TV-PG
2002    60mドラマ, ファンタジー
7.366%7.3
After six years in a coma, science teacher Johnny Smith awakens to find that he has psychic powers.

6シーズン

  • シーズン 1
    シーズン 113話
  • シーズン 2
    シーズン 219話
  • シーズン 3
    シーズン 312話
  • シーズン 4
    シーズン 412話
  • シーズン 5
    シーズン 511話
  • シーズン 6
    シーズン 613話
  • スペシャル
    スペシャル6話
  • Anthony Michael HallJohnny Smith / 監督 / 共同エグゼクティブプロデューサー
  • Nicole De BoerSarah Bracknell Bannerman
  • Chris BrunoWalt Bannerman / 監督
  • John L. AdamsBruce Lewis / 監督
  • David Ogden StiersReverend Purdy
  • Bill MondyRoscoe
  • Spencer AchtymichukLittle Johnny Bannerman
  • Sean Patrick FlaneryGreg Stillson
  • Kristen DaltonDana Bright
  • Connor PriceJohnny 'J.J.' Bannerman
  • Jim FrancisSonny Elliman
  • Frank WhaleyFuture Man / Christopher Wey
  • Michael St. John SmithMike Kennedy
  • Martin DonovanMalcolm Janus
  • Sarah WynterRebecca Caldwell
  • Michael KopsaJake Truax
  • Anna HaganVera Smith
  • Suleka MathewDr. Gibson
  • Cara BuonoSheriff Anna Turner
  • Garry ChalkPapa Stillson
  • VikingIM2026年2月15日
    There are shows you watch once and forget, and then there are shows that pull you back in again and again. The Dead Zone is firmly in the latter category. Based on Stephen King's novel, the series follows Johnny Smith — a schoolteacher who wakes from a six-year coma with psychic abilities triggered by touch — and it's one of the most underappreciated sci-fi dramas of its era. Anthony Michael Hall delivers what might be the defining performance of his career. He brings a quiet emotional weight to Johnny that grounds even the most outlandish visions in something deeply human. This isn't a superhero reveling in his powers — it's a man haunted by them, struggling to reconnect with a life that moved on without him. Hall captures that loneliness and determination with remarkable nuance, and it's his performance that makes repeated viewings so rewarding. You notice new layers every time. The supporting cast deserves enormous credit too. Nicole de Boer as Sarah, Chris Bruno as Walt, and John L. Adams as Bruce all bring warmth and authenticity to their roles. And then there's Sean Patrick Flanery's Greg Stillson — a villain whose slow-burning political ascent provides the show with a spine of tension that runs through the entire series. What makes the show work so well is its structure. The episodic "vision of the week" format keeps things fresh and accessible, while the overarching Stillson storyline and Johnny's personal struggles give it real narrative momentum. It balances procedural satisfaction with serialized depth in a way that few shows of its time managed. It's not without flaws — the later seasons show signs of budget constraints and some uneven writing, and the cancellation left threads dangling that deserved resolution. That small gap from perfection stings precisely because the show earned so much goodwill over its run. But those are minor gripes about a show that consistently delivered compelling stories, genuine emotion, and one of the best King adaptations in any medium. If you've overlooked it, do yourself a favor and give it a chance. And if you've already seen it — well, it only gets better on a rewatch.

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  • The Dead Zone
    The Dead Zone予告編

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