16
1985    90 minAction, Drama
5.814%53%6.2
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Kersey (Charles Bronson) defronta-se com uma cena horrivel no apartamento de seu amigo Charlie, quando encontra-o todo surrado e quebrado no chão de Linóleo repleto de sangue, no mesmo tempo detetive policiais explodem dentro do quarto e o prendem. Na delegacia, o chefe de polícia, Shriker (Ed Lauter) reconhece Kersey como o homem que a dez anos atrás, varreu as ruas de assassinos, raptores e caçadores de crocodilos. Prende Kersey, mas a defensora pública Kathryn Davis (Deborah Raffin), quer brigar pelos seus direitos. Shriker dá a Kersey a liberdade sob uma condição: deve mais uma vez exterminar as terríveis gangs que mantém as ruas sob terror. Kersey começa a investigar e...
Dirigido por Michael Winner
  • Charles BronsonPaul Kersey
  • Deborah RaffinKathryn Davis
  • Ed LauterInsp. Richard S. Shriker
  • Martin BalsamBennett Cross
  • Gavan O'HerlihyManny Fraker
  • Kirk TaylorGiggler
  • Alex WinterHermosa
  • Tony SpiridakisAngel
  • Ricco RossThe Cuban
  • Tony BrittsTulio
  • David CreanHector
  • Nelson FernandezChaco
  • Alan CookePunk at Car
  • Bob Lee DysingerPunk at Car
  • Topo GrajedaGarcia
  • Barbie WildeFemale Punk
  • Ron HayesLieutenant
  • Jerry PhillipsStreet Punk
  • Joe GonzalezRodriguez
  • Francis DrakeCharley
  • Patrick Wai25 de maio de 2026
    The only honest reason to watch Death Wish 3 is to watch Charles Bronson turn aging male grievance into urban artillery. And to be fair, the movie understands that perfectly. Bronson was 63 when it came out, yet the film still treats him like an unstoppable grandfather of vengeance who can kill punks, attract women, and glare a city block into submission. The acting is bad, the psychology is nonexistent, and the cops are written like they were assembled from stale donut crumbs and administrative incompetence, but none of that is really the point. You do not come to a Bronson movie for Shakespeare. You come to watch him exterminate street thugs with the calm professionalism of a man taking out the trash. The movie is also shamelessly sleazy: brutal sexual violence, random toplessness, cartoonishly violent gang mayhem, and a level of urban panic that feels less like New York and more like a revenge-fantasy comic strip with garbage fires. Roger Ebert called it only marginally better than Death Wish II, which sounds harsh until you realize he still thought it was basically junk with improved explosions. That said, junk can be fun, and this movie absolutely is. The twist of the police captain quietly backing Bronson’s war on punks gives the whole thing a hilariously crooked logic, like the system itself has decided paperwork is overrated. As for whether New York was really that violent, it was extremely violent in the mid-1980s, but not in this comic-book way. An NYPD report notes homicide rose from 1,392 in 1985 to 2,262 in 1990, so the city’s violence problem was real even if this movie turns it into a feral-video-game apocalypse.

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