R
1999    1h 33mHorror, Thriller
3.97%21%4.6
The Candyman returns to try to convince his female descendent, an artist, to join him as a legendary figure. To this end, he frames her for a series of hideous murders of her friends and associates so that she has nowhere else to turn to.
Directed by Turi Meyer
  • Tony ToddCandyman / Daniel Robitaille / Co-Producer
  • Donna D'ErricoCaroline McKeever
  • Alexia RobinsonTamara
  • Mike MoroffTino
  • Mark Adair-RiosMiguel Velasco
  • Jsu GarciaDavid de La Paz
  • Wade WilliamsSamuel Kraft
  • Ernie Hudson Jr.Jamal Matthews
  • Lupe OntiverosAbuela
  • Robert O'ReillyL.V. Sacco
  • Rena RiffelLina
  • Laura MazurCaroline Sullivan
  • Elizabeth HayesAnnie Tarrant
  • Leonardo GuerraLittle Boy
  • Chris Van DahlDante
  • Elizabeth GuberJamie Gold
  • Lombardo BoyarEnrique
  • Lillian HurstFlower Woman
  • John QuijadaOld Man
  • Nicole ContrerasCristina
  • Paul Walsh
    Paul WalshMarch 4, 2026
    The least of the series including the new reboot. I feel every movie in the original trilogy loses a star as they progress. Tony Todd is still the man, but the series was just spinning its wheels by this point.
  • Carlos Ibarra
    Carlos IbarraApril 16, 2025
    Oof! Talk about a way to take a respectable horror series with rich mythology and instantly turning it into Straight-to-Video junk. This is such stinky poop it killed the franchise. But hey, they put lots of of boobs in it... That's what Candyman fans were looking for right?
  • handban2
    handban2April 16, 2025
    It's like they tried to remake the second one, only they added boobs, more racism and subtracted a story.
  • Callum
    CallumDecember 31, 2024
    ⭐½ (out of 5) Candyman 3: Day of the Dead – The mirror’s cracked, and even Tony Todd can’t polish it back to life. “Candyman 3: Day of the Dead” marks the end of the original trilogy — and sadly, it feels like it. Tony Todd remains as magnetic and menacing as ever, his presence alone keeping the film from collapsing entirely under its own weight. But even his commanding performance can’t save what’s essentially a hollow echo of what once made the franchise haunting. The story tries to conjure fear from familiar reflections — blood, legend, vengeance — yet everything here feels dulled and detached, like a myth retold too many times without belief. It’s still worth a one-time watch for the sake of completion, but beyond that, there’s little reason to look back into the mirror. Because let’s be honest — this is definitely the place that sequels go to die, or actually, more accurately, have died and can’t be resurrected from. They did try again later, of course… but perhaps some legends really should stay buried.

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