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68 Kill
2017 1h 32m R
Comedy
,
Crime
,
Thriller
6.0
67%
56%
59%
Play
A punk-rock after hours about femininity, masculinity and the theft of $68,000.
More
Directed By
Trent Haaga
Written By
Bryan Smith
,
Trent Haaga
Studio
Snowfort Pictures
,
Alliance Media Partners
Cast of 68 Kill
Matthew Gray Gubler
Chip
AnnaLynne McCord
Liza
Alisha Boe
Violet
Sheila Vand
Monica
Sam Eidson
Dwayne
Lucy Faust
Skinny
Eric Podnar
Leroy
Hallie Grace Bradley
Amy
James Moses Black
Clint
Michael Beasley
Officer Stevens
Peter Jaymes
Fatty
David Maldonado
Ken Mckenzie
Ajay Mehta
Sam
Kelly Connolly
Mrs. McKenzie
68 Kill Reviews
San Diego Reader
Matthew Lickona
It's cheap and trashy and tasteless, but it's not unfun, and there's a pleasing measure of low-budget craft on display.
RogerEbert.com
Brian Tallerico
The kind of piece that needs to move 100MPH from first scene to last for you to overlook its flaws. It slows down for too long to recommend the ride.
Wicked Horror
Joey Keogh
[68 Kill is] so obviously written and directed by a man (well, two men including the novel) that it's laughable to even suggest there's any depth to it, let alone a subversion of gender roles.
Horror Geek Life
Melissa Hannon
'68 Kill' is a gritty, insane, violent, and twisted ride that doesn't let up until it's over.
MovieFreak.com
Sara Michelle Fetters
I'm too frustrated by the stuff that keeps me ill at ease to give it a pass, the uglier aspects of this hellacious road trip into madness rubbing me too far the wrong way.
Blu-ray.com
Brian Orndorf
All it does well is numb the senses and inspire an appreciation for the art of the rewrite.
Eye for Film
Jennie Kermode
Haaga's direction is all about creating the illusion of chaos whilst maintaining precise control. He's aided by strong cinematography, set design and music, with the whole coming together amazingly well given the limitations of the budget.
Cinema Crazed
Emilie Black
68 Kill is a horror-comedy-action thrill ride, one that goes for insane and then amps up the volume on that way past 11.
Los Angeles Times
Noel Murray
Those who pick through every motion picture searching for the "problematic" will want to steer clear of "68 Kill." But fans of wicked women may have a new cult favorite.
NPR
Scott Tobias
Nearly a de facto remake of After Hours, writer-director Trent Haaga's lively trailer-park thriller 68 Kill keeps the hostility and loses the self-deprecation, which turns it into an example of misogyny rather than an examination of it.
New York Times
Ken Jaworowski
Nuttier than a bakery full of fruitcakes and sleazier than a cheap strip club, "68 Kill" is a proudly morbid heist movie that wallows in bad taste and still comes off as absurdly funny.
Hollywood Reporter
Frank Scheck
A film which clearly and desperately aspires for cult status, 68 Kill will undoubtedly have its fans, but they won't be people you'll want to have over for dinner.
Austin Chronicle
Richard Whittaker
Sleazy, skeezy, and delightfully breezy, what 68 Kill lacks in earnest observation and character depth, it makes up for in lurid insanity.
Variety
Dennis Harvey
Not everyone will enjoy this slide down a narrative garbage chute lined with thorns. But viewers and programmers with a taste for midnight-movie outrageousness will cotton to its mix of sleaze, quease and bad-taste absurdism.
Cultured Vultures
Patrick King
69 Kill won't bore you, and at least it tries something new, conceptually, but the poor execution will most likely doom it to obscurity.
Film Journal International
Edward Douglas
This bona-fide grindhouse film constantly goes for violent and gory shock value, yet manages to connect more through its hilarious female characters.
Daily Dead
Heather Wixson
There's no denying that 68 Kill is still a wickedly fun heist movie that subverts genre fan's expectations by playing around with gender conventions, delivering several impressive storytelling swerves that genuinely kept me guessing up until the very end.
We Got This Covered
Matt Donato
68 Kills feels like a short Tarantino story; a bloody late-nighter that features an unstoppable genre role for AnnaLynne McCord.
The Wolfman Cometh
Patrick Cavanaugh
The entire tone of the film is that of "fun, midnight movie," it's just that, upon any analysis other than its surface value, it doesn't hold up.
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