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BlacKkKlansman
Directed by
Spike Lee
R
2018
2h 16m
Crime
,
Drama
,
and more
7.5
96%
83%
Add to Watchlist
Ron Stallworth, an African American police officer from Colorado Springs, Colorado, successfully infiltrates the local Ku Klux Klan branch aided by a Jewish surrogate who eventually becomes its leader. Based on actual events.
More
Where to Watch BlacKkKlansman
Google Play Movies
Subscription
Amazon Video
Buy $7.99
Rent $3.79
Apple TV
Buy $14.99
Rent $3.99
+4 more
Cast of BlacKkKlansman
John David Washington
Ron Stallworth
Adam Driver
Flip Zimmerman
Topher Grace
David Duke
Laura Harrier
Patrice Dumas
Alec Baldwin
Dr. Kennebrew Beauregard
Jasper Pääkkönen
Felix Kendrickson
Corey Hawkins
Kwame Ture
Paul Walter Hauser
Ivanhoe
Ryan Eggold
Walter Breachway
Isiah Whitlock, Jr.
Mr. Turrentine
Robert John Burke
Chief Bridges
Brian Tarantina
Officer Clay Mulaney
Arthur J. Nascarella
Officer Wheaton
Ken Garito
Sergeant Trapp
Frederick Weller
Master Patrolman Andy Landers
Michael Buscemi
Jimmy Creek
Damaris Lewis
Odetta
Ato Blankson-Wood
Hakeem
Dared Wright
Officer Cincer
Faron Salisbury
Officer Sharpe
Ashlie Atkinson
Connie Kendrickson
Victor Colicchio
Steve
Paul Diomede
Jerry
Elise Hudson
Librarian
Danny Hoch
Agent Y
Nicholas Turturro
Walker
Ryan Preimesberger
Jesse Nayyar
Harry Belafonte
Jerome Turner
Gina Belafonte
Gina B.
Ernest Rayford
Josh the Waiter
James Campbell
Waiter
Jared Johnston
CSPD Officer Brickhouse
Michael J. Burg
CSPD Officer Myers
Jeremy J. Nelson
Records Room Officer
Nichelle Bolden
Student Activist
Donald Trump
Self (Archive footage)
BlacKkKlansman Ratings & Reviews
Ryezoo
6d ago
I was expecting to like this more than I did. Let me start off with the positives. The acting across the board was great. Adam Driver, Washington, and Topher Grace being standouts. Theirs some great scenes here and an important message. My only problem is that the pacing is pretty poor. This movie loves taking its time and really drags it down. Especially noticeable in the third act. The path off for the whole case was underwhelming or at least the stylistic way it played out really felt lack luster. It needed more dramatic tension and snappy dialogue. Also understand the music with the setting but the score really didn’t do anything for me, again especially with the third act. I am definitely looking forward to more of Washington’s work though!
Observer
Oliver Jones
A kitchen sink and kaleidoscopic study of cultural and institutional racism in America.
What the Flick?!
Christy Lemire
This is one of his best films because he marries the anger and intensity with the restraint and poetry that he's so good at visually.
812filmreviews
Robert Daniels
Spike Lee is one of the best directors of his generation. BlacKKKlansman assures him of that title
ChrisStuckmann.com
Chris Stuckmann
It's just about perfect in balance of tone, and it's easily Spike Lee's best film in years.
Slate
Lawrence Ware
The filmmaker rips from the headlines, but the struggles remain the same.
Vox
Emily St. James
What I especially love is how the movie refuses to offer up any pat or easy answers.
Filmspotting
Adam Kempenaar
...a movie that has to be reckoned with, about a subject that we seem doomed -- hopelessly -- to reckon with.
The New Yorker
Doreen St. Felix
Stallworth recognizes that "white voice" is a seductive fiction, like many of the customs of association cherished within the K.K.K.
The New Yorker
Richard Brody
For all its revelations of racist rot at the core of American society, Lee also offers a clear, specific, and wondrous, if wary, view of change that's possible because, at one time and to some extent, it actually happened.
The New Yorker
Anthony Lane
Lee would contend, I guess, that the sober approach will no longer suffice-that the age we inhabit is too drunk on its own craziness. He has a point.
NPR
Justin Richmond
An entertaining jaunt through the '70s, with some dutiful grappling over the enduring question of race in America thrown in...
Wall Street Journal
Joe Morgenstern
This freewheeling account of an African-American cop who infiltrated the Ku Klux Klan in the early 1970s is problematic as narrative drama, but stunning as provocation.
Andscape
Soraya Nadia McDonald
Just as Lee reminds us of his talent and the way it's been overlooked, he also reminds us of what he's been trying to tell us about American racism. Malcolm X was Lee's rainbow sign. BlacKkKlansman is the fire this time.
Christian Science Monitor
Peter Rainer
Lee's overarching point... is that we have not come very far at all from the early 1970s. His aesthetic in BlacKkKlansman is that, in making of movies that matter, we have moved beyond the niceties of normal dramatic strategies.
New York Post
Johnny Oleksinski
Lee heightens the nervy tone with strong visuals, juxtaposing a '70s blaxploitation aesthetic with the Klan's suffocating suburban décor. The jumps keeps you off balance, and engaged.
What the Flick?!
Tim Cogshell
Spike is contained by a true story, and being contained allows him to focus.
Flavorwire
Jason Bailey
Lee's wild tonal shifts made his work seem scattershot and unfocused, and it's not that he tamps that down here. But now, the itchiness, gallows humor, and howls of rage just feel like everyday life. Reality has finally become a Spike Lee joint.
San Diego Reader
Scott Marks
Not since Bamboozled has a Spike Lee joint been this blunt and tightly rolled.
What the Flick?!
Katie Walsh
A masterful tension of "I'm going to make you laugh, and I'm also going to make you feel really weird and uneasy".
Watch BlacKkKlansman Videos
BlacKkKlansman
BlacKkKlansman
Trailer
BlacKkKlansman (International Trailer)
BlacKkKlansman (International Trailer)
Trailer
Topher Grace On The Story
Topher Grace On The Story
Behind the Scenes
Jordan Peele On The Genesis Of His Involvement
Jordan Peele On The Genesis Of His Involvement
Behind the Scenes
Laura Harrier On Her Experience Making The Film
Laura Harrier On Her Experience Making The Film
Behind the Scenes
Ron Stallworth On The Genesis For Writing The Book
Ron Stallworth On The Genesis For Writing The Book
Behind the Scenes
John David Washington On Spike Lee And His Involvement With The Project
John David Washington On Spike Lee And His Involvement With The Project
Behind the Scenes
Harry Belafonte On Being Offered The Role And His Impression Of The Film
Harry Belafonte On Being Offered The Role And His Impression Of The Film
Behind the Scenes
We Won't Go
We Won't Go
Scene
America First
America First
Scene
The President
The President
Scene
The Right White Man
The Right White Man
Scene
Mary Don't You Weep (Music Video)
Mary Don't You Weep (Music Video)
Scene
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