Pietro Germi
監督, 脚本, 俳優, プロデューサー
1914年9月14日 — 1974年12月5日 (60年)
From Wikipedia, the free encyclopedia
Pietro Germi (14 September 1914, Genoa - 5 December 1974) was an Italian actor, screenwriter, and director. Germi was born in Genoa, Liguria, to a lower-middle class family. He was a messenger and briefly attended nautical school before deciding on a career in acting.
He studied acting and directing at Rome's Centro Sperimentale di Cinematografia. During his time in school, Germi supported himself by working as an extra, bit actor, assistant director, and, on occasion, writer. Germi made his directorial debut in 1945 with the film Il testimone. His early work, this film included, were very much in the Italian Neorealist style; many were social dramas that dealt with contemporary issues pertaining to people of Sicilian heritage.
Through the years, Germi shifted away from social drama towards satirical comedies, but retained his loved element of the Sicilian people. In the 1960s, Germi received worldwide success with the films Divorce, Italian Style, Seduced and Abandoned, and Signore e Signori. The latter is better known in the English-speaking world as The Birds the Bees and the Italians. He was nominated for Academy Awards in both directing and writing for Divorce, Italian Style, and, subsequently, won in the writing category. He also won the Grand Prize at the Cannes Film Festival for Signore e signori.
Germi collaborated on the scripts for all the films he directed and appeared as an actor in a few of them. He died in Rome of hepatitis on 5 December 1974.
Pietro Germi (14 September 1914, Genoa - 5 December 1974) was an Italian actor, screenwriter, and director. Germi was born in Genoa, Liguria, to a lower-middle class family. He was a messenger and briefly attended nautical school before deciding on a career in acting.
He studied acting and directing at Rome's Centro Sperimentale di Cinematografia. During his time in school, Germi supported himself by working as an extra, bit actor, assistant director, and, on occasion, writer. Germi made his directorial debut in 1945 with the film Il testimone. His early work, this film included, were very much in the Italian Neorealist style; many were social dramas that dealt with contemporary issues pertaining to people of Sicilian heritage.
Through the years, Germi shifted away from social drama towards satirical comedies, but retained his loved element of the Sicilian people. In the 1960s, Germi received worldwide success with the films Divorce, Italian Style, Seduced and Abandoned, and Signore e Signori. The latter is better known in the English-speaking world as The Birds the Bees and the Italians. He was nominated for Academy Awards in both directing and writing for Divorce, Italian Style, and, subsequently, won in the writing category. He also won the Grand Prize at the Cannes Film Festival for Signore e signori.
Germi collaborated on the scripts for all the films he directed and appeared as an actor in a few of them. He died in Rome of hepatitis on 5 December 1974.
次として知られている:
作品リスト
| 1972 | |
| 1970 | |
| 1968 | |
| 1967 | |
| 1966 | |
| 1964 | |
| 1961 | |
| 1959 | |
| 1958 | |
| 1956 | The Railroad ManPlex上 |
| 1954 | |
| 1953 | |
| 1952 | |
| 1952 | |
| 1951 | |
| 1950 | |
| 1949 | |
| 1948 | |
| 1946 |
| 1966 | The Birds, the Bees and the Italians · as Screenplay |
| 1964 | Seduced and Abandoned · as Screenplay |
| 1961 | Divorce Italian Style · as Screenplay |
| 1959 | The Facts of Murder · as Screenplay |
| 1958 | Man of Straw · as Screenplay |
| 1956 | The Railroad Man · as ScreenplayPlex上 |
| 1953 | Jealousy · as Screenplay |
| 1949 | In the Name of the Law · as Screenplay |
| 1943 | |
| 1943 | |
| 1939 |
| 1965 | A Man Named John · as Pontiff's Father |
| 1961 | La viaccia · as Stefano |
| 1961 | Blood Feud · as Bolognesi |
| 1960 | Lipstick · as Commissario Fioresi |
| 1960 | 5 Branded Women · as Partisan Commander |
| 1959 | The Facts of Murder · as Il Dott. Ingravallo |
| 1958 | Man of Straw · as Andrea |
| 1956 | The Railroad Man · as Andrea MarcocciPlex上 |
| 1948 | Escape in France · as Tembien |
| 1941 | The Iron Crown · as Cavaliere |
| 1939 | Il fornaretto di Venezia · as Un Frate Domenicano |
| 2006 | Marcello, una vita dolce · as Self (archive Footage) |
| 1971 | V.I.P.-Schaukel · as Self |
| 1956 | Cinépanorama · as Self |
| 1975 | My Friends · as Story |
| 1972 | Alfredo, Alfredo · as Story |
| 1970 | A Pocketful of Chestnuts · as Story |
| 1968 | Serafino · as Story |
| 1967 | The Climax · as Story |
| 1952 | The Bandit of Tacca Del Lupo · as Story |
| 1951 | Four Ways Out · as Co-Writer |
| 1950 | The Path of Hope · as Story |
| 1948 | Lost Youth · as Story |
| 1946 | The Testimony · as Story |
| 1940 | The Sinner · as Assistant Director |