematography is stunning, and it stays with you long after the credits roll. If you enjoy intelligent sci-fi and suspenseful thrillers, this is definitely a must-watch. 👽 Rating: 9.5/10 🎬 Highly Recommended 🛸 No Spoilers ⭐⭐⭐⭐⭐ 9.5/10 – Una experiencia increíble No es la típica película de extraterrestres. Desde el principio te envuelve con una atmósfera de misterio, tensión y emoción que no te suelta hasta el final. La historia está muy bien construida, la fotografía es espectacular y te deja pensando mucho tiempo después de verla. Si te gustan la ciencia ficción y los thrillers inteligentes, esta película es una recomendación obligatoria. 👽 Calificación: 9.5/10 🎬 Muy recomendada 🛸 Sin spoilers
- vangh112 juillet 2026Steven Spielberg makes the mistake of thinking a thesis and a big budget are enough to make a good movie. When this thing opened, I literally thought we were watching a movie within the movie it was so overshot and overwrought. Too many scenes are shot like stark lighting and a big score can be complete substitutes for any actual meaning or emotional resonance. And why do so many of the suspense and action sequences play out like I'm watching someone on Twitch trying a Grand Theft Auto mission for the first time? He's sneaking around secret agents by squat running directly at them, and they don't notice as long as they're turned the other way. Then his big car theft gets jammed up in the trees before he knocks over all the breakable obstacles. And when they send the car off the cliff and hide around One Big Rock while they let their star rating clear and then scurry off, again, 2 feet away from their pursuers, without drawing the awareness cone. And why is the invisible party action sequence shot like Home Alone? Why are we all of a sudden trying for 6 year old target audience slapstick?!? The overall idea has a ton of potential, and is well enough meaning, but the small details just don't line up or do enough to create any depth or actual excitement. And having the movie make it painfully clear multiple times that the one agent is absolutely willing to go rogue and do whatever it takes to kill them, just to have him frown and storm off as your big finish? What the heck even is that? He's literally fired openly at them before. I still absolutely love Stevie, but it's becoming clearer and clearer that all of his best work is officially 2 decades gone, and it breaks my heart to realize it.
- mason489-18 hSpielberg’s late-career alien movie is a soggy, overcooked mess I just finished Disclosure Day and… wow. That was bad. Steven Spielberg’s big “disclosure” movie spends almost its entire runtime as a glorified cat-and-mouse chase instead of anything resembling an alien film. You get car chases, more car chases, and then a train sequence so poorly CGI’d it looks like a rejected Fast & Furious stunt. The CGI animals earlier in the movie are equally embarrassing. Actual aliens barely show up until the final few minutes, and when they do it’s pure cheese. Emily Blunt spends most of the film crying, staring into the middle distance with watery eyes, and whispering. That’s her performance. Wyatt Russell (the nepo-baby son of Kurt) has zero reason to be in this movie. He’s not his dad, he’s not particularly likeable, and the role feels like pure stunt casting. The movie starts weirdly mid-story, never finds a real mystery, and feels like a Marvel film that somehow got directed by someone’s grandpa who still thinks “Spielberg cheese” is automatically magic. The final alien design is just… odd. Giant water-bag head energy. The entire moral of the story boils down to “we should tell people about the aliens because we tortured them and that’s mean,” while the bad guys go “nah you shouldn’t.” Deep. It’s overloaded with the exact brand of sentimental Spielberg goo that used to work when he was younger, but now it just feels tired and forced. No tension, no wonder, no mystery. Just a long, expensive chase movie that forgets it was supposed to be about aliens until the last reel. Truly one of the more disappointing theatrical experiences of the year.
