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Amira & Sam
Directed by
Sean Mullin
Not Rated
2014
90m
Comedy
,
Drama
,
and more
6.2
79%
69%
Add to Watchlist
An army veteran's unlikely romance with an Iraqi immigrant is put to the test when she is faced with the prospect of deportation.
More
Where to Watch Amira & Sam
Freevee
Free
Hoopla
Free
Kanopy
Free
+8 more
Cast of Amira & Sam
Martin Starr
Sam
Dina Shihabi
Amira
Paul Wesley
Charlie
Laith Nakli
Bassam
David Rasche
Jack
Ross Marquand
Greg
Daniel Fox
Burke
Alexis Hughes
Kara
Alexandra O'Halleran
Jen
Rasha Zamamiri
Veiled Woman
Sean Mullin
Stand-Up Comedian
Meg Gibson
VA Administrator
Robert C. Kirk
Chief Rowenski
James Chen
Donnie
Christian A. Paluck
Officer O'Rourke
Christopher Stadulis
Security Guard
John Leslie Wolfe
Karl Royce
Taylor Wilcox
Claire
Claire Byrne
Simone
Jolie Mullin
Rita Bechdel
Mark Elliot Wilson
Nicolas
Teddy Cañez
Officer Valez
Bruce Davis
Officer Lynch
Melissa Navia
Police Clerk
Elizabeth Vereshko
Waitress
Ben Cole
Erik
Amira & Sam Ratings & Reviews
Seattle Times
Tom Keogh
"Amira & Sam" is all over the map in terms of tone. But it does score a few points as an unusual tale about the casualties of war.
AV Club
Nick Schager
A love story whose likable stars can't compensate for a story that tediously adheres to formula.
RogerEbert.com
Mark Dujsik
When the eponymous couple is together, 'Amira & Sam' is an earnest and considerate examination of two people falling in love, but the movie lacks certainty when handling these characters separately.
Seattle Times
John Hartl
Under writer-director Sean Mullin, everything clicks.
Under the Radar
Zach Hollwedel
Writer-director Sean Mullin's first feature is genuine and human.
IONCINEMA.com
Nicholas Bell
A modest, carefully performed New York love story that unites disparate cultures across a variety of potential incendiary topics.
San Diego Union-Tribune
Anders Wright
A nice little movie that you might well enjoy, if only you'll give it a chance.
NYC Movie Guru
Avi Offer
Charming performances by the well-cast leads, Martin Starr and Dina Shihabi, compensate for a clunky, contrived, sitcom-ish screenplay.
The Film Stage
John Fink
A kind of counter-narrative, free from partisan political commentary, Amira & Sam takes the smart high ground
Austin Chronicle
Marc Savlov
Ingratiatingly charming, playful, and, above all, honest in its depiction of a budding albeit problematic romance between a recently returned army veteran and a thoroughly modern young Iraqi woman.
The Dissolve
Keith Phipps
Starr and Shihabi, a charming newcomer, play off each other beautifully, and even when the film becomes a little too heavy-handed, their relationship keeps it grounded.
Bitch Media
Jessica Luther
This rom-com is, at points, too big for its britches. But Shihabi and Starr ground the characters, they make them believable, and they make you fall in love with them.
New York Times
Jeannette Catsoulis
The script is thoughtful, but its anger is diffuse, with laissez-faire capitalism and the problems of illegal immigrants and returning soldiers jostling for attention.
Los Angeles Times
Sheri Linden
Chief among its pluses is the low-key warmth of leads Martin Starr and Dina Shihabi.
Chicago Reader
Ben Sachs
This indie drama is unconvincing as a love story and heavy-handed in its message of tolerance.
Salon.com
Andrew O'Hehir
It gets by on low-level sweetness and guile until delivering an unexpectedly powerful emotional sucker-punch at the end.
The Hollywood Reporter
John DeFore
A movie that handles race, class and militarism with a light touch, Sean Mullin's Sam & Amira is at bottom a romance whose protagonists don't quite fit in the worlds that raised them.
Village Voice
Alan Scherstuhl
Writer-director Sean Mullin gives us some of the usual beats, but he and his performers invest them with rare persuasive power ...
The Stranger (Seattle, WA)
Charles Mudede
This film, oddly enough, manages not only to draw convincing performances from the leads, but also to connect, with very light hands, American militarism with finance capital.
Cinemalogue
Todd Jorgenson
This modestly affecting romance doesn't exactly break any new ground, but its character-based approach allows it to sidestep some of the usual clichs.
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