Mauro Bolognini
監督, 脚本
1922年6月28日 — 2001年5月14日 (78年)
Mauro Bolognini (28 June 1922 – 14 May 2001) was an Italian film and stage director.
Bolognini began directing his own feature films in the mid-1950s, and received his first international success with Wild Love (Gli innamorati). His other notable films of the 1950s and early 1960s include Young Husbands (Giovani mariti), The Big Night (La notte brava), From a Roman Balcony (La giornata balorda), and the Marcello Mastroianni-Claudia Cardinale starrer Il bell'Antonio, all written by Pier Paolo Pasolini.
Parting professionally with Pasolini in 1961, Bolognini directed two love stories starring Claudia Cardinale, The Lovemakers (La viaccia) and Careless (Senilità), and the coming-of-age films Agostino and Corruption (La corruzione) before turning his talents to a series of international anthology films, including The Dolls (Le bambole), Three Faces of a Woman (I tre volti), The Queens (Le fate) and The Witches (Le streghe).
Bolognini returned to features in 1966 with Madamigella di Maupin (Mademoiselle de Maupin) featuring Catherine Spaak and Robert Hossein. His films of the 1970s include the period dramas Metello and Bubù, both starring Massimo Ranieri, The Murri Affair (Fatti di gente perbene) starring Giancarlo Giannini and Catherine Deneuve and The Inheritance (L'eredità Ferramonti) with Anthony Quinn and Dominique Sanda.
In 1981, Bolognini filmed The Lady of the Camellias (La storia vera della signora delle camelie), inspired by the Alexandre Dumas, fils novel and play. Throughout the decade, he continued directing feature films, as well as the television miniseries The Charterhouse of Parma and A Time of Indifference. His final feature was the soft-core erotic drama Husband and Lovers (La villa del venerdì) starring Julian Sands and Joanna Pacula, released in 1991.
Bolognini began directing his own feature films in the mid-1950s, and received his first international success with Wild Love (Gli innamorati). His other notable films of the 1950s and early 1960s include Young Husbands (Giovani mariti), The Big Night (La notte brava), From a Roman Balcony (La giornata balorda), and the Marcello Mastroianni-Claudia Cardinale starrer Il bell'Antonio, all written by Pier Paolo Pasolini.
Parting professionally with Pasolini in 1961, Bolognini directed two love stories starring Claudia Cardinale, The Lovemakers (La viaccia) and Careless (Senilità), and the coming-of-age films Agostino and Corruption (La corruzione) before turning his talents to a series of international anthology films, including The Dolls (Le bambole), Three Faces of a Woman (I tre volti), The Queens (Le fate) and The Witches (Le streghe).
Bolognini returned to features in 1966 with Madamigella di Maupin (Mademoiselle de Maupin) featuring Catherine Spaak and Robert Hossein. His films of the 1970s include the period dramas Metello and Bubù, both starring Massimo Ranieri, The Murri Affair (Fatti di gente perbene) starring Giancarlo Giannini and Catherine Deneuve and The Inheritance (L'eredità Ferramonti) with Anthony Quinn and Dominique Sanda.
In 1981, Bolognini filmed The Lady of the Camellias (La storia vera della signora delle camelie), inspired by the Alexandre Dumas, fils novel and play. Throughout the decade, he continued directing feature films, as well as the television miniseries The Charterhouse of Parma and A Time of Indifference. His final feature was the soft-core erotic drama Husband and Lovers (La villa del venerdì) starring Julian Sands and Joanna Pacula, released in 1991.
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作品リスト
| 1991 | |
| 1989 | |
| 1987 | |
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| 1978 | |
| 1977 | Black JournalPlex上 |
| 1976 | The InheritancePlex上 |
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| 1953 |
| 1987 | Farewell Moscow · as Screenplay |
| 1986 | The Venetian Woman · as Screenplay |
| 1975 | |
| 1974 | The Murri Affair · as Screenplay |
| 1971 | |
| 1970 | Metello · as Screenplay |
| 1969 | He and She · as Screenplay |
| 1962 | Agostino · as Screenplay |
| 1962 | Careless · as Screenplay |
| 1960 | Bell' Antonio · as Screenplay |
| 1958 | Young Husbands · as Screenplay |
| 1957 | Marisa · as Screenplay |
| 1956 | |
| 1955 | La vena d'oro · as Screenplay |
| 1954 | |
| 1953 | Canzone appassionata · as Screenplay |
| 1953 | Ci troviamo in galleria · as Screenplay |
| 2019 | Deodato Holocaust · as Self |
| 1952 | The City Stands Trial · as First Assistant Director |
| 1951 | Rome-Paris-Rome · as First Assistant Director |
| 1950 | The White Line · as First Assistant Director |
| 1949 | Campane a martello · as First Assistant Director |
| 1948 | Anni difficili · as Second Assistant Director |