Jack MacKenzie
俳優
1892年9月13日 — 1979年12月19日 (87年)
Jack MacKenzie was a British-born cinematographer who worked for most of his career in the United States. During the silent era Jack MacKenzie was employed in Hollywood. In 1930 MacKenzie was sent to London by RKO to work on two films for the company's British partner Associated Talking Pictures. MacKenzie then returned to America. While he occasionally worked on prestige films such as Mary of Scotland (1936) he was employed mainly on numerous low-budget productions and from 1951 in the developing television industry.
作品リスト
| 1940 | I'm Still Alive · as Cameraman |
| 1912 | Her Yesterday · as Dick - The Scoundrel |
| 2017 | The Forsaken Westerns · as Cinematographer |
| 1962 | Paradise Alley · as Director Of Photography |
| 1960 | Checkmate · as Cinematographer |
| 1960 | The Tall Man · as Cinematographer |
| 1960 | Overland Trail · as Cinematographer |
| 1960 | Johnny Midnight · as Cinematographer |
| 1959 | Shotgun Slade · as Cinematographer |
| 1959 | Hawaiian Eye · as Cinematographer |
| 1959 | Bourbon Street Beat · as Cinematographer |
| 1959 | The Alaskans · as Cinematographer |
| 1959 | Laramie · as Cinematographer |
| 1959 | Riverboat · as Cinematographer |
| 1959 | The Deputy · as Cinematographer |
| 1959 | The Untouchables · as Cinematographer |
| 1958 | Cimarron City · as Cinematographer |
| 1958 | 77 Sunset Strip · as Cinematographer |
| 1958 | The Return of Dracula · as Director Of Photography |
| 1958 | The Flame Barrier · as Director Of Photography |
| 1958 | Mickey Spillane's Mike Hammer (1958) · as Cinematographer |
| 1957 | The Restless Gun · as Cinematographer |
| 1957 | Maverick · as Cinematographer |
| 1957 | Sugarfoot · as Cinematographer |
| 1957 | Bachelor Father · as Cinematographer |
| 1957 | The Vampire · as Director Of Photography |
| 1957 | Leave It to Beaver · as Cinematographer |
| 1957 | Code 3 · as CinematographerPlex上 |
| 1957 | Tales of Wells Fargo · as Cinematographer |
| 1957 | Blondie · as CinematographerPlex上 |
| 1956 | Telephone Time · as Cinematographer |
| 1956 | State Trooper · as Cinematographer |
| 1955 | Screen Directors Playhouse · as Cinematographer |
| 1955 | Frontier · as Cinematographer |
| 1955 | Cheyenne · as CinematographerPlex上 |
| 1955 | The Star and the Story · as Cinematographer |
| 1954 | Passport to Danger · as Cinematographer |
| 1954 | Public Defender · as Cinematographer |
| 1953 | The Pepsi-Cola Playhouse · as Cinematographer |
| 1953 | I'm the Law · as Cinematographer |
| 1952 | The Abbott and Costello Show · as CinematographerPlex上 |
| 1952 | Terry and the Pirates · as Cinematographer |
| 1951 | Schlitz Playhouse of Stars · as Cinematographer |
| 1951 | Gruen Guild Theater · as Cinematographer |
| 1951 | The Adventures of Kit Carson · as Cinematographer |
| 1951 | Footlight Varieties · as Cinematographer |
| 1950 | Racket Squad · as Cinematographer |
| 1950 | The Boy from Indiana · as Director Of Photography |
| 1949 | Make Mine Laughs · as Director Of Photography |
| 1949 | Massacre River · as Director Of Photography |
| 1948 | The Life of Riley (1949) · as Cinematographer |
| 1948 | How to Clean House · as Cinematographer |
| 1947 | Seven Keys to Baldpate · as Director Of Photography |
| 1947 | Thunder Mountain · as Director Of PhotographyPlex上 |
| 1947 | Code of the West · as Director Of PhotographyPlex上 |
| 1946 | Child of Divorce · as Director Of Photography |
| 1945 | The Big Beef · as Cinematographer |
| 1945 | You Drive Me Crazy · as Cinematographer |
| 1945 | Isle of the Dead · as Director Of Photography |
| 1945 | Mama Loves Papa · as Cinematographer |
| 1945 | It Shouldn't Happen to a Dog · as Cinematographer |
| 1945 | Zombies on Broadway · as Director Of Photography |
| 1945 | Two O'Clock Courage · as Director Of Photography |
| 1944 | Feather Your Nest · as Cinematographer |
| 1944 | My Pal Wolf · as Director Of Photography |
| 1944 | Gildersleeve's Ghost · as Director Of Photography |
| 1944 | Dixie Jamboree · as Director Of Photography |
| 1944 | Jungle Woman · as Director Of Photography |
