Sheriffen skyder på det hele
Instrueret af Mel BrooksStraffefangen Bart udnævnes til den lille hvide grænsebys første sorte politimand - i virkeligheden for at det skal blive en fiasko. Men Bart får liv i den fordrukne Waco Kid, og sammen sætter de sig for at redde Rock Ridge.
Sheriffen skyder på det hele-bedømmelser og anmeldelser
- Steven Schwalger26. februar 2026I'll start off by saying this has not aged well... at all. The abundant use of the N word is pretty jaring. If you can get past that this move becomes hilarious.
- Joshua Leach22. oktober 2025Could never be made in this day and age. Classic as it may be, some people still wouldn't understand the satire. Go Into it with an open heart and you will enjoy it
- Vivian Love13. august 2025Aside from the 200 slurs across the movie it's really good. As someone falling into the category of some of the slurs just let it slide for this masterpiece
- Patrick Oyler2. februar 2026One of if not the best movie of all time
- parktool6928. januar 2026so racist????
- Jeff29. marts 2025They said you was hung? And they was right!
- Brent Johnson2. januar 2026A classic hilarious movie.
- castlegary26. januar 2026Very funny in parts others not so much. The opening is great and Madeline Khon cabaret number the best others dumb. Could not get away with some of the stuff said today
- Richard Thornton22. juli 2025Probably the best Mel Brooks movie. Today’s more squeamish audiences have a hard time connecting or engaging with it.
- Juan Manuel Zavala10. januar 2026One of Mel Brooks best. A bit outdated to today's standards but still funny. Gene Wilder was the best.
- John Doe2. november 2025Blazing Saddles (1974) was written by (((Mel Brooks))), Richard Pryor, Andrew Bergman, and Norman Steinberg-all jewish. The film's overt themes of racial integration, White guilt, and a black sheriff "fixing" a White town can be seen as subversive, promoting multiculturalism and racial mixing. Brooks often used comedy to push social commentary, particularly on jewish-American issues, but Blazing Saddles extends this to racial dynamics. The film's plot-where a black sheriff (Cleavon Little) is appointed to a White town and solves its problems-can be interpreted as a metaphor for jewish assimilation into White America, but also as a vehicle to normalize interracial relationships and challenge traditional racial hierarchies. The film's use of satire and absurdity allowed it to tackle sensitive topics under the guise of comedy, making its subversive messages more palatable to a broad audience.
- Richard21. oktober 2025I caught Blazing Saddles on TV late one night, expecting a dusty Western and maybe a few chuckles. What I got was a cinematic Molotov cocktail, Mel Brooks at his most unhinged, swinging for every taboo like he was trying to break comedy itself. From the opening scene, it was clear this wasn’t your average cowboy flick. The jokes were fast, filthy, and fearless. Every stereotype got skewered, every sacred cow milked dry. I sat there slack, jawed, popcorn untouched, wondering how this ever made it past the censors, let alone onto my living room screen. Cleavon Little’s Bart was smooth as silk, Gene Wilder’s Waco Kid was the drunk philosopher I didn’t know I needed and Madeline Kahn’s Lili Von Shtupp? Pure vaudeville gold. But it wasn’t just the cast, it was the sheer audacity. The film didn’t tiptoe around racism, sexism, or Hollywood hypocrisy, it kicked the door in, cracked a fart joke and rode off on a blazing saddle. Could it be made today? Not a chance. The script would be shredded by committee before the first draft hit the printer. But that’s the point. Blazing Saddles wasn’t trying to be safe, it was trying to be honest, in the most absurd way possible. It held up a mirror to America’s prejudices and laughed so hard the glass shattered. Watching it on TV added a strange intimacy. No theater crowd to buffer the shock, just me, the remote and a growing sense that I was witnessing something both brilliant and completely bonkers. A fearless, foul mouthed masterpiece that couldn’t exist in today’s climate, but thank Schwartz it did back then. Watching it on TV felt like discovering a forbidden relic of comedy history and I’m glad I didn’t change the channel and I'm happy that I own it.
- Plexxor the Pretty Good2. juni 2025Just a classic, don't miss it. In my top 5 movies. John Wayne said his fans would never forgive him if he was in the movie but swore he would be first in line on opening night. He kept his word.
- Luke Monroe25. maj 2025An amzing comedy, and encapulates an by gone era.
- AGENTROCKSTAR6. oktober 2025Definitely a classic to keep.
Se Sheriffen skyder på det hele-videoer
Sheriffen skyder på det hele-trivia
- februar 1974 blev Sheriffen skyder på det hele udgivet.
Sheriffen skyder på det hele blev instrueret af Mel Brooks.
Sheriffen skyder på det hele har en spilletid på 1 t 32 m.
Sheriffen skyder på det hele blev produceret af Michael Hertzberg.
Straffefangen Bart udnævnes til den lille hvide grænsebys første sorte politimand - i virkeligheden for at det skal blive en fiasko. Men Bart får liv i den fordrukne Waco Kid, og sammen sætter de sig for at redde Rock Ridge.
Nøglepersonerne i Sheriffen skyder på det hele er Bart (Cleavon Little), Jim (Gene Wilder), Taggart (Slim Pickens).
Sheriffen skyder på det hele er bedømt 15.
Sheriffen skyder på det hele er en Komedie, Western-film.
Sheriffen skyder på det hele har en publikumsbedømmelse på 9.1 ud af 10.
Sheriffen skyder på det hele havde et budget på 2,6 mio. US$.
Sheriffen skyder på det hele har indtjent 119,5 mio. US$ ved billetlugen.