R
2010    1h 41mホラー, スリラー
4.744%30%4.7
1940: the entire population of Friar, New Hampshire walked up a winding mountain trail, leaving everything behind. 2008: the first official expedition into the wilderness attempts to solve the mystery of the lost citizens of Friar.
監督:Andy Mitton, Jesse Holland
  • Michael LaurinoTeddy Barnes
  • Anessa RamseyMelissa Barnes / プロデューサー
  • Alex DraperWalter Myrick
  • Cassidy FreemanErin Luger / エグゼクティブプロデューサー
  • Clark FreemanDaryl Luger / エグゼクティブプロデューサー
  • Tara GiordanoJill Bateman
  • Sam ElmoreCy Banbridge
  • Laura HeislerLiv McCann
  • Lee WilkofThe Usher
  • Joseph BrabanTicket Boy (as Joseph Collier)
  • Andy Mitton監督 / 脚本 / 編集者 / サウンドデザイナー
  • Jesse Holland監督 / 脚本 / 編集者
  • Eric Hungerfordプロデューサー
  • Joseph VarcaProduction Design
  • Ryan FarberArt Direction
  • Michael HardwickDirector Of Photography
  • Robert EggersCostume Design
  • Arnee CusanoMakeup Artist
  • Brett Dollarスクリプター
  • Lauder RobinsonFirst Assistant Director
  • Timeless Cinema2026年3月17日
    Things start of somewhat intriguing before falling off a cliff and taking a bit of a ridiculous turn. Primarily due to poor execution.
  • John N2025年3月10日
    Good but not great. Slow burn, ominous movie with a good plot and acting. Worth a watch.
  • Paul Walsh2026年3月3日
    A guilty pleasure of mine and a comfort movie for background, second screen viewing. It is a weird film and not for everyone but if it clicks with you, it is a fun ride with unexpected scenes and moments of disturbing and sudden violence.
  • Niztradamus2025年11月26日
    I've pretty much played mandolin the whole movie long because it was that bad. It's just a bunch of people running through a forest, hearing some music from the 1930s and then kill each other. The end. A cool concept with abyssmal execution.
  • Patrick Wai2026年2月21日
    the explanation; it lets you interpret it yourself YellowBrickRoad is one of those rare horror films that actually improves on a second viewing, once you stop waiting for answers and start appreciating the slow psychological unraveling. The director patiently introduces the characters like you’re gearing up for an ill-advised wilderness expedition, and once they hit the trail, the movie feels less like hiking and more like everyone accidentally took progressively stronger hallucinogens and politely agreed not to mention it. The foreboding atmosphere is the real star here—oppressive, uncanny, and punctuated by sudden bursts of violence that feel both shocking and strangely inevitable. Yes, the ending is frustratingly opaque and refuses to explain itself, but that’s also the point: this isn’t a puzzle to be solved so much as a descent into collective madness. It’s a film about obsession, perception, and the danger of needing closure in a place that offers none—which is either deeply profound or deeply annoying, depending on your tolerance for cinematic gaslighting.

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