君の名前で僕を呼んで
監督:Luca Guadagnino1983年夏、北イタリアの避暑地で家族と過ごす17歳のエリオは、大学教授の父が招待した年上の大学院生オリヴァーと出会う。一緒に自転車で散策したり泳いだり、読書したり音楽を聴いたりするうちに、エリオはオリヴァーに恋心を抱く。やがてその思いは通じるが、夏の終わりが近づくにつれてオリヴァーが避暑地を去る日が近くなる。
君の名前で僕を呼んでの評価とレビュー
- MilanBervoets982025年12月29日Not the Fairytale perfectness of love and connection. Human behavior is weird and everything is well portrayed in this movie.
- ananya2025年10月18日all i can hear is "elio elio elio"
- Graham Cracker2025年12月21日A personal connection with this one… forever special in my heart.
- Michael Heimgartner2025年4月22日I went into Call Me by Your Name with modest expectations—romance films aren’t usually my genre. But what unfolded before me was a cinematic experience of rare beauty, depth, and emotional precision. I was completely swept away. And by the time the credits rolled, I found myself in tears, not only because of the story, but because of the way it was told. The film, directed with quiet mastery by Luca Guadagnino, is a powerful testament to what cinema can achieve when narrative, image, sound, and emotion move in perfect harmony. Set in the golden haze of a northern Italian summer in the 1980s, it tells a love story that is both deeply personal and profoundly universal. It’s a coming-of-age tale, a meditation on time, desire, and memory—bittersweet and tender, like a song that never quite fades. From the first frame, the film draws you into its world: the sun-drenched countryside, the lazy pace of summer days, the distant hum of cicadas, the smell of ripe peaches, and the sound of piano echoing through an old villa. The cinematography is breathtaking. At times, it feels like you’re watching a series of impressionist paintings come to life. Every scene is composed with care, every detail feels intentional. The production design and costumes are equally stunning, capturing the essence of the 1980s without ever being overt. You’re not just watching this story—you’re in it, immersed in a world that feels achingly real and tangible. The editing style is fascinating—at times abrupt and restless, at other times lingering and meditative. This fragmented rhythm mirrors the emotional turbulence of youth and longing. Scenes don’t always connect in conventional ways, but they pulse with authenticity, capturing fleeting thoughts, gestures, and glances that carry more weight than any dialogue could. The soundtrack is, in a word, transcendent. Ludwig Göransson’s score is subtle and evocative, but it’s the inclusion of full songs—particularly those by Sufjan Stevens—that elevates the film into another emotional register. These moments are not mere background—they are essential, poetic interludes that carry the weight of entire scenes. And then, of course, there’s the cast. Timothée Chalamet gives a career-defining performance as Elio. He is vulnerable, raw, intellectual, awkward, and magnetic. Every emotion is worn on his face, often without a word being spoken. Armie Hammer brings a quiet strength and grace to Oliver, whose character could easily have become distant or unrelatable, but instead is infused with warmth and restraint. Together, they create a chemistry that is as delicate as it is intense. Their relationship is allowed to breathe, to unfold in silence, in music, in touches, and in unspoken glances. It is beautifully, achingly real. What truly sets Call Me by Your Name apart is its refusal to sensationalize love. It shows it for what it often is—fleeting, messy, quiet, powerful, and unforgettable. The film doesn’t rush or dramatize; it lets the viewer feel the passage of time, the slow build of connection, and the unbearable ache of goodbye. Some scenes pass almost too quickly, and yet they linger in the memory, like moments from one’s own life. The final act of the film is a masterstroke of emotional storytelling. It holds a mirror to the audience, reminding us that love, no matter how brief, can shape us forever. The final scene—anchored by one of the most subtle and devastating performances I’ve ever seen—left me completely undone. Call Me by Your Name is not just a film—it’s a sensation. It’s a longing, a memory, a distant summer that feels like it could have been your own. It speaks to anyone who’s ever loved deeply, lost quietly, and held onto a feeling long after the moment has passed. It’s a masterpiece. A reminder of why we go to the movies.
- neuroparadox2025年7月29日A beautiful and touching coming-of-peach story. 🍑 Shout out to Jason Biggs 🥧
- nataliarogers2025年6月15日So sad but so beautiful
- Rowan Krzysiak2025年1月6日A film that says most when it says nothing. Shows most when it shows nothing. Fawns ignorance yet knows everything. Deeply complex characters with deep cores and detailed frailed edges. Some stunning final scenes. Can't recommend easily but an enjoyable watch.
君の名前で僕を呼んでを視聴
君の名前で僕を呼んでに関するトリビア
君の名前で僕を呼んでは2017年10月27日に公開されました。
君の名前で僕を呼んではLuca Guadagninoが監督を務めました。
君の名前で僕を呼んでの上映時間は2h 11mです。
君の名前で僕を呼んではMarco Morabito, Luca Guadagnino, Rodrigo Teixeira, Emilie Georges, Peter Spears, Howard Rosenman, James Ivoryがプロデューサーを務めました。
1983年夏、北イタリアの避暑地で家族と過ごす17歳のエリオは、大学教授の父が招待した年上の大学院生オリヴァーと出会う。一緒に自転車で散策したり泳いだり、読書したり音楽を聴いたりするうちに、エリオはオリヴァーに恋心を抱く。やがてその思いは通じるが、夏の終わりが近づくにつれてオリヴァーが避暑地を去る日が近くなる。
君の名前で僕を呼んでの主要人物はOliver (Armie Hammer), Elio (Timothée Chalamet), Mr. Perlman (Michael Stuhlbarg)です。
君の名前で僕を呼んではPG12と評価されています。
君の名前で僕を呼んではロマンス, ドラマ映画です。
君の名前で僕を呼んでは、視聴者によって10点満点中8.6点をつけられています。
君の名前で僕を呼んでの予算は$350万です。
君の名前で僕を呼んでの興行収入は$4314.3万です。