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Beyond Outrage
2012 1h 50m R
Action
,
Crime
,
Drama
6.7
50%
57%
70%
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As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West.
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Directed By
Takeshi Kitano
Written By
Takeshi Kitano
Studio
Bandai Visual
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Free
Rent $2.99
Buy $9.99
+ 6 more
Cast of Beyond Outrage
Takeshi Kitano
Otomo
Ryo Kase
Ishihara
Toshiyuki Nishida
Nishino
Shun Sugata
Okamoto
Ken Mitsuishi
Eijiro Gomi
Tomokazu Miura
Minoru Kato
Yutaka Matsushige
Detective Shigeta
Shigeru Kōyama
Fuse
Hirofumi Arai
Shima
Kenta Kiritani
Ono
Fumiyo Kohinata
Kataoka
Machiko Ono
Tatto Girl
Hakuryu
Lee
Sansei Shiomi
Nakata
Akira Nakao
Tomita
Hideo Nakano
Kimura
Katsunori Takahashi
Jo
Tetsuji Tanaka
Masashi Funaki
Ippei Sasaki
Hoodlum
Tatsuo Nadaka
Shiroyama
Kenta Kamiya
Shima
Tokio Kaneda
Mr. Chang
Shoken Kunimoto
Hanabikai Member
Takashi Yamanaka
Sanno-Kai Member
Sarara Tsukifune
Prostitute
Takeo Nakahara
Detective
Masanobu Sakata
Capo of Sanno-Kai
Wataru Shihôdô
Sanno-Kai Member
Daisuke Nagakura
Detective
Chigusa Takaku
Wife of Murdered Yakuza
Tsuyoshi Nakano
Wakashu
Jinta Nishizawa
Official of the Ministry of Land
Arata Yamanaka
Sanno-kai Member
Daisuke Tsukahara
Sanno-kai Member
Minoru Nanaeda
Sanno-kai Member
Soichiro Kitamura
Kannai
Daisuke Honda
Sanno-kai Member
Ayumu Saito
Sanno-kai Member
Koji Nakamura
Sanno-kai Member
Makio Hiraiwa
Girl
Eiji Nakamura
Detective (Chief)
Takahiro Kuroishi
Kimura-gumi Member
Sansho Fukami
Detective (Director of Public Safety)
Koji Hatta
Funaki's Bodyguard
Beyond Outrage Reviews
New York Post
Kyle Smith
"Beyond Outrage" fails to live up to its title as Japanese superstar Takeshi Kitano can't find much in the way of fresh ideas for the genre.
RogerEbert.com
Matt Zoller Seitz
An intelligently composed, crisply edited, sometimes amusing but otherwise unremarkable cross/double cross gangster picture.
Seattle Times
Tom Keogh
This is a story largely made up of scenes of men talking in offices, but without the delicious and satirical sense of a whole-cloth gangster world set apart by its own rhythms and internalized rituals of violence ...
AV Club
Ignatiy Vishnevetsky
Kitano's considerable gifts as a screenwriter and stylist-namely, his talent for staging violent outbursts and conveying narrative through elliptical cuts-are enough to sustain the film as a twisty, cynical underworld yarn.
Tribune News Service
Roger Moore
An overlong and overly intricate but effective yakuza thriller, with Takeshi Kitano & Co. all in fine, furious form.
Blu-ray.com
Brian Orndorf
Kitano still packs a punch these days, deftly blending extended dialogue sequences with harrowing moments of hostility, crafting a worthy follow-up to an unexpectedly engrossing picture.
Slant Magazine
Jesse Cataldo
If Takeshi Kitano does go forward with the rumored third volume, hopefully he'll conceive of some fresh angle on this increasingly dry material.
amNewYork
Robert Levin
Plays like a movie made for Takeshi devotees and super fans of the genre at the expense of everyone else.
We Got This Covered
Jeremy Clymer
Beyond Outrage is an effective deconstruction of the yakuza crime thriller that withholds the genre's usual thrills but retains a sense of humor. The result is a film that's thoughtful and affecting, even if it is a little slow at times.
The Dissolve
Mike D'Angelo
The movie as a whole feels cynical and exhausted.
Film Comment Magazine
Jonathan Romney
What prevails throughout Beyond Outrage is a rigorous, downbeat classicism.
New York Times
Nicolas Rapold
The strategy and strategizing of "Beyond Outrage" ... feel like overkill (if you'll pardon the expression).
Variety
Justin Chang
The narrative haze clears eventually, and the action-dialogue ratio balances out with a succession of swift, punchy setpieces.
Village Voice
Nick Schager
Beyond Outrage is the very sort of tiresome tough-guy retread that, with 2007's meta drama Glory to the Filmmaker! and 2008's darkly comic Achilles and the Tortoise, Kitano seemed to have outgrown.
The Stranger (Seattle, WA)
Charles Mudede
The tension between the past and the future leads to lots and lots of brilliantly edited (the genius of the movie) violence. In the end, no one loses and no one wins
The L Magazine
Violet Lucca
Another cash-grab that unfortunately wears its cheapness on its sleeve.
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