おかしなおかしな大追跡
監督:Peter Bogdanovich
Two researchers have come to San Francisco to compete for a research grant in music. One seems a bit distracted, and that's before he meets her: a strange woman who seems to have devoted her life to confusing and embarrassing him. At the same time, a woman has her jewels stolen and a government whistle-blower arrives with his stolen top-secret papers. All, of course, have the same style and color overnight bag.
おかしなおかしな大追跡の視聴方法
おかしなおかしな大追跡の評価とレビュー
- cultfilmliker2025年2月19日Would love to see Barbara in a good comedy lol this is my first film of hers and I’m a fan
- alexnoaholdmate2026年3月28日Peter Bogdanovich - who always wanted to be Howard Hawks - remakes Hawks's classic comedy 'Bringing Up Baby', but without the leopard this time. It's funny, the jokes are good, the physical comedy not so much. Ryan O'Neal is no Cary Grant, but Barbra Streisand is cute as a button - and has perfect comic timing. Have fun.
- mhamreus2026年2月5日This is controlled chaos done right. Peter Bogdanovich revives classic screwball comedy and lets it tear through San Francisco with zero apologies. Fast dialogue, escalating misunderstandings, physical gags, and pure slapstick energy that never lets up. Barbra Streisand is unstoppable as Judy Maxwell, a walking tornado of confidence and mischief. Ryan O’Neal is perfectly cast as the increasingly unhinged straight man, watching his carefully planned life get flattened in real time. Their chemistry is the engine that keeps everything from flying off the rails. Then there is Madeline Kahn, stealing scenes as the hilariously jealous, tightly wound fiancée. Her line delivery, facial expressions, and sheer commitment elevate every moment she is in. This is early proof of the comedic brilliance she would later unleash in Blazing Saddles and Young Frankenstein. The plot is proudly absurd. Four identical plaid bags. Mistaken identities stacked on top of mistaken identities. Slapstick chaos that keeps escalating until it detonates into one of the most gloriously unhinged car chases ever filmed. San Francisco’s hills are basically cast members, and the chase is funny not because it is thrilling, but because it is joyfully stupid in the best way. What makes What’s Up, Doc? endure is confidence. The movie never explains the joke. It trusts timing, rhythm, and performance. It knows slapstick works best when played straight and fast.
- Michael Surber2026年2月17日Saw this one in the theater back when it was released. Just as funny today even though this style of film is fairly dated. Film classics like this one or any one of Peter Sellars films simply would not be made today and that's tragic. Instead we are innundated with mediocre content shoveled onto Netflix while there are true gems out there that so many have never seen.
おかしなおかしな大追跡に関するトリビア
おかしなおかしな大追跡は1972年3月10日に公開されました。
おかしなおかしな大追跡はPeter Bogdanovichが監督を務めました。
おかしなおかしな大追跡の上映時間は1h 34mです。
おかしなおかしな大追跡はPeter Bogdanovichがプロデューサーを務めました。
Two researchers have come to San Francisco to compete for a research grant in music. One seems a bit distracted, and that's before he meets her: a strange woman who seems to have devoted her life to confusing and embarrassing him. At the same time, a woman has her jewels stolen and a government whistle-blower arrives with his stolen top-secret papers. All, of course, have the same style and color overnight bag.
おかしなおかしな大追跡の主要人物はJudy Maxwell (Barbra Streisand), Howard Bannister (Ryan O'Neal), Eunice Burns (Madeline Kahn)です。
おかしなおかしな大追跡はGと評価されています。
おかしなおかしな大追跡はコメディ, ロマンス, 犯罪映画です。
おかしなおかしな大追跡は、視聴者によって10点満点中8.8点をつけられています。
おかしなおかしな大追跡の予算は$400万です。
おかしなおかしな大追跡の興行収入は$6600万です。