Paul Grimault
俳優, 監督, 脚本, 編集者, プロデューサー
1905年3月23日 — 1994年3月29日 (89年)
Paul Grimault (23 March 1905 – 29 March 1994) was one of the most important French animators. He made many traditionally animated films that were delicate in style, satirical, and lyrical in nature.
His most important work is Le Roi et l'oiseau, which ultimately took over 30 years to produce. He began it as La Bergère et le Ramoneur (The Shepherdess and the Chimney Sweep) in 1948 and it was highly anticipated, but Grimault's partner André Sarrut showed the film unfinished in 1952, against Grimault's wishes. This caused a rift between partners and a stop in production. In 1967, Grimault got possession of the film and subsequently was able to complete it in 1980 under a new title, Le Roi et l'oiseau, incorporating some footage from the original and re-hiring the original animators, together with some new, younger ones. There are many names for it in English that have been used in various releases, including: The King and the Bird (literal), The King and the Mockingbird, The Curious Adventures of Mr. Wonderbird and The King and Mr. Bird (1980).
He also collected his best shorts in a retrospective compilation movie, La table tournante (1988), which is included in the deluxe edition of Le Roi et l'oiseau.
In 1936 Grimault founded, with André Sarrut, Les Gémeaux, which was the second significant French animation venture, following the work of Émile Cohl, which had closed years earlier. During World War II, Americans films being unavailable, its films found a captive audience. The studio produced a number of shorts, then closed its doors in 1952 following the expense of making La Bergère et le Ramoneur, which was the first feature-length French animated movie.
Grimault was part of the agitprop group Groupe Octobre. At this group he met Jacques Prévert, with whom he went on to collaborate on several animated films, most notably Le roi et l'oiseau.
Source: Article "Paul Grimault" from Wikipedia in English, licensed under CC-BY-SA 3.0.
His most important work is Le Roi et l'oiseau, which ultimately took over 30 years to produce. He began it as La Bergère et le Ramoneur (The Shepherdess and the Chimney Sweep) in 1948 and it was highly anticipated, but Grimault's partner André Sarrut showed the film unfinished in 1952, against Grimault's wishes. This caused a rift between partners and a stop in production. In 1967, Grimault got possession of the film and subsequently was able to complete it in 1980 under a new title, Le Roi et l'oiseau, incorporating some footage from the original and re-hiring the original animators, together with some new, younger ones. There are many names for it in English that have been used in various releases, including: The King and the Bird (literal), The King and the Mockingbird, The Curious Adventures of Mr. Wonderbird and The King and Mr. Bird (1980).
He also collected his best shorts in a retrospective compilation movie, La table tournante (1988), which is included in the deluxe edition of Le Roi et l'oiseau.
In 1936 Grimault founded, with André Sarrut, Les Gémeaux, which was the second significant French animation venture, following the work of Émile Cohl, which had closed years earlier. During World War II, Americans films being unavailable, its films found a captive audience. The studio produced a number of shorts, then closed its doors in 1952 following the expense of making La Bergère et le Ramoneur, which was the first feature-length French animated movie.
Grimault was part of the agitprop group Groupe Octobre. At this group he met Jacques Prévert, with whom he went on to collaborate on several animated films, most notably Le roi et l'oiseau.
Source: Article "Paul Grimault" from Wikipedia in English, licensed under CC-BY-SA 3.0.
作品リスト
| 1981 | Coup de torchon · as Le Condamné À Mort (dans Le Film Publicitaire "galeries Barbès") |
| 1958 | My Uncle · as Bit Part |
| 1936 | The Lower Depths · as Uncredited |
| 1936 | The Crime of Monsieur Lange · as Typesetter (uncredited) |
| 1934 | |
| 1934 | L'Atalante · as Passenger At Railway Station (uncredited) |
| 2019 | |
| 1988 | |
| 1980 | |
| 1973 | |
| 1970 | |
| 1952 | |
| 1948 | |
| 1946 | |
| 1946 | |
| 1946 | |
| 1943 | |
| 1942 |
| 1988 | |
| 1980 | The King and the Mockingbird · as Screenplay |
| 1973 | Le chien mélomane · as Screenplay |
| 1970 | Le diamant · as Screenplay |
| 1946 | La flûte magique · as Screenplay |
| 1946 | |
| 1946 | |
| 1943 | Les passagers de la Grande Ourse · as Screenplay |
| 1942 | Le marchand de notes · as Screenplay |
| 2003 | Paul Grimault, image par image · as Self (archive Footage) |
| 1988 | Turning Table · as Self / The Jester (voice) |
| 1976 | César Awards · as Self - Presenter |
| 1975 | Sunday meetings · as Self |
| 1964 | Filmmakers of our time · as Self |
| 1952 | Reflets de Cannes · as Self |
| 2019 | The Animated World of Paul Grimault · as Animation |
| 1980 | The King and the Mockingbird · as Production Designer |
| 1964 | Le petit Claus et le grand Claus · as Set Decoration |
| 1963 | To Die in Madrid · as Animation |
| 1952 | The Curious Adventures of Mr. Wonderbird · as Director Of Photography |
| 1952 | The Curious Adventures of Mr. Wonderbird · as Storyboard |
| 1948 | The Little Soldier · as Storyboard |