Der Wilde Wilde Westen
Regie Mel BrooksEine Stadt, in der jeder den Namen Johnson zu tragen scheint, ist der Eisenbahn im Weg. Um sich das Land zu sichern, schickt Hedley Lemar seine Schergen. Sie sollen die Stadt unbewohnbar machen. Als der Sheriff getötet wird, verlangen die Bürger nach einem neuen Gesetzeshüter. Hedley Lemar überzeugt den Gouverneur, ausgerechnet in diesem Städtchen den ersten schwarzen Sheriff des Wilden Westens einzusetzen. Doch der erweist sich als widerspenstiger als erwartet.
Der Wilde Wilde Westen Rezensionen & Wertungen
- Steven Schwalger26. Februar 2026I'll start off by saying this has not aged well... at all. The abundant use of the N word is pretty jaring. If you can get past that this move becomes hilarious.
- Joshua Leach22. Oktober 2025Could never be made in this day and age. Classic as it may be, some people still wouldn't understand the satire. Go Into it with an open heart and you will enjoy it
- Patrick Oyler2. Februar 2026One of if not the best movie of all time
- parktool6928. Januar 2026so racist????
- Vivian Love13. August 2025Aside from the 200 slurs across the movie it's really good. As someone falling into the category of some of the slurs just let it slide for this masterpiece
- castlegary26. Januar 2026Very funny in parts others not so much. The opening is great and Madeline Khon cabaret number the best others dumb. Could not get away with some of the stuff said today
- Juan Manuel Zavala10. Januar 2026One of Mel Brooks best. A bit outdated to today's standards but still funny. Gene Wilder was the best.
- Brent Johnson2. Januar 2026A classic hilarious movie.
- Jeff29. März 2025They said you was hung? And they was right!
- John Doe2. November 2025Blazing Saddles (1974) was written by (((Mel Brooks))), Richard Pryor, Andrew Bergman, and Norman Steinberg-all jewish. The film's overt themes of racial integration, White guilt, and a black sheriff "fixing" a White town can be seen as subversive, promoting multiculturalism and racial mixing. Brooks often used comedy to push social commentary, particularly on jewish-American issues, but Blazing Saddles extends this to racial dynamics. The film's plot-where a black sheriff (Cleavon Little) is appointed to a White town and solves its problems-can be interpreted as a metaphor for jewish assimilation into White America, but also as a vehicle to normalize interracial relationships and challenge traditional racial hierarchies. The film's use of satire and absurdity allowed it to tackle sensitive topics under the guise of comedy, making its subversive messages more palatable to a broad audience.
- Richard21. Oktober 2025I caught Blazing Saddles on TV late one night, expecting a dusty Western and maybe a few chuckles. What I got was a cinematic Molotov cocktail, Mel Brooks at his most unhinged, swinging for every taboo like he was trying to break comedy itself. From the opening scene, it was clear this wasn’t your average cowboy flick. The jokes were fast, filthy, and fearless. Every stereotype got skewered, every sacred cow milked dry. I sat there slack, jawed, popcorn untouched, wondering how this ever made it past the censors, let alone onto my living room screen. Cleavon Little’s Bart was smooth as silk, Gene Wilder’s Waco Kid was the drunk philosopher I didn’t know I needed and Madeline Kahn’s Lili Von Shtupp? Pure vaudeville gold. But it wasn’t just the cast, it was the sheer audacity. The film didn’t tiptoe around racism, sexism, or Hollywood hypocrisy, it kicked the door in, cracked a fart joke and rode off on a blazing saddle. Could it be made today? Not a chance. The script would be shredded by committee before the first draft hit the printer. But that’s the point. Blazing Saddles wasn’t trying to be safe, it was trying to be honest, in the most absurd way possible. It held up a mirror to America’s prejudices and laughed so hard the glass shattered. Watching it on TV added a strange intimacy. No theater crowd to buffer the shock, just me, the remote and a growing sense that I was witnessing something both brilliant and completely bonkers. A fearless, foul mouthed masterpiece that couldn’t exist in today’s climate, but thank Schwartz it did back then. Watching it on TV felt like discovering a forbidden relic of comedy history and I’m glad I didn’t change the channel and I'm happy that I own it.
- AGENTROCKSTAR6. Oktober 2025Definitely a classic to keep.
- Richard Thornton22. Juli 2025Probably the best Mel Brooks movie. Today’s more squeamish audiences have a hard time connecting or engaging with it.
- Mekoehouve10. September 2025Hilarious!
- Plexxor the Pretty Good2. Juni 2025Just a classic, don't miss it. In my top 5 movies. John Wayne said his fans would never forgive him if he was in the movie but swore he would be first in line on opening night. He kept his word.
Schaue Der Wilde Wilde Westen Videos
Der Wilde Wilde Westen Trivia
Der Wilde Wilde Westen wurde am 7. Februar 1974 veröffentlicht.
Regie in Der Wilde Wilde Westen führte(n) Mel Brooks.
Der Wilde Wilde Westen hat eine Spielzeit von 1 Std., 32 Min..
Der Wilde Wilde Westen wurde produziert von Michael Hertzberg.
Eine Stadt, in der jeder den Namen Johnson zu tragen scheint, ist der Eisenbahn im Weg. Um sich das Land zu sichern, schickt Hedley Lemar seine Schergen. Sie sollen die Stadt unbewohnbar machen. Als der Sheriff getötet wird, verlangen die Bürger nach einem neuen Gesetzeshüter. Hedley Lemar überzeugt den Gouverneur, ausgerechnet in diesem Städtchen den ersten schwarzen Sheriff des Wilden Westens einzusetzen. Doch der erweist sich als widerspenstiger als erwartet.
Die Hauptcharaktere in Der Wilde Wilde Westen sind Bart (Cleavon Little), Jim (Gene Wilder), Taggart (Slim Pickens).
Der Wilde Wilde Westen ist bewertet mit 16.
Der Wilde Wilde Westen ist eine Komödie, Western Film.
Der Wilde Wilde Westen hat eine Benutzerbewertung von 9 von 10.
Der Wilde Wilde Westen hatte ein Budget von 2,6 Mio. $.
Der Wilde Wilde Westen erzielte Einnhamen von 119,5 Mio. $ an den Kinokassen.