| 1944 | Passport to Destiny · as Director Of Photography |
| 1943 | Gildersleeve on Broadway · as Director Of Photography |
| 1943 | The Adventures of a Rookie · as Director Of Photography |
| 1943 | Mexican Spitfire's Blessed Event · as Director Of Photography |
| 1943 | Gildersleeve's Bad Day · as Director Of Photography |
| 1943 | The Falcon Strikes Back · as Director Of Photography |
| 1943 | Ladies' Day · as Director Of Photography |
| 1943 | Two Weeks to Live · as Director Of PhotographyPlex上 |
| 1942 | Scattergood Survives a Murder · as Director Of Photography |
| 1942 | Mexican Spitfire's Elephant · as Director Of Photography |
| 1942 | The Battle of Midway · as Director Of Photography |
| 1942 | The Magnificent Ambersons · as CinematographerPlex上 |
| 1942 | Mexican Spitfire at Sea · as Director Of Photography |
| 1941 | The Mexican Spitfire's Baby · as Director Of Photography |
| 1941 | Scattergood Meets Broadway · as Director Of Photography |
| 1941 | Scattergood Baines · as Cinematographer |
| 1940 | Let's Make Music · as Cinematographer |
| 1940 | Mexican Spitfire Out West · as Director Of Photography |
| 1940 | Wildcat Bus · as Director Of Photography |
| 1940 | Pop Always Pays · as Cinematographer |
| 1940 | Millionaire Playboy · as Director Of Photography |
| 1939 | Mexican Spitfire · as Director Of Photography |
| 1939 | Sued for Libel · as Director Of Photography |
| 1939 | The Day the Bookies Wept · as Director Of Photography |
| 1939 | The Girl from Mexico · as Cinematographer |
| 1938 | Peck's Bad Boy with the Circus · as Cinematographer |
| 1938 | Breaking the Ice · as Cinematographer |
| 1938 | Crime Ring · as Director Of Photography |
| 1938 | Go Chase Yourself · as Director Of Photography |
| 1938 | Hawaii Calls · as Cinematographer |
| 1938 | Radio City Revels · as Cinematographer |
| 1937 | She's Got Everything · as Director Of Photography |
| 1937 | High Flyers · as Director Of Photography |
| 1937 | Fight for Your Lady · as Director Of Photography |
| 1937 | Hideaway · as Cinematographer |
| 1937 | On Again-Off Again · as Director Of Photography |
| 1937 | Meet the Missus · as Cinematographer |
| 1937 | 23 1/2 Hours Leave · as Cinematographer |
| 1936 | Great Guy · as Director Of PhotographyPlex上 |
| 1936 | Mummy's Boys · as Cinematographer |
| 1936 | Don't Turn 'em Loose · as Cinematographer |
| 1936 | Mary of Scotland · as Cinematographer |
| 1936 | The Last Outlaw · as Cinematographer |
| 1936 | The Ex-Mrs. Bradford · as Second Unit Director Of Photography |
| 1936 | Two in Revolt · as Cinematographer |
| 1935 | Another Face · as Director Of Photography |
| 1935 | Hi, Gaucho! · as Cinematographer |
| 1935 | Hot Tip · as Director Of Photography |
| 1935 | Vagabond Lady · as Director Of Photography |
| 1934 | Tomorrow's Youth · as Cinematographer |
| 1934 | Shock · as CinematographerPlex上 |
| 1933 | One Man's Journey · as Cinematographer |
| 1933 | Stolen by Gypsies or Beer and Bicycles · as Cinematographer |
| 1933 | The Monkey's Paw · as Director Of Photography |
| 1932 | Little Orphan Annie · as Director Of Photography |
| 1932 | Ladies of the Jury · as Director Of Photography |
| 1931 | Peach O'Reno · as Director Of Photography |
| 1931 | Caught Plastered · as Director Of Photography |
| 1931 | Laugh and Get Rich · as Director Of Photography |
| 1931 | Kept Husbands · as Director Of Photography |
| 1930 | The Perfect Alibi · as Director Of Photography |
| 1930 | Escape! · as Director Of Photography |
| 1930 | Beau Bandit · as Director Of Photography |
| 1929 | Dance Hall · as Cinematographer |
| 1929 | Jazz Heaven · as Cinematographer |
| 1929 | The Delightful Rogue · as Director Of Photography |
| 1927 | Soft Cushions · as Cinematographer |
| 1927 | Let It Rain · as Cinematographer |
| 1926 | Hold That Lion! · as Director Of Photography |
| 1926 | That's My Baby · as Cinematographer |
| 1925 | Seven Keys to Baldpate · as Cinematographer |
| 1925 | His Master's Voice · as Cinematographer |
| 1919 | Toton · as Cinematographer |
| 1918 | The Girl Who Wouldn't Quit · as Director Of Photography |