Vincent Papaix
1986年8月25日 (39年)
Vincent Papaix is a Visual Effects Supervisor. Since joining ILM in 2016, he has contributed to a number of high-profile feature films, including Martin Scorsese's Academy Award®-nominated The Irishman, Marvel's Captain America: Civil War, as well as Deadpool, and James Wan's Furious 7, among many others.
Papaix's contributions to The Irishman earned him a Visual Effect Society Award for Best Compositing in a Feature Film; the film went on to receive an Academy Award nomination for Best Visual Effects. Continuing his work on digital humans, Vincent was an instrumental part of the opening scene of Terminator: Dark Fate, featuring young versions of Sarah and John Connor and the T-1000. Vincent helped create both photorealistic full CGI environments on Captain America: Civil War, Furious 7, and Iron Man 3 and entirely new worlds in Valerian And The City Of A Thousand Planets and Aquaman.
Papaix has received his degree in editing and postproduction from Les Arenes, Toulouse, France, and studied VFX techniques at the CGItrainer school in Belgium. Throughout his time in school, he learned and developed a great understanding of the elements of what creates beautiful imagery and applied those principles to produce stunning visual effects.
Papaix's contributions to The Irishman earned him a Visual Effect Society Award for Best Compositing in a Feature Film; the film went on to receive an Academy Award nomination for Best Visual Effects. Continuing his work on digital humans, Vincent was an instrumental part of the opening scene of Terminator: Dark Fate, featuring young versions of Sarah and John Connor and the T-1000. Vincent helped create both photorealistic full CGI environments on Captain America: Civil War, Furious 7, and Iron Man 3 and entirely new worlds in Valerian And The City Of A Thousand Planets and Aquaman.
Papaix has received his degree in editing and postproduction from Les Arenes, Toulouse, France, and studied VFX techniques at the CGItrainer school in Belgium. Throughout his time in school, he learned and developed a great understanding of the elements of what creates beautiful imagery and applied those principles to produce stunning visual effects.
作品リスト
| 2025 | Tron: Ares · as Visual Effects Supervisor |
| 2024 | Deadpool & Wolverine · as Visual Effects Supervisor |
| 2023 | The Boys in the Boat · as Visual Effects Supervisor |
| 2023 | Guardians of the Galaxy Vol. 3 · as Visual Effects Supervisor |
| 2022 | The Guardians of the Galaxy Holiday Special · as Visual Effects Supervisor |
| 2019 | Terminator: Dark Fate · as Compositing Supervisor |
| 2018 | Aquaman · as Compositing Supervisor |
| 2018 | A Wrinkle in Time · as Compositing Supervisor |
| 2015 | Pixels · as Digital Compositor |
| 2015 | Blackhat · as Digital Compositor |
| 2013 | The Lone Ranger · as Digital Compositor |
| 2013 | Jack the Giant Slayer · as Digital Compositor |
| 2012 | Wrath of the Titans · as Digital Compositor |
| 2012 | Man on a Ledge · as Digital Compositor |
| 2011 | Jack and Jill · as Digital Compositor |
| 2011 | The Thing · as Digital Compositor |
| 2011 | Thor · as Digital Compositor |
| 2010 | Barney's Version · as Compositing Artist |
| 2010 | Super · as Compositing Artist |
| 2010 | Trader Games · as Digital Compositor |
| 2010 | Ao: The Last Hunter · as Digital Compositor |
| 2009 | Mom Lost It! · as Digital Compositor |
| 2009 | Cinéman · as Digital Compositor |