- Garrett Wilkins19時間前Silo presents itself as a patient science fiction mystery that values atmosphere and careful world-building over constant twists. That deliberate pacing can be demanding, especially when episodes spend more time setting the stage than pushing the story forward, but it also makes the silo feel like a real place with its own rules and history. Rebecca Ferguson gives Juliette a quiet determination that makes her easy to invest in, while the supporting cast helps the world feel fully inhabited. As someone who grew up a The Walking Dead devotee, I also enjoyed seeing Avi Nash in a substantial recurring role, and he brings a welcome sense of warmth to the ensemble. The first season makes it clear that Silo is playing a long game, gradually expanding its mystery without losing sight of its characters. The adaptation stays true to the spirit of Hugh Howey's novels while making changes that fit the demands of television. The pacing isn't always consistent, and a few storylines take longer than necessary to come together, but the payoff is a world that remains compelling even when the plot slows down. By the end, it feels like the series has only scratched the surface of its larger premise, making this a season that's likely to become even more rewarding as the story continues.
- Cornfedokie2026年7月4日I had to change my initial 5 star rating for this show after season 1, to 3 stars after watching the first two episodes of season 3. I thought about changing it after season 2, but decided to give season 3 a chance to redeem itself. I was not surprised to see it did not. So sad, this show had such a great premise. I'm not sure there are any good writing teams left in T.V. or Movies. Edit: I wish all the soap operas that were cancelled in the early 2000's were still around. At least then, this type of crap would have a place, and writers wouldn't feel the need to include it in absolutely everything they make.
- Callum2025年11月4日⭐⭐⭐⭐½ — Silo — Hope is rationed. Truth is contraband. Based on Hugh Howey’s Wool series, Silo drops us into a future that feels brutally inevitable rather than flashy or far-fetched. A long-ago rebellion was crushed, history was rewritten, and a vast underground silo became humanity’s entire world. What we’re watching now is the slow, dangerous resurfacing of questions that were never really answered — only buried. The brilliance of Silo lies in its pressure. Every interaction feels constrained by class, secrecy, and fear. The rigid hierarchy between “up top” and “down below” isn’t just social — it’s mechanical, architectural, and psychological. When we learn that one of the silo’s most capable figures willingly abandoned privilege to live among the working class, the show sharpens its focus on choice versus obedience, and whether opting out of power is itself a kind of rebellion. Season one is a masterclass in sustained tension. Nothing explodes without consequence, and nothing is revealed without cost. By the time the truth starts to fracture the official narrative, you’re already complicit — you understand why people cling to lies, and why tearing them down could be catastrophic. Season two widens the lens in a bold but controlled way. Exile, once framed as a death sentence, becomes something more complicated when we discover the outside world exists exactly as promised — and yet survivable, under very specific conditions. Survival shifts from being a matter of obedience to one of ingenuity, adaptability, and sheer will. At every level, Silo respects its source material while making smart choices for television pacing. It doesn’t spoon-feed answers, and it never undercuts its own stakes with easy hope. This isn’t Shakespeare — but it’s uncomfortably close in spirit, asking the same enduring questions about power, truth, and whether humanity deserves to survive the systems it builds. You don’t watch Silo casually. You lean forward. And once it has you, it does not let go. 🥃 Pairing: a neat bourbon or rye — something patient, warming, and unforgiving if rushed.
- Jordan2025年1月16日Basically Sci-fi Bold and the Beautiful, very intense expression and acting in conversation when unecessary for the scene or topic of conversation that doesnt progress story telling, just drama for drama sake. A few questions, how do they know what "Bull-sh*t" is but not what a bird is? Why does every single character have a different accent? One dimensional characters with flat personalities, no character progression whatsoever, like at all. Very broad expansive world with great storytelling potential but we only see it from a linear unprogressive perspective. The entire show knowing whats going to happen but simply waiting for it to, knowing the outside world is toxic but the show gives us no reason to care why or how. The set designers really carried the entire weight of this show on their backs.
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サイロは、全3シーズンです。
サイロは、全30話です。
サイロの主要人物はJuliette Nichols (Rebecca Ferguson), Robert Sims (Common), Paul Billings (Chinaza Uche)です。
サイロはMichael Dinner, Bert, Adam Bernstein, Morten Tyldum, Aric Avelino, Bertie, David Semelが監督を務めました。
サイロはDaniel Rauchwerger, Jessica Blaire, Aric Avelino, Matthew Bird, Jeffery Wangがプロデューサーを務めました。
有毒物質が蔓延する荒廃した未来。何千人もの人間が地下深くに広がる巨大なサイロで暮らしている。保安官が基本的な規則を破り、住民たちが謎の死を遂げる中、機械工のジュリエットはサイロの驚くべき秘密と真実を解き明かしていく。
サイロは15+と評価されています。
サイロは、ドラマ, 謎, サイエンスフィクションの番組です。
サイロは、視聴者によって10点満点中6.5点をつけられています。
サイロの話の長さは、49mです。
スタジオからの新しいシーズンに関する情報はまだありません。