次々と破壊されてゆく7人の世界最高水準のロボット。そして、一人また一人と殺されるロボットの理解者たち。事件を捜査する刑事のゲジヒトはやがて、自身にも危険が迫っていることを知る...。
PLUTOの評価とレビュー
- Angel2025年9月9日Genius in every chapter, the kind that gives you a tingle on the back of your neck, with constant highs and lows looking for the emotional extreme viewer. Bittersweet amalgam of ideas that, unfortunately, prevents me from enjoying it or encouraging me to recommend it. It seems to have been written by someone bipolar, but I suppose this all comes down to business, with executives telling their team of screenwriters what they need to inject into each chapter now and then to keep their data analytics and marketing departments happy. Friendship, a father's love, hatred, etc. One can understand that these ingredients are part of the script, but when they are used every two minutes in almost every scene, regardless of what kind of feeling is being built, it ends up turning into a music video. It repeatedly collapses the beauty of the narrative into nonsense that confuses you to the point of losing interest. An aurora borealis born from Peltie that vanishes like tears in the rain, all during a conversation about everything except what is actually happening, serving no purpose beyond the empathy between the characters. It's a traffic jam where every time you accelerate, you have to brake. Every now and then the road clears and you can finally enjoy the ride, until you have to slam on the brakes so hard it nearly kills you. And again, and again, and again, until you just get tired of it. It's very difficult to give this series a low score; your brain remembers the impacts, the surprises, the superb moments in each chapter. But then you try to watch it again and you accept it. They don't learn. The miracles that appeal to everyone are just small pearls in the history of chance. If you try to pander to every sensitivity that exists in the viewer's universe, you'll most likely never wake up ;).
- rg94002024年11月1日I will say that, like Naoki Urasawa's other masterpiece (which is also just one of many), Monster, the show does tend to hit you over the head with some of the mysteries. But, outside of that, it's an incredibly well-written and evocative show that explores personhood. And like with Attack on Titan, it tackles grief, the impact of war, and radicalization in a way that I found to be particularly prescient right now (for obvious reasons). And I find that the way that Pluto references very obvious real-world events without much subtlety to be very effective here, since the perspective it offers is potentially charged and controversial in the West. Again, very relevant due to what is currently happening, and I think the show handles the geopolitical analogs fairly well without getting bogged into some of the fuziness. The animation is striking overall, with some scenes being downright breathtaking. Some of the CGI was a bit noticeable, but damn, it hits so often that it's easy to overlook. I also really loved the music and the opening sequence.
PLUTOに関するトリビア
PLUTOは、全1シーズンです。
PLUTOは、全8話です。
PLUTOの主要人物はGesicht (voice) (Shinshu Fuji), Ocanomizu (voice) (Toshio Furukawa), Atom (voice) (Yoko Hikasa)です。
PLUTOはToshio Kawaguchi, Fumihiro Yoshimura, Yasutomo Okamoto, Yoshie Takagi, Hiromichi Matano, Hiroshi Aoyama, Konosuke Uda, Masaru Matsuse, Takahiro Umehara, Nanako Shimazaki, Eom Sang-yong, Kento Shintaniが監督を務めました。
PLUTOはYushi Iko, Takashi Nagasaki, Shintaro Maruyama, Ge Yangqian, Sumio Udagawaがプロデューサーを務めました。
次々と破壊されてゆく7人の世界最高水準のロボット。そして、一人また一人と殺されるロボットの理解者たち。事件を捜査する刑事のゲジヒトはやがて、自身にも危険が迫っていることを知る...。
PLUTOはR15+と評価されています。
PLUTOは、Anime, アニメーション, 謎の番組です。
PLUTOは、視聴者によって10点満点中9.4点をつけられています。
PLUTOの話の長さは、62mです。
いいえ、1シーズンでこの番組は打ちきりになっています。