平和な田舎の村に、得体の知れないよそ者がやってくる。この男についての謎めいた噂が広がるにつれて、村人が自身の家族を残虐に殺す事件が多発していく。そして必ず殺人を犯した村人は、濁った眼に湿疹で爛れた肌をして、言葉を発することもできない状態で現場にいるのだ。事件を担当する村の警官ジョングは、ある日自分の娘に、殺人犯たちと同じ湿疹があることに気付く。ジョングは娘を救うためによそ者を追い詰めていくが、そのことで村は混乱の渦となっていき、誰も想像できない結末へと走り出す――。
哭声／コクソンの視聴方法
- rg94002024年11月1日The Wailing is a movie that fails to come together in my opinion. At its core, I think it flirts with interesting ideas related to xenophobia and utilizing "othering" as a scapegoat for a community and family's problems. This is a very compelling theme; unfortunately, the movie completely ditches this commentary in favor of shock. And that is truly what this movie is focused on, eliciting reactions. Whether it be the titular screeching wailing or the gore or the messed up crimes that make up this movie, everything seems meant to make you uncomfortable. I think these elements are done decently well, but they start to drag as the movie at 2 hours and 30 minutes is fairly long. But as things escalate and the movie starts to ask why things are happening and how to stop them, it starts to fall apart. Subversion becomes the main focus, and the late movie attempts to create confusion felt frustrating to me. If this movie had been much more tightly edited and cognizant of the interesting themes that lay within this premise, it could have been extremely good. Instead, by focusing on trying to just be extreme, it loses sight of its strengths.
- Razorbitz2025年11月29日A film I remember very clearly despite the years seperating my first viewing, and upon revisit I liked it about the same--which wasn't very much. A lot of artistry, a lot of pretention, a lot of absolutely baffling decisions and an insufferable sense of humor that makes my lip curl. I went in with little knowledge on my first viewing--I distinctly remember laughing in surprise when I learned this was considered an all-time classic. I've returned half a decade later with a pair of fresh eyes accompanying me and I liked it even less.I love a good horror comedy but this achieved neither descriptor in my eyes. Some good: The cinematography is absolutely incredible. This alone is why I give it the rating I have, because it is a sumptuous viewing that shines brightly when it casts aside the baffling urge it seems to have to ruin its tension with the worst film cops I've ever seen in a movie as it descends into a slapstick farce. I have enjoyed plenty of Korean cinema but the acting here across the board felt beyond camp at times in a way that felt sucked whatever immersion I might have had out of the experience. I have heard it called the scariest film of all time. I do not understand this. If there was ever a film that made me feel the gulf between my own tastes and the rest of the living world, it's this. There are some great moments of tension, it is true. Narratively, I appreciate the subtext and the uncertainties, the visual storytelling that dances around expectations, an interesting recontextualization. Rather, I would appreciate these elements if the film as a whole didn't give me such a pounding headache from secondhand embarrassment. The ending sequence did nothing for me. For those who like this movie, I am glad you like it. Help me understand! I sincerely ask; does the humor genuinely work for you? What about this movie makes it a GOAT for you compared to other horror films? Other K-Horror films?
- Niztradamus2025年7月10日One of the greatest movies of all time. It isn't particularly scary or violent but the writing, suspense and acting are unmatched. I have seen them all and let me tell you, this... this is a fucking masterpiece. Na Hong-jin is with Quentin Tarantino far beyond anyone else when it comes to directing. Check out The Chaser, The Yellow Sea and The Medium (not directed but written by him) as well. Every single one of them would be a true shame to miss.
- aslamdriver2025年8月31日This is a proper suspense-horror + supernatural thriller movie, and all elements are mixed beautifully here. It’s a slow-burn film, so I recommend watching it in one sitting,only then you can fully enjoy the atmosphere of horror and tension. The story mainly revolves around faith, trust, and doubt. In the end, everything depends on one decision a man takes to save his family. The script and direction are top-class. If you put yourself in the place of the main character, you will also feel the same confusion about what is right and wrong, and that’s the real beauty of this film. For me, it’s worth every second. A must-watch. 10/10.
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20種類以上のプラットフォームで無料で使えます。お手持ちのデバイスをお選びください。哭声／コクソンに関するトリビア
哭声／コクソンは2016年5月12日に公開されました。
哭声／コクソンはNa Hong-jinが監督を務めました。
哭声／コクソンの上映時間は2h 36mです。
哭声／コクソンはLim Min-subがプロデューサーを務めました。
平和な田舎の村に、得体の知れないよそ者がやってくる。この男についての謎めいた噂が広がるにつれて、村人が自身の家族を残虐に殺す事件が多発していく。そして必ず殺人を犯した村人は、濁った眼に湿疹で爛れた肌をして、言葉を発することもできない状態で現場にいるのだ。事件を担当する村の警官ジョングは、ある日自分の娘に、殺人犯たちと同じ湿疹があることに気付く。ジョングは娘を救うためによそ者を追い詰めていくが、そのことで村は混乱の渦となっていき、誰も想像できない結末へと走り出す――。
哭声／コクソンの主要人物はJong-goo (Kwak Do-won), Il-gwang (Hwang Jung-min), Moo-myeong (Chun Woo-hee)です。
哭声／コクソンはGと評価されています。
哭声／コクソンはホラー, 謎, ドラマ映画です。
哭声／コクソンは、視聴者によって10点満点中8.1点をつけられています。
哭声／コクソンの予算は$1095.1万です。
哭声／コクソンの興行収入は$4985.2万です。