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Dior and I
Directed by
Frédéric Tcheng
Not Rated
2014
90m
Documentary
7.2
85%
77%
Add to Watchlist
Get inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture collection as its new artistic director.
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Where to Watch Dior and I
Fandango at Home Free
Free
Kanopy
Free
YouTube Free
Free
+9 more
Cast of Dior and I
Christian Dior
Self (archive footage)
Raf Simons
Self
Pieter Mulier
Self
Bernard Arnault
Self - Owner of LVMH
Donatella Versace
Self (uncredited)
Anna Wintour
Self (uncredited)
Luca Guadagnino
self
Jennifer Lawrence
self
Harvey Weinstein
self
Marion Cotillard
self
Isabelle Huppert
Self (uncredited)
Sharon Stone
Self (uncredited)
Frédéric Tcheng
Director / Writer
Guillaume de Roquemaurel
Producer
Dior and I Ratings & Reviews
Detroit News
Tom Long
If only "Dior and I" told us why we should care.
Austin Chronicle
Kimberley Jones
A piece of Dior haute couture to hang in the closet is probably not in most of our futures, but this enthralling documentary allows viewers to finger the hem, so to speak, of some grand designs indeed.
Boston Globe
Peter Keough
Fascinating, suspenseful, illuminating, and ultimately moving.
Washington Post
Stephanie Merry
The movie, not to mention the company, deserves praise for showing the challenges as well as the triumphs; "Dior and I" doesn't shy away from conflicts when they arise. This isn't marketing material. It's a real look at a fascinating line of work.
St. Louis Post-Dispatch
Jody Mitori
This undramatic and flat peek "inside" the sewing rooms of Christian Dior holds little in the way of entertainment.
Seattle Times
Moira MacDonald
We get to know the people - mostly women, but a few men - whose hands create these intricate, beautiful garments.
Philadelphia Inquirer
Steven Rea
Tcheng finds Simons in moments of haughty self-confidence and tremulous self-doubt.
Chicago Reader
J. R. Jones
A few gauzy montages of black-and-white archival footage glorify the fashion house's founder and namesake, providing a welcome interruption to all the self-serving confessionals and stage-managed conflicts.
Arizona Republic
Randy Cordova
[It] adds up to something that won't have much appeal beyond the fashionista crowd. And even they probably would prefer browsing through one of the designer's catalogs than sitting through this glossy bore.
San Francisco Chronicle
Mick LaSalle
The documentary offers a privileged behind-the-scenes look at the workings of a business. It's also about the difficulties of the creative process, the running of an organization, and the adjustments that must be made when a new boss is in town.
Los Angeles Times
Kenneth Turan
If the ungodly star-driven media frenzy that surrounds the spring collections of the great Paris houses like Christian Dior is the public face of designer fashion, "Dior and I" shows us that what goes on behind the scenes is even more intriguing.
Movie Mezzanine
Tomris Laffly
Tcheng manages to excite and move while painting a complete portrait of an artist challenged by his new post's unprecedented legacy.
Wall Street Journal
Joe Morgenstern
The drama of getting new dresses on the runway turns out to be transfixing, while the hero redefines the notion of intense.
Artforum
Melissa Anderson
Though the film is unquestionably a flattering portrait of Simons, it is also more broadly, and more fruitfully, a testament to a tradition and to those who have upheld it for decades.
RogerEbert.com
Christy Lemire
"Dior and I" intimately demonstrates the tricky balance between art and commerce, between perpetuating a mythology while attending to the bottom line, and doing it with the pressure of a ticking clock.
New York Post
Farran Smith Nehme
The heart of Dior and I is with these seamstresses and cutters, artists in their own right.
New York Times
A.O. Scott
Access to an institution like the house of Dior is a rare and precious thing, and Mr. Tcheng has paid for it with a flattering portrait dressed up to look like cleareyed scrutiny.
New York Daily News
Lisa Marsh
Tcheng gets under Simons' skin - we see the designer's methods of work, insecurities, vulnerabilities and his ability to cut through the noise.
AV Club
Keith Uhlich
For all the seductive imagery of billowing apparel and impossibly angled high heels, Tcheng never loses sight of the people overseeing every stitch.
Village Voice
Stephanie Zacharek
Dior and I is a great fashion movie, but it's also a superb picture about the art of management, applicable to any field.
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