Gregg Toland
俳優, 監督
1904年5月29日 — 1948年9月26日 (44年)
From Wikipedia
Gregg Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer noted for his innovative use of lighting and techniques such as deep focus, an example of which can be found in his work on Orson Welles' Citizen Kane.
Toland was born in Charleston, Illinois on May 29, 1904. During the 1930s, Toland became the youngest cameraman in Hollywood but soon one of its most sought-after cinematographers. Over a seven-year span (1936–1942), he was nominated five times for the "Best Cinematography" Oscar, including a win in 1940 for his work on Wuthering Heights. He worked with many of the top directors of his era, including John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, and William Wyler.
Toland was the subject of an "Annals of Hollywood" article in The New Yorker, "The Cameraman," by Hilton Als (June 19, 2006, p. 46). Just before his death, he was concentrating on the "ultimate focus" lens, which makes both near and far objects equally distinct. He died in Los Angeles, California on September 26, 1948 of coronary thrombosis at age 44. He is interred in the Hollywood Forever Cemetery in Hollywood, California.
Gregg Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer noted for his innovative use of lighting and techniques such as deep focus, an example of which can be found in his work on Orson Welles' Citizen Kane.
Toland was born in Charleston, Illinois on May 29, 1904. During the 1930s, Toland became the youngest cameraman in Hollywood but soon one of its most sought-after cinematographers. Over a seven-year span (1936–1942), he was nominated five times for the "Best Cinematography" Oscar, including a win in 1940 for his work on Wuthering Heights. He worked with many of the top directors of his era, including John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, and William Wyler.
Toland was the subject of an "Annals of Hollywood" article in The New Yorker, "The Cameraman," by Hilton Als (June 19, 2006, p. 46). Just before his death, he was concentrating on the "ultimate focus" lens, which makes both near and far objects equally distinct. He died in Los Angeles, California on September 26, 1948 of coronary thrombosis at age 44. He is interred in the Hollywood Forever Cemetery in Hollywood, California.
Plex上の映画と番組
作品リスト
| 1941 | Citizen Kane · as Interviewer |
| 2001 | Walt: The Man Behind the Myth · as Self |
| 1992 | Visions of Light · as Self - Takes Light Level On Gary Cooper |
| 1986 | Nem Tudo é Verdade · as Self |
| 1943 |
| 1943 |
| 1948 | Enchantment · as Director Of PhotographyPlex上 |
| 1948 | A Song Is Born · as Director Of PhotographyPlex上 |
| 1947 | The Bishop's Wife · as Director Of PhotographyPlex上 |
| 1946 | The Best Years of Our Lives · as Director Of PhotographyPlex上 |
| 1946 | Song of the South · as Director Of Photography |
| 1946 | Notorious · as Second Unit Director Of PhotographyPlex上 |
| 1946 | The Kid from Brooklyn · as Director Of PhotographyPlex上 |
| 1943 | December 7th · as Director Of Photography |
| 1943 | The Outlaw · as Director Of PhotographyPlex上 |
| 1941 | Ball of Fire · as Director Of PhotographyPlex上 |
| 1941 | The Little Foxes · as Director Of PhotographyPlex上 |
| 1941 | Citizen Kane · as Director Of Photography |
| 1940 | The Long Voyage Home · as Director Of Photography |
| 1940 | The Westerner · as Director Of PhotographyPlex上 |
| 1940 | The Grapes of Wrath · as Director Of Photography |
| 1939 | Raffles · as Director Of PhotographyPlex上 |
| 1939 | Intermezzo · as Director Of PhotographyPlex上 |
| 1939 | They Shall Have Music · as Director Of PhotographyPlex上 |
| 1939 | Wuthering Heights · as Director Of PhotographyPlex上 |
| 1938 | The Cowboy and the Lady · as Director Of PhotographyPlex上 |
| 1938 | Kidnapped · as Cinematographer |
| 1938 | The Goldwyn Follies · as Director Of PhotographyPlex上 |
| 1937 | Dead End · as Director Of PhotographyPlex上 |
| 1937 | Woman Chases Man · as Director Of PhotographyPlex上 |
| 1937 | History Is Made at Night · as Director Of Photography |
| 1936 | Beloved Enemy · as Director Of PhotographyPlex上 |
| 1936 | Come and Get It · as Director Of PhotographyPlex上 |
| 1936 | The Road to Glory · as Director Of Photography |
| 1936 | These Three · as Director Of Photography |
| 1935 | Splendor · as Director Of Photography |
| 1935 | The Dark Angel · as Director Of Photography |
| 1935 | Mad Love · as Director Of Photography |
| 1935 | Public Hero Number 1 · as Director Of Photography |
| 1935 | Les Misérables · as Director Of PhotographyPlex上 |
| 1935 | The Wedding Night · as Director Of PhotographyPlex上 |
| 1934 | Forsaking All Others · as Director Of Photography |
| 1934 | We Live Again · as Director Of PhotographyPlex上 |
| 1934 | Lazy River · as Director Of Photography |
| 1934 | Nana · as Director Of Photography |
| 1933 | Roman Scandals · as Director Of PhotographyPlex上 |
| 1933 | The Masquerader · as Director Of Photography |
| 1933 | Tugboat Annie · as Cinematographer |
| 1933 | The Nuisance · as Director Of Photography |
| 1932 | The Kid from Spain · as Director Of PhotographyPlex上 |
| 1932 | The Tenderfoot · as Director Of Photography |
| 1932 | The Washington Masquerade · as Director Of Photography |
| 1932 | Man Wanted · as Director Of Photography |
| 1932 | Play Girl · as Cinematographer |
| 1931 | The Unholy Garden · as Cinematographer |
| 1931 | Palmy Days · as Director Of Photography |
| 1931 | Street Scene · as Director Of PhotographyPlex上 |
| 1931 | Indiscreet · as CinematographerPlex上 |
| 1931 | Tonight or Never · as Director Of Photography |
| 1930 | One Heavenly Night · as Director Of Photography |
| 1930 | The Devil to Pay! · as Director Of PhotographyPlex上 |
| 1930 | Whoopee! · as Director Of PhotographyPlex上 |
| 1930 | Raffles · as Director Of Photography |
| 1929 | Queen Kelly · as Cinematographer |
| 1929 | The Trespasser · as Director Of Photography |
| 1929 | Condemned! · as Director Of PhotographyPlex上 |
| 1929 | Bulldog Drummond · as Director Of Photography |
| 1928 | The Life and Death of 9413, a Hollywood Extra · as Director Of Photography |
| 1926 | The Winning of Barbara Worth · as Director Of PhotographyPlex上 |
| 1926 | The Bat · as Cinematographer |