Hisayasu Satō
監督, 俳優, プロデューサー, 脚本
1959年8月15日 (66年)
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
作品リスト
| 2023 | |
| 2018 | |
| 2016 | |
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| 2014 | |
| 2010 | |
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| 1998 | |
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| 2016 | |
| 1999 | Tokyo Elegy · as Detective |
| 1993 | Chikan densha: Iyarashii kôi · as Man Drinking Sake |
| 1985 | |
| 1985 |
| 2016 | Hana-Dama: Phantom · as Executive Producer |
| 2014 |
| 1998 | Yawarakai hada · as Screenplay |
| 2026 |
| 2016 | Hana-Dama: Phantom · as Original Story |
| 2014 | Hana-Dama: The Origins · as Original Story |
| 1987 | Subway Serial Rape; Uniform Hunting · as Assistant Director |
| 1985 | Zetsurin gal: Yaruki mun mun · as First Assistant Director |
| 1985 | Captured White Uniform · as Assistant Director |
| 1985 | Subway Serial Rape · as First Assistant Director |
| 1984 | The kinbaku · as First Assistant Director |
| 1984 | Molester's School Infirmary · as First Assistant Director |
| 1984 | Sexy Timetrip Ninjas · as Assistant Director |
| 1983 | Wet Kimono · as Assistant Director |