- Mike Shulman-19 hWhere to start... Disclosure Day is very good it's just not what you think it is going in. The last 30 minutes or so will put you on the edge of your seat. The story leading up to that is good if not a little slow at time. I get it... we needed a backstory to explain Daniel and Margaret and bring them together. Spielberg does an apt job in doing so but at times it's a little long winded. Now Disclosure Day is never boring it's just not always the Sci-Fi epic you might expect for 2 and half hours. Could they have cut the runtime a little... maybe... but that would be a disservice to the story being told. So it kind of works both ways as you need the extra exposition to properly understand everything which in turn lengthens the movie for better or for worse. The last hour in general really picks up the action, but those last 30 minutes are as good as any Sci-Fi movie you'll see. The ending might be a little divisive but honestly how much more did we need at that point? Disclosure Day 7.5/10
- RGmidas-20 hDisclosure Day is great about aliens, but it don't know 💩 about humans. 👽 Why Disclosure Day (2026) Made Me Feel Like I Was Watching a $300 Million Super Bowl Commercial for "Movie" Rating: ⭐⭐✨ (2.5/5 Tinfoil Hats) Steven Spielberg has earned perhaps the greatest luxury a filmmaker can receive: The benefit of the doubt. This is the man who gave us Jaws, Raiders of the Lost Ark, E.T., Jurassic Park, Schindler's List, Saving Private Ryan... At some point, after assembling one of the greatest résumés in cinema history, audiences (myself included) unconsciously start every new Spielberg movie with the assumption: "I'm probably the one who's wrong." That goodwill lasts... ...for about 2 minutes into Disclosure Day. Then I found myself thinking: "No... I don't think it's me." 😬 Because buried inside this movie is an intriguing first-contact mystery full of awe, uncertainty, and cosmic possibility. Unfortunately, it's wrapped inside a package so aggressively overproduced that every frame feels like it's trying to win an Oscar for "Most Movie-Looking Movie." Chapter I: The Curious Case of the Overproduced Footstep 👠🎙️ Within seconds I realized something strange. A woman walks through a noisy crowd. People are yelling. Wrestlers are groping and grappling. There's chaos everywhere. And yet... I could hear every single footstep. Not naturally. Not subconsciously. I became painfully aware of the Foley artist somewhere in a recording booth lovingly tapping expensive shoes onto a wooden platform. Click. Click. Click. Congratulations. The movie had broken my suspension of disbelief with... footsteps. That's actually impressive. It wasn't just the footsteps. Everything sounded polished. Too polished. Every jacket rustled with Oscar-worthy clarity. Every door closed with the confidence of a luxury sedan commercial. Every coffee cup landed like it had been professionally miked. Instead of disappearing into the movie, I became acutely aware that I was watching people manufacture one. Chapter II: "Nobody Talks Like This." 📢 We've all watched movies where dialogue feels heightened. Then there's Disclosure Day. Characters don't converse. They deliver. Every sentence arrives with the weight of someone auditioning for "Best Supporting Monologue." Nobody interrupts. Nobody mumbles. Nobody searches for words. Nobody says: "Uh..." Because apparently aliens have also abducted natural conversation. Every line lands with suspicious convenience. Every exposition dump arrives precisely when needed. Every emotional revelation occurs exactly on schedule. It feels less like human interaction and more like the screenplay reading itself aloud. Chapter III: The Hans Gruber School of Villainy 💼 You know the villain. You knew him before he appeared. Perfect haircut. Expensive suit. Calm voice. Permanent expression that says: "I'm morally compromised, but tastefully." It's the Hans Gruber archetype that's been photocopied so many times the toner is beginning to fade. The movie is packed with these familiar blockbuster templates. The hard-nosed government official. The skeptical scientist. The men in black with the little flashy things. The military guy who wants to blow everything up. The emotional family member. Everyone arrives exactly when the screenplay needs them to. It's like watching stock characters downloaded from an expensive filmmaking software package. Chapter IV: Jean Grey Meets Bernie Mac 🤣 Then we get... that scene. The alien effortlessly manipulates the agents by appearing as the people they love, gliding through them with psychic confidence. I understand the thematic intent. I really do. But all I could think about was Bernie Mac in Head of State, casually slapping every single person standing in his way. 