

In Chicago, Marissa Irvine arrives at 14 Arthur Avenue, expecting to pick up her young son Milo from his first playdate with a boy at his new school. But the woman who answers the door isn't a mother she recognizes. She isn't the nanny. She doesn't have Milo. And so begins every parent's worst nightmare.
All Her Faultの視聴方法
All Her Faultの評価とレビュー
- Kain2025年11月29日Great show! full of twists and surprises
- PatrikStar2026年2月4日Started strong but was a bit of a letdown at the end. Still a good series tho.
- Kriszflix2026年1月27日The investigation's and reveal's twists and turns are so forced and out of nature that it makes the whole series ridiculous. For example how is it possible that nobody knows how to do CPR in this show?
- Hipster ZOMBIE2026年1月3日All Her Fault is the kind of streaming drama that strolls in already knowing it’s good—and then still manages to exceed expectations. Hyped to the heavens and somehow deserving of every ounce of it, this Peacock mini-series doesn’t just tell a story about family—it dissects what people are willing to become when the people they love most are threatened. The story is every parent’s nightmare. You drop your kid off for a playdate but then return and your kid is not there and the homeowners aren’t who you thought you left your kid with. At its core, All Her Fault is about parental instinct pushed to the breaking point. The feral, sleep-deprived, morally gray version. This show understands that when it comes to protecting your children, lines aren’t just crossed—they’re obliterated, paved over, and never spoken of again. The writing leans hard into that truth, and it’s riveting. What really elevates the series is its layered, painfully authentic family dynamic. Every interaction feels lived-in, weighted with history, resentment, love, and unspoken fear. These aren’t TV-perfect people—they’re messy, reactive, and deeply human. The dialogue snaps, the tension simmers, and every episode peels back another uncomfortable layer of who these people really are when the pressure is on. Lies are revealed. Truths are spoken. And it leaves an unforgiving blinding spotlight on the main cast of characters. And then there’s that twist. Without spoiling a damn thing, the late-series turn is a masterclass in narrative control. It’s bold, emotionally devastating, and recontextualizes everything that came before it without feeling cheap or gimmicky. This is the kind of twist that makes you want to immediately rewatch the series—not because you missed something, but because the writers trusted the audience enough to play the long game. That confidence pays off in a big way. By the time the credits roll, All Her Fault has firmly earned its place as one of the best-written mini-series of 2025. Smart, tense, emotionally brutal, and deeply compassionate, it proves that hype isn’t a bad word when the storytelling actually shows up to back it up. Peacock didn’t just deliver here—they swung for the fences and knocked it clean out of the park. Kicking myself that I did not put this in my top 10 of 2025.
All Her Faultに関するトリビア
All Her Faultは、全1シーズンです。
All Her Faultは、全8話です。
All Her Faultの主要人物はMarissa Irvine (Sarah Snook), Peter Irvine (Jake Lacy), Carrie Finch (Sophia Lillis)です。
All Her FaultはMinkie Spiro, Kate Dennisが監督を務めました。
All Her FaultはTerry Gouldがプロデューサーを務めました。
In Chicago, Marissa Irvine arrives at 14 Arthur Avenue, expecting to pick up her young son Milo from his first playdate with a boy at his new school. But the woman who answers the door isn't a mother she recognizes. She isn't the nanny. She doesn't have Milo. And so begins every parent's worst nightmare.
All Her FaultはTV-MAと評価されています。
All Her Faultは、ドラマ, 謎, 犯罪の番組です。
All Her Faultは、視聴者によって10点満点中7.4点をつけられています。
All Her Faultの話の長さは、60mです。
スタジオからの新しいシーズンに関する情報はまだありません。






















