Alex Salter
作曲者
Alex Salter has been working with sound for picture, for over 25 years. His experience as both location sound recordist and sound designer has enabled him to produce motion picture soundtracks with amazing detail and depth. While on location Alex can often be found recording isolated sounds that later in post-production add new dimension to the overall sound experience.
Alex has worked on over 50 National Film Board of Canada productions, and has received numerous awards and nominations, including four Gemini nominations and a Gemini win for John Walker’s, ‘Men of the Deeps’.
Alex has worked on over 50 National Film Board of Canada productions, and has received numerous awards and nominations, including four Gemini nominations and a Gemini win for John Walker’s, ‘Men of the Deeps’.
Filmography
| 2009 | Kid Detectives · as Composer |
| 2019 | Assholes: A Theory · as Sound DesignerPlex上 |
| 2018 | Love, Scott · as Sound Recordist |
| 2016 | Bluefin · as Sound Recordist |
| 2015 | Danny · as Additional Sound Re-Recordist |
| 2012 | The Boxing Girls of Kabul · as Sound Designer |
| 2012 | |
| 2011 | The Chocolate Farmer · as Sound Designer |
| 2011 | Hard Light · as Sound Recordist |
| 2009 | Burning Rubber · as Sound Editor |
| 2008 | The Strangest Dream · as Sound Editor |
| 2006 | Cottonland · as Sound |
| 2005 | Reading Alistair MacLeod · as Sound Editor |
| 2003 | Words of My Perfect Teacher · as Sound Recordist |
| 2003 | Men of the Deeps · as Sound Recordist |
| 2000 | The Fairy Faith · as Sound Recordist |
| 1999 | The Divine Ryans · as Boom Operator |
| 1999 | One Heart Broken Into Song · as Boom Operator |
| 1998 | Rain, Drizzle, and Fog · as Sound Editor |
| 1997 | Seven Brides for Uncle Sam · as Sound Editor |
| 1992 | Buried on Sunday · as Boom Operator |
| 1992 | Secret Nation · as Location Sound Recordist |
| 1989 | Pelts: Politics of the Fur Trade · as Sound Recordist |
| 1987 | In Bed with an Elephant · as Sound |