😂 The rhythm is almost identical. Agent. Smack. Next agent. Smack. Next. Smack. Except here it's: Loved one. Confused expression. Walk past. Repeat. After about the sixth agent, I wanted someone to shout: "Guys... maybe don't believe every emotional hallucination you see during First Contact Day." Chapter V: The World's Most Cooperative Humanity 🌍👽 Perhaps my biggest issue wasn't the aliens, they were great. It was the humans. Every television is showing the same news. Everyone is watching. Everyone believes. Everyone reacts exactly the same way. Really? Have we learned absolutely nothing from the internet? If actual extraterrestrials landed tomorrow, humanity would probably spend the first six hours arguing over whether the footage was AI-generated. Half of Reddit would insist it was fake. Someone on TikTok would accuse the aliens of being influencers. Twitter, or whatever we're calling it in 2026, would somehow blame Obama. The movie completely skips over human skepticism. Ironically, the aliens feel more believable than society's reaction to them. Chapter VI: The Alien Wore... That? 👽✨ And then... the silver suit. The literal shiny silver alien outfit. I burst out laughing. We've spent decades imagining how an advanced extraterrestrial civilization might appear. The movie apparently consulted every 1950s diner placemat and said: "Perfect." It's almost charming in how stereotypical it is. The design practically screams: "Greetings, Earthlings." I half expected a flying saucer to land beside a drive-in theater while theremin music played. I get it, right? Like that's how they came down decades ago. So all of the myth has been based on their actual Puff Daddy silver costumes. Chapter VII: Spielberg's Greatest Enemy Is Spielberg 🎬 Here's the frustrating part. The story itself? Pretty compelling. The mystery? Interesting. The central ideas about contact, fear, and wonder? Absolutely Spielberg territory. But the direction keeps insisting on underlining every emotion. Every reveal. Every dramatic pause. Every conversation. It's as if the movie doesn't trust the audience to feel anything unless the filmmaking announces: "THIS IS IMPORTANT." Sometimes less really is more. Wonder doesn't always need an orchestral score. Suspense doesn't always need pounding percussion. Characters don't always need to speak in perfectly polished screenplay dialogue. Sometimes... just let the weird alien stand there. 🎬 TLDR 👽 Disclosure Day has an intriguing first-contact premise buried beneath layers of overproduced blockbuster filmmaking. 🎙️ Every footstep, jacket rustle, and coffee cup feels so meticulously crafted that it becomes distracting instead of immersive. 🎭 The dialogue often sounds like movie dialogue rather than human conversation, with characters speaking in perfectly timed exposition and dramatic declarations. 🤣 The psychic "walk past the agents by appearing as loved ones" sequence unintentionally recalled Bernie Mac bulldozing through people in Head of State, except with telepathy instead of slaps. 🤼 The opening gets bonus points for featuring AEW on television. At least somebody in this universe has excellent wrestling taste. 🫡 🛸 The aliens are visually imaginative in places, but then someone puts one in the most stereotypical silver alien outfit imaginable, as if the costume department was working from a 1957 UFO comic. 📱 The biggest fantasy isn't alien contact, it's the idea that humanity would all watch the same news broadcast and immediately agree on what happened. Imagine aliens landing tomorrow. We'd have livestreams, conspiracy podcasts, reaction videos, fact-checks, memes, deepfakes, someone claiming the mothership was CGI, and at least three influencers trying to get a selfie with it before lunch. The movie understands extraterrestrials. It has far less confidence when it comes to understanding people. Final Academic Assessment: A frustratingly polished spectacle that mistakes meticulous production for authenticity. Spielberg's trademark sense of wonder still peeks through the cracks, but it's buried beneath dialogue that rarely sounds lived-in, characters who behave like screenplay functions, and filmmaking so polished you start noticing the Foley artists instead of the aliens. Somewhere inside is a genuinely fascinating sci-fi movie. Unfortunately, it's trapped inside a movie trailer for itself. 👽🎬📺🤦
- madgitty-21 hReminded me of close encounters, a build up to the big reveal, but this is nowhere as good, one of his worse films, 2hours and 10 mins of 2 people being chased , honestly the person that left a 9.5 of of 10, I can only think he’s never watch any other film, it is truly a boring film , Watch it if you want and make your own mind up, the hype pushed for this film makes it look god but boy it’s really bad
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Disclosure Day a été publié sur 9 juin 2026.
Disclosure Day a été réalisé par Steven Spielberg.
Disclosure Day sa durée est de 2h 26min.
Disclosure Day a été réalisé par Kristie Macosko Krieger, Steven Spielberg.
Si vous découvriez que nous ne sommes pas seuls, si quelqu'un vous le montrait, vous le prouvait, cela vous effraierait-il ?
Les personnages principaux de * Disclosure Day * sont Margaret Fairchild (Emily Blunt), Daniel Kellner (Josh O'Connor), Noah Scanlon (Colin Firth).
Disclosure Day est classé « TP ».
Disclosure Day est un film de l{genres}.
Disclosure Day a obtenu une note de 7 /10 de la part du public.
Disclosure Day disposait d'un budget de 115 M $US.
Disclosure Day a rapporté 232,9 M $US au box-office.