Not Rated
2023    1h 50mホラー, サイエンスフィクション
3.875%35%4.4
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Deep in the Mojave desert, under a scorching blood-red sun, four travelers have set up camp to make art. One fateful night, the group is thrust into a feverish tornado of flayed flesh and mind-boggling monstrosities, the likes of which mere humans simply cannot fathom.
監督:Robbie Banfitch
  • Robbie BanfitchRobbie Zagorac / 監督 / 脚本 / プロデューサー / Director Of Photography / 編集者 / サウンドデザイナー
  • Angela BasolisAngela Bocuzzi
  • Scott SchamellScott Zagorac
  • Michelle MayMichelle August
  • Leslie Ann BanfitchLeslie Zagorac
  • Christine Brown911 Operator
  • Melissa AndreaNeighbor
  • Nancy BujnowskiFlight Attendant
  • Aro CaitlinAro Aguilar
  • Scott OakdaleStudio Technician
  • Beau Jamesプロデューサー
  • Robert Abramoffエグゼクティブプロデューサー
  • Salem Belladonnaオリジナルの作曲者
  • Brian BullardProduction Assistant
  • Kevin Ward2025年7月12日
    I liked the build up for this. Characters were likable, the setting beautiful, sound design was impressive. Really liked the idea of the different POV represented by the different memory cards. Almost like a Rashomon for found footage films. Definitely had me intrigued…….BUT…..holy shit I did not like the last hour. Once the horror starts this became an incomprehensible mess. Nothing visible on screen except for what’s illuminated by the world’s smallest flashlight. I seem to be in the minority on this one, so take that with a grain of salt. At least most found footage films have the decency to be less than 80 or 90 minutes long. An hour and 45 minutes was way too long for this. 
  • Paul Walsh2026年3月3日
    A tough movie to review. The sound design and setting are great. The terrible flashlight lit scenes are incomprehensible. I'm thinking this was intentional, but it makes for a hard watch.
  • jackmeat2025年11月25日
    My quick rating - 2.9/10. There must've been something interesting about this one to make me put a found footage flick on my Radarr list. They do have a damn good quality camera, that is for sure. I didn't realize that was the spoiler, a great camera. But after that first 45 minutes of meeting the people on this trip, it turned into a constant black screen with an occasional flashlight spot. But don't worry, since complete darkness will be accompanied by constant screaming for no reason and possibly people running around during the carpet bombing going in nearby. For some reason, the sound effect they use for "that noise" is a stock sound from a bombing during wartime. In case you had some interest in following a story, first, I'll let you know there isn't one. There are just scenes thrown together, night, day, no pants, no POINT. The acting is awful, and I suppose you knew that statement was coming. Oh, I think there are some kind of monsters that I will explain the special effects for. They are sheets dipped in red paint dragged across the ground like snakes. We get a close-up face shot of one of the dudes covered in blood. Why? We have no idea. I guess they just wanted to ensure the audience understood they got their inspiration from the Blair Witch nonsense. Holding the camera upside down isn't art; it is lazy, just like having zero plot for 110 minutes. That camera really made the blood effects toward the end look damn good. If only we knew why there was blood, and who or what from. The only thing I can think of is Skinamarink and how the found-footage genre seems to be taking steps backward. No storyline whatsoever and just random shots thrown together in no meaningful order. Although Deadstream was quite good, so maybe all hope isn't lost.
  • Richard Scott Long2025年11月21日
    Well its shot in the dark desert night,with the only light a single flashlight, lots of blood and screaming, and who knows what's going on. While watching i thought this is terrible,but in the end ,I thought,you know,it's pretty good .😊. Did I like it or not? I really dont know

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