Det våras för sheriffen
Directed by Mel BrooksJärnvägen som är under uppbyggnad planeras att gå rakt igenom den sömniga lilla staden Rock Ridge, vilket innebär att marken kommer att bli värd en förmögenhet. En förmögenhet som den osympatiske Hedley Lamarr vill komma åt. Men hur ska man lyckas bli av med de som bor där? Jo, man skapar kaos i den lilla lugna staden genom att skicka in det värsta gäng man kan tänka sig och tillsätter en ny sheriff som man tror kommer försvinna inom 24 timmar. Men, allt blir inte som man tänkt sig...
Det våras för sheriffen Ratings & Reviews
- Joshua Leach22 oktober 2025Could never be made in this day and age. Classic as it may be, some people still wouldn't understand the satire. Go Into it with an open heart and you will enjoy it
- Steven Schwalger26 februari 2026I'll start off by saying this has not aged well... at all. The abundant use of the N word is pretty jaring. If you can get past that this move becomes hilarious.
- Patrick Oyler2 februari 2026One of if not the best movie of all time
- Vivian Love13 augusti 2025Aside from the 200 slurs across the movie it's really good. As someone falling into the category of some of the slurs just let it slide for this masterpiece
- parktool6928 januari 2026so racist????
- Jeff29 mars 2025They said you was hung? And they was right!
- castlegary26 januari 2026Very funny in parts others not so much. The opening is great and Madeline Khon cabaret number the best others dumb. Could not get away with some of the stuff said today
- Juan Manuel Zavala10 januari 2026One of Mel Brooks best. A bit outdated to today's standards but still funny. Gene Wilder was the best.
- Brent Johnson2 januari 2026A classic hilarious movie.
- John Doe2 november 2025Blazing Saddles (1974) was written by (((Mel Brooks))), Richard Pryor, Andrew Bergman, and Norman Steinberg-all jewish. The film's overt themes of racial integration, White guilt, and a black sheriff "fixing" a White town can be seen as subversive, promoting multiculturalism and racial mixing. Brooks often used comedy to push social commentary, particularly on jewish-American issues, but Blazing Saddles extends this to racial dynamics. The film's plot-where a black sheriff (Cleavon Little) is appointed to a White town and solves its problems-can be interpreted as a metaphor for jewish assimilation into White America, but also as a vehicle to normalize interracial relationships and challenge traditional racial hierarchies. The film's use of satire and absurdity allowed it to tackle sensitive topics under the guise of comedy, making its subversive messages more palatable to a broad audience.
- Richard Thornton22 juli 2025Probably the best Mel Brooks movie. Today’s more squeamish audiences have a hard time connecting or engaging with it.
- Plexxor the Pretty Good2 juni 2025Just a classic, don't miss it. In my top 5 movies. John Wayne said his fans would never forgive him if he was in the movie but swore he would be first in line on opening night. He kept his word.
- Luke Monroe25 maj 2025An amzing comedy, and encapulates an by gone era.
- Richard21 oktober 2025I caught Blazing Saddles on TV late one night, expecting a dusty Western and maybe a few chuckles. What I got was a cinematic Molotov cocktail, Mel Brooks at his most unhinged, swinging for every taboo like he was trying to break comedy itself. From the opening scene, it was clear this wasn’t your average cowboy flick. The jokes were fast, filthy, and fearless. Every stereotype got skewered, every sacred cow milked dry. I sat there slack, jawed, popcorn untouched, wondering how this ever made it past the censors, let alone onto my living room screen. Cleavon Little’s Bart was smooth as silk, Gene Wilder’s Waco Kid was the drunk philosopher I didn’t know I needed and Madeline Kahn’s Lili Von Shtupp? Pure vaudeville gold. But it wasn’t just the cast, it was the sheer audacity. The film didn’t tiptoe around racism, sexism, or Hollywood hypocrisy, it kicked the door in, cracked a fart joke and rode off on a blazing saddle. Could it be made today? Not a chance. The script would be shredded by committee before the first draft hit the printer. But that’s the point. Blazing Saddles wasn’t trying to be safe, it was trying to be honest, in the most absurd way possible. It held up a mirror to America’s prejudices and laughed so hard the glass shattered. Watching it on TV added a strange intimacy. No theater crowd to buffer the shock, just me, the remote and a growing sense that I was witnessing something both brilliant and completely bonkers. A fearless, foul mouthed masterpiece that couldn’t exist in today’s climate, but thank Schwartz it did back then. Watching it on TV felt like discovering a forbidden relic of comedy history and I’m glad I didn’t change the channel and I'm happy that I own it.
- AGENTROCKSTAR6 oktober 2025Definitely a classic to keep.
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Det våras för sheriffen Trivia
Det våras för sheriffen was released on 7 februari 1974.
Det våras för sheriffen was directed by Mel Brooks.
Det våras för sheriffen has a runtime of 1h 32m.
Det våras för sheriffen was produced by Michael Hertzberg.
Järnvägen som är under uppbyggnad planeras att gå rakt igenom den sömniga lilla staden Rock Ridge, vilket innebär att marken kommer att bli värd en förmögenhet. En förmögenhet som den osympatiske Hedley Lamarr vill komma åt. Men hur ska man lyckas bli av med de som bor där? Jo, man skapar kaos i den lilla lugna staden genom att skicka in det värsta gäng man kan tänka sig och tillsätter en ny sheriff som man tror kommer försvinna inom 24 timmar. Men, allt blir inte som man tänkt sig...
The key characters in Det våras för sheriffen are Bart (Cleavon Little), Jim (Gene Wilder), Taggart (Slim Pickens).
Det våras för sheriffen is rated 15.
Det våras för sheriffen is a Komedi, Västern film.
Det våras för sheriffen has an audience rating of 9 out of 10.
Det våras för sheriffen had a budget of 2,6 mn US$.
Det våras för sheriffen has made 119,5 mn US$ at the box office.