ブレージングサドル
監督:Mel Brooks法も秩序もない西部のある町。腹黒い知事は、黒人奴隷バートを保安官にして住民の不安を募らせ、彼らを町から追い出すことを企てる。だがバートは監獄の常連ジムと意気投合し、知事が送り込んだ無法者一味に立ち向かうのだった。
ブレージングサドルの評価とレビュー
- Steven Schwalger2026年2月26日I'll start off by saying this has not aged well... at all. The abundant use of the N word is pretty jaring. If you can get past that this move becomes hilarious.
- Patrick Oyler2026年2月2日One of if not the best movie of all time
- parktool692026年1月28日so racist????
- Joshua Leach2025年10月22日Could never be made in this day and age. Classic as it may be, some people still wouldn't understand the satire. Go Into it with an open heart and you will enjoy it
- castlegary2026年1月26日Very funny in parts others not so much. The opening is great and Madeline Khon cabaret number the best others dumb. Could not get away with some of the stuff said today
- Jeff2025年3月29日They said you was hung? And they was right!
- Vivian Love2025年8月13日Aside from the 200 slurs across the movie it's really good. As someone falling into the category of some of the slurs just let it slide for this masterpiece
- Juan Manuel Zavala2026年1月10日One of Mel Brooks best. A bit outdated to today's standards but still funny. Gene Wilder was the best.
- Brent Johnson2026年1月2日A classic hilarious movie.
- John Doe2025年11月2日Blazing Saddles (1974) was written by (((Mel Brooks))), Richard Pryor, Andrew Bergman, and Norman Steinberg-all jewish. The film's overt themes of racial integration, White guilt, and a black sheriff "fixing" a White town can be seen as subversive, promoting multiculturalism and racial mixing. Brooks often used comedy to push social commentary, particularly on jewish-American issues, but Blazing Saddles extends this to racial dynamics. The film's plot-where a black sheriff (Cleavon Little) is appointed to a White town and solves its problems-can be interpreted as a metaphor for jewish assimilation into White America, but also as a vehicle to normalize interracial relationships and challenge traditional racial hierarchies. The film's use of satire and absurdity allowed it to tackle sensitive topics under the guise of comedy, making its subversive messages more palatable to a broad audience.
- Richard Thornton2025年7月22日Probably the best Mel Brooks movie. Today’s more squeamish audiences have a hard time connecting or engaging with it.
- Richard2025年10月21日I caught Blazing Saddles on TV late one night, expecting a dusty Western and maybe a few chuckles. What I got was a cinematic Molotov cocktail, Mel Brooks at his most unhinged, swinging for every taboo like he was trying to break comedy itself. From the opening scene, it was clear this wasn’t your average cowboy flick. The jokes were fast, filthy, and fearless. Every stereotype got skewered, every sacred cow milked dry. I sat there slack, jawed, popcorn untouched, wondering how this ever made it past the censors, let alone onto my living room screen. Cleavon Little’s Bart was smooth as silk, Gene Wilder’s Waco Kid was the drunk philosopher I didn’t know I needed and Madeline Kahn’s Lili Von Shtupp? Pure vaudeville gold. But it wasn’t just the cast, it was the sheer audacity. The film didn’t tiptoe around racism, sexism, or Hollywood hypocrisy, it kicked the door in, cracked a fart joke and rode off on a blazing saddle. Could it be made today? Not a chance. The script would be shredded by committee before the first draft hit the printer. But that’s the point. Blazing Saddles wasn’t trying to be safe, it was trying to be honest, in the most absurd way possible. It held up a mirror to America’s prejudices and laughed so hard the glass shattered. Watching it on TV added a strange intimacy. No theater crowd to buffer the shock, just me, the remote and a growing sense that I was witnessing something both brilliant and completely bonkers. A fearless, foul mouthed masterpiece that couldn’t exist in today’s climate, but thank Schwartz it did back then. Watching it on TV felt like discovering a forbidden relic of comedy history and I’m glad I didn’t change the channel and I'm happy that I own it.
- AGENTROCKSTAR2025年10月6日Definitely a classic to keep.
- Plexxor the Pretty Good2025年6月2日Just a classic, don't miss it. In my top 5 movies. John Wayne said his fans would never forgive him if he was in the movie but swore he would be first in line on opening night. He kept his word.
- Mekoehouve2025年9月10日Hilarious!
ブレージングサドルに関するトリビア
ブレージングサドルは1974年2月7日に公開されました。
ブレージングサドルはMel Brooksが監督を務めました。
ブレージングサドルの上映時間は1h 32mです。
ブレージングサドルはMichael Hertzbergがプロデューサーを務めました。
法も秩序もない西部のある町。腹黒い知事は、黒人奴隷バートを保安官にして住民の不安を募らせ、彼らを町から追い出すことを企てる。だがバートは監獄の常連ジムと意気投合し、知事が送り込んだ無法者一味に立ち向かうのだった。
ブレージングサドルの主要人物はBart (Cleavon Little), Jim (Gene Wilder), Taggart (Slim Pickens)です。
ブレージングサドルはGと評価されています。
ブレージングサドルはコメディ, 西洋映画です。
ブレージングサドルは、視聴者によって10点満点中9点をつけられています。
ブレージングサドルの予算は$260万です。
ブレージングサドルの興行収入は$1.2億です。